"Nussbaum wonderfully sweetens a stark subject with doses of idiosyncratic humor and hard-earned pathos . . . [she] upholds the individuality and integrity of her characters, never stooping to saccharine cliches or Hollywood manipulation . . . [a] moving story." —The Wall Street Journal
"This is a world as foreign to most as another planet. That Nussbaum is able to make it as real and as painful and joyful and alive as she does is a spectacular accomplishment . . . a joy for readers." —Chicago Tribune
"Each character tells his or her own story in alternating chapters with lively, diverse, authentic voices . . . Nussbaum will have readers rooting for these brave, vulnerable teens to fight for better lives." —School Library Journal
"Saucy, brutally funny, gritty, profane, poignant and real." —The Kansas City Star
"A knockout . . . Nussbaum possesses an astonishing ear for idiosyncratic voices, and a talent for creating characters who appear in full bloom within a few sentences. This is an easy book to love and admire—but more than that, it's a book that has the potential to change forever the conversation we are (or are not) having about what it means to be 'disabled' . . . In Good Kings Bad Kings, we have the rare opportunity to be awakened by hearing the truth delivered with beauty alongside agony, despair interwoven with possibility." —Los Angeles Review of Books
“Nussbaum’s dramatist skills translate powerfully into fiction as she gives voices to an infatuating cast of characters . . . This is unquestionably an authentic, galvanizing, and righteous novel.” —Booklist (starred review)
“Well-meaning, well-written and well-plotted, with qualified justice for some of the bad guys and hope for a few of the oppressed: A most appropriate winner of the 2012 PEN/Bellwether Prize for Socially Engaged Fiction.” —Kirkus Reviews
“A stirring debut from a determined writer and activist.” —Publishers Weekly
"Nussbaum wonderfully sweetens a stark subject with doses of idiosyncratic humor and hard-earned pathos . . . [she] upholds the individuality and integrity of her characters, never stooping to saccharine cliches or Hollywood manipulation . . . [a] moving story." —The Wall Street Journal
"This is a world as foreign to most as another planet. That Nussbaum is able to make it as real and as painful and joyful and alive as she does is a spectacular accomplishment . . . a joy for readers." —Chicago Tribune
"Each character tells his or her own story in alternating chapters with lively, diverse, authentic voices . . . Nussbaum will have readers rooting for these brave, vulnerable teens to fight for better lives." —School Library Journal
"Saucy, brutally funny, gritty, profane, poignant and real." —The Kansas City Star
"A knockout . . . Nussbaum possesses an astonishing ear for idiosyncratic voices, and a talent for creating characters who appear in full bloom within a few sentences. This is an easy book to love and admire--but more than that, it's a book that has the potential to change forever the conversation we are (or are not) having about what it means to be 'disabled' . . . In Good Kings Bad Kings, we have the rare opportunity to be awakened by hearing the truth delivered with beauty alongside agony, despair interwoven with possibility." —Los Angeles Review of Books
“Nussbaum’s dramatist skills translate powerfully into fiction as she gives voices to an infatuating cast of characters . . . This is unquestionably an authentic, galvanizing, and righteous novel.” —Booklist (starred review)
“Well-meaning, well-written and well-plotted, with qualified justice for some of the bad guys and hope for a few of the oppressed: A most appropriate winner of the 2012 PEN/Bellwether Prize for Socially Engaged Fiction.” —Kirkus Reviews
“A stirring debut from a determined writer and activist.” —Publishers Weekly
“A mighty first novel . . . Authentic, galvanizing, and righteous.”
Playwright Nussbaum’s debut novel—the 2012 winner of Barbara Kingsolver’s PEN/Bellwether Prize—takes readers behind the scenes at a facility for disabled teens. Woven from short individual chapters in first-person narrative, at first it reads like a series of darkly funny, often frightening character sketches. As the book progresses, however, the darker side of the facility’s management and desire for profit emerges. From Yessenia (transferred from Juvie), to Mia (keeping a horrifying secret), to Ricky and Joanne (devoted and determined to make a positive difference), to Michelle (working for the management company and slowly growing aware of what her job entails), these individuals are complicated, funny, heartbreaking, and inspiring. How they are pushed beyond breaking points and emerge into the wider world is captivating. Nussbaum’s obvious gifts as a playwright make this read more like a performance piece than a novel. Some of the cadence and vernacular choices can distract, as can the use of the present tense, but the book offers insight into the lives of those hidden away from the public, and it will have readers questioning “the system’s” choices and the public’s complacency. This is a stirring debut from a determined writer and activist. (May 28)
Winner of the 2012 PEN/Bellwether Prize for Socially Engaged Fiction, playwright Nussbaum's debut novel opens with tenth-grader Yessenia Lopez narrating from the "punishment room" at the Illinois Learning and Life Skills Center (ILLC), a state-run nursing facility for adolescents with disabilities. Joanne Madsen, disabled by an accident, works as a data-entry clerk at the center and provides insight about the conditions she finds. Readers meet other residents and employees in short, first-person pieces as their struggles and dramas intersect; ties among the characters are deepened by Yessenia's friendship with certified nursing assistant Jimmie Kendrick and Joanne's growing romantic relationship with Ricky Hernandez, the center's driver. Meanwhile, Michelle Volkmann, recruiter for the corporate parent company, trolls area hospitals and events for bodies to fill beds and turn profits, even as patient neglect and penny-pinching threaten the well-being of all associated with ILLC. VERDICT A compelling and authentic vision of life in facilities for the disabled, told with humor and immediacy, this work will appeal to the many fans of Dave Pelzer's memoir, A Child Called It. Fans of Barbara Kingsolver, Toni Morrison, and Julia Alvarez, as well as mature young adults, will appreciate the journey of these strong young people.—Jennifer B. Stidham, Houston Community Coll.-Northeast
The winner of the 2012 PEN/Bellwether Prize for Socially Engaged Fiction examines the workings of an institution for disabled teens run by a corporation that is more interested in profit than providing patient care. Collusion between doctors and hospitals, sadistic guards, and neglect resulting in a young man’s death are only some of the horrific revelations. Written as a series of narrative monologues, this is a wonderful vehicle for audio, with engaging, heartrending performances by a talented cast of actors. Listeners meet Yessenia, a feisty wheelchair-bound teenager; Mia, who is being sexually abused by a “houseparent”; and Joanne, Ricky, and Jimmie, caring staff members. The villains are really bad, the heroes are overworked, and the kids are at the mercy of a corrupt system. Enlightening listening. S.J.H. © AudioFile 2013, Portland, Maine
The winner of the 2012 PEN/Bellwether Prize for Socially Engaged Fiction examines the workings of an institution for disabled teens run by a corporation that is more interested in profit than providing patient care. Collusion between doctors and hospitals, sadistic guards, and neglect resulting in a young man’s death are only some of the horrific revelations. Written as a series of narrative monologues, this is a wonderful vehicle for audio, with engaging, heartrending performances by a talented cast of actors. Listeners meet Yessenia, a feisty wheelchair-bound teenager; Mia, who is being sexually abused by a “houseparent”; and Joanne, Ricky, and Jimmie, caring staff members. The villains are really bad, the heroes are overworked, and the kids are at the mercy of a corrupt system. Enlightening listening. S.J.H. © AudioFile 2013, Portland, Maine
Playwright/activist Nussbaum makes her fiction debut with a scathing look at life inside an institution for disabled juveniles. Located next to the old Chicago stockyards, the Illinois Learning and Life Skills Center is hardly as nurturing as its name suggests. Formerly state-run, ILLC is now operated by a private company whose main interest is in maximizing profits; while Whitney-Palm cuts costs and corners, ILLC's doctors get kickbacks for ordering millions of dollars in unnecessary tests for their patients. One of the "houseparents" is sexually abusing a terrified incest survivor; one of the guards is a brutal bully who eventually breaks a boy's jaw. Even the well-meaning employees are so exhausted and overstretched due to staff cuts that one wheelchair-bound kid dies of third-degree burns from a scalding shower when left unsupervised. Nussbaum unfolds her story in a polyphonic narrative whose colorful individual voices somewhat mitigate the parade of grim particulars. Tough yet vulnerable Yessenia is a particularly engaging narrator among the residents, and gentle, caring guard Ricky has a touching romance with Joanne, a disabled activist who does clerical work at ILLC and serves as the novel's political conscience. Nussbaum doesn't deal in shades of gray: Whitney-Palm donates big bucks to Republicans and Democrats alike to make sure its misdeeds go unpunished, and odious VP Tim denies workers raises while enjoying his sailboat and house in Florida. Since the author herself works with disabled teens, these all-black villains may well be based on fact, but they make for slightly schematic fiction. Nonetheless, Nussbaum's vivid portraits of a wide variety of ILLC residents, some of whom are mentally ill as well as physically challenged, reveal the three-dimensional humanity of people the rest of society is all too willing to neglect and ignore. Well-meaning, well-written and well-plotted, with qualified justice for some of the bad guys and hope for a few of the oppressed: A most appropriate winner of the 2012 PEN/Bellwether Prize for Socially Engaged Fiction.
