Ekphrasis: The Illusion of the Natural Sign

Originally published in 1992. What, in apparently pictorial poetry, do words represent? Conversely, how can words in a poem be picturable? Murray Krieger develops a systematic theoretical statement out of answers to such questions. Ekphrasis is his account of the continuing debates over meaning in language from Plato to the present. Krieger sees the modernist position as the logical outcome of these debates but argues that more recent theories radically question the political and aesthetic assumptions of the modernists and the two-thousand-year tradition they claim to culminate. Krieger focuses on ekphrasis—the literary representation of visual art, real or imaginary—a form at least as old as its most famous example, the shield of Achilles verbally invented in the Iliad. He argues that the "ekphrastic principle" has remained enduringly problematic in that it reflects the resistant paradoxes of representation in words. As he examines the conflict between the spatial and temporal, between vision-centered and word-centered metaphors, Krieger reveals how literary theory has been shaped by the attempts and the deceptive failures of language to do the job of the "natural sign."

1112304328
Ekphrasis: The Illusion of the Natural Sign

Originally published in 1992. What, in apparently pictorial poetry, do words represent? Conversely, how can words in a poem be picturable? Murray Krieger develops a systematic theoretical statement out of answers to such questions. Ekphrasis is his account of the continuing debates over meaning in language from Plato to the present. Krieger sees the modernist position as the logical outcome of these debates but argues that more recent theories radically question the political and aesthetic assumptions of the modernists and the two-thousand-year tradition they claim to culminate. Krieger focuses on ekphrasis—the literary representation of visual art, real or imaginary—a form at least as old as its most famous example, the shield of Achilles verbally invented in the Iliad. He argues that the "ekphrastic principle" has remained enduringly problematic in that it reflects the resistant paradoxes of representation in words. As he examines the conflict between the spatial and temporal, between vision-centered and word-centered metaphors, Krieger reveals how literary theory has been shaped by the attempts and the deceptive failures of language to do the job of the "natural sign."

47.0 In Stock
Ekphrasis: The Illusion of the Natural Sign

Ekphrasis: The Illusion of the Natural Sign

by Murray Krieger
Ekphrasis: The Illusion of the Natural Sign

Ekphrasis: The Illusion of the Natural Sign

by Murray Krieger

eBook

$47.00 

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

Originally published in 1992. What, in apparently pictorial poetry, do words represent? Conversely, how can words in a poem be picturable? Murray Krieger develops a systematic theoretical statement out of answers to such questions. Ekphrasis is his account of the continuing debates over meaning in language from Plato to the present. Krieger sees the modernist position as the logical outcome of these debates but argues that more recent theories radically question the political and aesthetic assumptions of the modernists and the two-thousand-year tradition they claim to culminate. Krieger focuses on ekphrasis—the literary representation of visual art, real or imaginary—a form at least as old as its most famous example, the shield of Achilles verbally invented in the Iliad. He argues that the "ekphrastic principle" has remained enduringly problematic in that it reflects the resistant paradoxes of representation in words. As he examines the conflict between the spatial and temporal, between vision-centered and word-centered metaphors, Krieger reveals how literary theory has been shaped by the attempts and the deceptive failures of language to do the job of the "natural sign."


Product Details

ISBN-13: 9781421431215
Publisher: Johns Hopkins University Press
Publication date: 12/01/2019
Sold by: Barnes & Noble
Format: eBook
Pages: 322
File size: 11 MB
Note: This product may take a few minutes to download.
Age Range: 18 Years

About the Author

Murray Krieger is University Professor of English at the University of California, Irvine. He is the author of A Reopening of Closure: Organicism against Itself and Words about Words about Words: Theory, Criticism, and the Literary Text, the latter available from Johns Hopkins University Press.


Murray Krieger, until recently the first holder of the M. F. Carpenter Chair in Literary Criticism at the University of Iowa, is now a professor of English at the University of California at Irvine. His many books include Ekphrasis: The Illusion of the Natural Sign and Words about Words about Words: Theory, Criticism, and the Literary Text.

Table of Contents

Acknowledgments
Foreword: Of Shields
Chapter 1. Picture and Word, Space and Time: The Exhilaration – and Exasperation – of Ekphrasis as a Subject
Chapter 2. Representation as Illusion: Dramatic Representation and the Natural-Sign Aesthetic
Chapter 3. Representation as Enargeia I: Verbal Representation and the Natural-Sign Aesthetic
Chapter 4. Representation as Enargeia II: Nature's Transcendence of the Natural Sign
Chapter 5. The Verbal Emblem I: The Renaissance
Chapter 6. Language as Aesthetic Material
Chapter 7. The Verbal Emblem II: From Romanticism to Modernism
Chapter 8. A Postmodern Retrospect: Semiotic Desire, Repression in the Name of Nature, and a Space for the Ekphrastic
Appendix: Ekphrasis and the Still Movement of Poetry; or Laokoön Revisited (1967)
Index

From the B&N Reads Blog

Customer Reviews