Furious Feminisms: Alternate Routes on Mad Max: Fury Road
A provocative peek into this complicated film as a space for subversion, activism, and imaginative power

While both fans and foes point to Mad Max: Fury Road’s feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors—from backgrounds in art history, American literature, disability studies, and sociology—ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty—first century. Can we find beauty in the Anthropocene? Can power be wrested from a violent system without employing and perpetuating violence? 

This experiment in collaborative criticism weaves multiple threads of dialogue together to offer a fresh perspective on our current cultural moment. 

Forerunners: Ideas First
Short books of thought—in—process scholarship, where intense analysis, questioning, and speculation take the lead

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Furious Feminisms: Alternate Routes on Mad Max: Fury Road
A provocative peek into this complicated film as a space for subversion, activism, and imaginative power

While both fans and foes point to Mad Max: Fury Road’s feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors—from backgrounds in art history, American literature, disability studies, and sociology—ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty—first century. Can we find beauty in the Anthropocene? Can power be wrested from a violent system without employing and perpetuating violence? 

This experiment in collaborative criticism weaves multiple threads of dialogue together to offer a fresh perspective on our current cultural moment. 

Forerunners: Ideas First
Short books of thought—in—process scholarship, where intense analysis, questioning, and speculation take the lead

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Furious Feminisms: Alternate Routes on Mad Max: Fury Road

Furious Feminisms: Alternate Routes on Mad Max: Fury Road

Furious Feminisms: Alternate Routes on Mad Max: Fury Road

Furious Feminisms: Alternate Routes on Mad Max: Fury Road

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Overview

A provocative peek into this complicated film as a space for subversion, activism, and imaginative power

While both fans and foes point to Mad Max: Fury Road’s feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors—from backgrounds in art history, American literature, disability studies, and sociology—ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty—first century. Can we find beauty in the Anthropocene? Can power be wrested from a violent system without employing and perpetuating violence? 

This experiment in collaborative criticism weaves multiple threads of dialogue together to offer a fresh perspective on our current cultural moment. 

Forerunners: Ideas First
Short books of thought—in—process scholarship, where intense analysis, questioning, and speculation take the lead


Product Details

ISBN-13: 9781517909192
Publisher: University of Minnesota Press
Publication date: 01/21/2020
Series: Forerunners: Ideas First
Pages: 82
Product dimensions: 5.00(w) x 6.80(h) x 0.40(d)

About the Author

Alexis L. Boylan is associate professor in the art and art history department and the Africana Studies Institute at University of Connecticut. 

Anna Mae Duane is associate professor of English at University of Connecticut. 

Michael Gill is associate professor of disability studies at Syracuse University. 

Barbara Gurr is associate professor in the Women’s, Gender, and Sexuality Studies Program at University of Connecticut.

Table of Contents

Contents

Welcome to the Wasteland: Some Terms

Introduction

Alexis L. Boylan, Anna Mae Duane, Michael Gill, and Barbara Gurr

Just a Warrior at the End of the World

Barbara Gurr

Is the Future Disabled?

Michael Gill

We Are Not Things! Fury Road’s White Slavery Story

Anna Mae Duane

Post—Post—Post Beauty at the End of the World

Alexis L. Boyle

We and Not We: Conclusion

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