Wall Street meets the Sons of Anarchy in Hard Rules, the smoldering, scorching first novel in the explosively sexy new Dirty Money series from New York Times bestselling author Lisa Renee Jones.
How bad do you want it?
The only man within the Brandon empire with a moral compass, Shane Brandon is ready to take his family’s business dealings legitimate. His reckless and ruthless brother, Derek wants to keep Brandon Enterprises cemented in lies, deceit, and corruption. But the harder Shane fights to pull the company back into the light, the darker he has to become. Then he meets Emily Stevens, a woman who not only stirs a voracious sexual need in him, but becomes the only thing anchoring him between good and evil.
Emily is consumed by Shane, pushed sexually in ways she never dreamed of, falling deeper into the all-encompassing passion that is this man. She trusts him. He trusts her, but therein lies the danger. Emily has a secret, the very thing that brought her to him in the first place, and that secret could destroy them both.
This is book ONE of FOUR in Shane and Emily's story.
Excerpt from Hard Rules (Dirty Money book #1)
His hand curls around mine and he drags it to his knee, and the way he’s looking at me, like the rest of the room, no, the rest of the world, doesn’t exist, steals my breath. I haven’t allowed anyone to really look at me in a very long time.
“Emily,” he says, doing whatever he does to turn my name into a sin that seduces rather than destroys me.
“Shane,” I manage, but just barely.
“Did you say yes to dinner because you didn’t want to be alone?”
I am not sure where he is going with this, if it’s about reading me or if he needs validation that I am here for him, so I give him both. “I like being alone,” I say, and on some level, it really is true. “I said yes to dinner because you are the one who asked.” My lips curve. “Actually you barely asked. You mostly ordered.”
“I couldn’t let you say no.”
“I’m actually really glad you didn’t.”
“And yet you say you like being alone?”
“It’s simple and without complication.”
“Spoken like someone who’s lived the opposite side of the coin.”
“Haven’t we all?”
“Who burned you, Emily?”
I blanch but recover with a quick, “Who says anyone burned me?”
“I see it in your eyes.”
“Back to my eyes,” I say.
“Yes. Back to your eyes.”
Those two words sizzle, matching the heat in his eyes, and my throat goes dry. “Then stop asking so many questions.”
He reaches up, brushing hair behind my ear, his fingers grazing my cheek, and suddenly he is closer, his breath a tease on my cheek, his fingers settling on my jaw. “What if I want to know more about you?”
“What if I don’t want to talk?”
“Are you suggesting I shut up and kiss you?”
Yes, I think. Please. But instead I say, “I don’t know. I haven’t interviewed you as you have me. I know nothing about you. I want to know if you—”
He leans in, and then his lips are on mine, a caress, a tease, that is there and gone, and yet I am rocked to the core, a wave of warmth sliding down my neck and over my breasts. He lingers, his breath fanning my lips, promising another touch I both need and want, as he asks, “You want to know if I what?”
About the Author
New York Times and USA Today bestselling author Lisa Renee Jones is the author of the highly acclaimed Inside Out series. In addition, both her Tall, Dark and Deadly series and The Secret Life of Amy Bensen series spent several months on a combination of the New York Times and USA Today lists.
Since beginning her publishing career in 2007, Lisa has published more than 40 books that have been translated around the world. Booklist says that Jones's suspense truly sizzles with an energy similar to FBI tales with a paranormal twist by Julie Garwood or Suzanne Brockmann.
Prior to publishing, Lisa owned a multi-state staffing agency that was recognized many times by The Austin Business Journal and also praised by Dallas Women Magazine. In 1998 LRJ was listed as the #7 growing women owned business in Entrepreneur Magazine.
Read an Excerpt
A Dirty Money Novel
By Lisa Renee Jones
St. Martin's PressCopyright © 2016 Lisa Renee Jones
All rights reserved.
I park the silver Bentley convertible, which my father gifted me last year for saving his ass, into my reserved spot in the garage of the downtown Denver high-rise building owned by our family conglomerate, Brandon Enterprises. It's a car he and I both know was far more about his attempt to drag me to the dark side, and aligning me with his way of doing business, than the thank-you for keeping his ass out of jail. I'd have refused the damn thing if my mother hadn't begged me to take it, insisting I'd bruise him when he's already fragile and cancer-ridden. Like my father ever fucking bruises and he damn sure isn't fragile. And if he knew I'd coddled him, he'd most likely spit in my face, and tell me I'm a disappointment.
Killing the engine, I exit the vehicle and stare at my older brother's white Porsche 911, also a gift from my father, ironically and most likely for getting us into the very mess I'd returned to Denver to clean up. Jaw clenched, I shove my keys into the pocket of the gray two-thousand-dollar suit I'd bought back in New York, a reward to myself for winning a high-profile case for one of the most prestigious law firms in the country. I wore it today to remind myself that I'm a few well-played cards from conquering the challenge I took when I returned home: becoming the head of the family empire when my father retires and replacing all the dirty money running through six of the seven asset companies with good, clean cash. Namely, the revenue produced by Brandon Pharmaceuticals, or BP, the newest asset I'd forced into acquisition only three months ago.
I head toward the elevators, when my cell phone buzzes with a text. Fishing it from my jacket pocket, I glance down to read a message from my secretary, Jessica: Seth just called. Needs to speak to you urgently. I told him you had a meeting at the BP division this morning and he hung up on me. Knowing Seth, he'll show up at your meeting. Seth Cage was the one person I brought to the company with me, and the only person other than Jessica who I trust now that I'm here.
I punch the call button for the elevator, and dial Seth. "I'm pulling into the BP parking lot now to see you," he says by way of greeting.
"I just pulled into the garage downtown."
"Son of a bitch. I'm pulling a U-turn at the security gates. I have something you need to see now, not later, and I can't talk about it on the phone. Is your brother in the building?"
I glance at the Porsche. "His car's here so I assume he is as well. What the hell has Derek done now?"
"Let's just say I'm not sure it's a good idea that he's in close range when you find out. Let's meet outside the office."
"Fuck me," I growl.
"No," he amends. "More like fuck us all."
"I don't even want to know what that means," I say, catching the elevator door that's opened and already trying to close. "Meet me at the coffee shop."
"That still puts you in the same building as him. I don't think that's a good idea."
"Just hurry the hell up and get here," I order testily, ending the call and stepping into the otherwise empty car where I punch the L button on the panel to my left. In the short trip to the lobby level, I manage to come up with at least five ways my brother could fuck over the plays I have in action, and I'm still counting.
Exiting into the gray marble corridor, I walk toward the huge oval foyer of the building and then to the right, where a coffee shop is nestled between a restaurant and a postal facility, both of which rent from Brandon Enterprises. I head to the counter when Karen, the owner of the coffee shop — a robust forty-something woman with red hair and a big attitude — appears, leaving me no escape from her habitual chitchat.
"Well, well, well," she says, leaning on the counter. "Now I know what I'm missing on the morning shift and I do declare that seeing Shane Brandon himself, instead of his secretary, is a better 'wake-me-up' than any java shot I sell. But then, you Brandon boys came by those looks honestly. That father of yours is a looker."
And therein lies the reason she irritates the shit out of my mother and I happily treat Jessica to afternoon coffee to have her bring me mine. Karen's not only a chatterbox and a flirt, she has it bad for my father.
"All right now," Karen says, grabbing a cup and pen, and preparing to write. "Large latte with a triple shot?"
"Just what the doctor ordered," I confirm, though I have a feeling once Seth arrives I'll be wishing for a bottle of whiskey.
"Will do, honey," she says, giving me a wink before moving toward the espresso machine. "I'll add it to your tab."
I retreat to the end of the counter where the orders are delivered, resting my elbow on the ledge, retreating into my mind and chasing problems made worse by the division between Derek and me. He's thirty-seven, five years my senior, and the rightful successor to our father. I'd happily stepped aside and started my own life, but damn it to hell, I know things now and I can't walk away.
My order appears and I straighten, intending to claim my coffee and find a seat, when a pretty twenty-something brunette races forward in a puff of sweet, floral-scented perfume, and grabs it.
"Miss," I begin, "that's —"
She takes a sip and grimaces. "What is this?" She turns to the counter. "Excuse me," she calls out. "My drink is wrong."
"Because it's not your drink," Karen reprimands her, setting a new cup on the counter. "This is your drink." She reaches for my cup and turns it around, pointing to the name scribbled on the side. "This one's for Shane." She glances at me. "I'll be right back to fix this. I have another customer."
I wave my acknowledgment and she hurries away, while my floral-scented coffee thief faces me, her porcelain cheeks flushed, her full, really damn distracting mouth painted pink. "I'm so sorry," she offers quickly. "I thought I was the only one without my coffee and I was in a hurry." She starts to hand me my coffee and then quickly sets it on the counter. "You can't have that. I drank out of it."
"I saw that," I say, picking it up. "You grimaced with disgust after trying it."
Her eyes, a pale blue that matches the short-sleeved silk blouse, go wide. "Oh. I mean no. Or I did, but not because it's a bad cup of coffee. It's just very strong."
"It's a triple-shot latte."
"A triple," she says, looking quite serious. "Did you know that in some third-world countries they bottle that stuff and sell it as a way to grow hair on your chest?" She lowers her voice and whispers, "That's not a good look for me."
"Fortunately," I say in the midst of a chuckle I would have claimed wasn't possible five minutes ago, "I don't share that dilemma." I lift my cup and add, "Cheers," before taking a drink, the heavy, rich flavor sliding over my tongue.
She pales, looking exceedingly uncomfortable, before repeating, "I drank from that cup."
"I know," I say, offering it back to her. "Try another drink."
She takes the cup and sets it on the counter. "I can't drink that. And you can't either." She points to the hole on top, now smudged pink. "My lipstick is all over it and I really hate to tell you this but it's all over you too and ..." She laughs, a soft, sexy sound, her hands settling on her slender but curvy hips, accented by a fitted black skirt. "Sorry. I don't mean to laugh, but it's not a good shade for you."
I laugh now too, officially and impossibly charmed by this woman in spite of being in the middle of what feels like World War III. "Seems you know how to make a lasting impression."
"Thankfully it's not lasting," she says. "It'll wipe right off. And thank you for being such a good sport. I really am sorry again for all of this."
"Apologize by getting it off me."
Confusion puckers her brow. "What?"
"You put it on me." I grab a napkin from the counter and offer it to her. "You get it off."
"I put it on the cup," she says, clearly recovering. "You put it on you."
"I assure you, that had I put it on me, we both would have enjoyed it much more than we are now." I glance at the napkin. "Are you going to help me?"
Her cheeks flush and she hugs herself, her sudden shyness an intriguing contrast to her confident banter. "I'll let you know if you don't get it all."
My apparently lipstick-stained lips curve at her quick wit but I take the napkin and wipe my mouth, arching a questioning brow when I'm done. She points to the corner of my mouth. "A little more on the left."
I hand her the napkin. "You do it."
She inhales, as if for courage, but takes it. "Fine," she says, stepping closer, that wicked sweet scent of hers teasing my nostrils. Wasting no time, she reaches for my mouth, her body swaying in my direction while my hand itches to settle at her waist. I want this woman and I'm not letting her get away.
"There," she says, her arm lowering, and not about to let her escape, I capture her hand, holding it and the napkin between us.
Those gorgeous pale blue eyes of hers dart to mine, wide with surprise, the connection sparking an unmistakable charge between us, which I feel with an unexpected, but not unwelcome, jolt. "Thank you," I say, softening the hard demand in my tone that long ago became natural.
"I owed you," she says, her voice steady, but there's a hint of panic in her eyes that isn't what I expect from this clearly confident, smart woman.
"What's your name?" I ask.
"Emily," she replies, sounding just a hint breathless. I decide right then that I like her breathless but I'd like her a whole lot more if she were naked and breathless. "And you're Shane."
"That's right," I say, already thinking of all the ways I could make her say my name again. "I've never seen you here before."
"I've never been here before," she counters and I have this sense that we are sparring, when we're not. Or are we?
My cell phone rings and I silently curse the timing, some sixth sense telling me that the minute I let go of this woman, she's gone, but I also have to think about whatever explosion Seth is trying to contain. "Don't move," I order, before releasing her to dig my phone from my pocket. I glance down at the caller ID to find my mother's number, and just that fast, Emily darts around me.
I curse and turn, fully intending to pursue her, only to have Seth step in front of me. Considering the man equals my six feet two inches, and is broader than I am wide, he stops me in my tracks. I grimace and he arches a blond brow that matches the thick waves of hair on his head. "Looking for me?"
"You'll do," I say, reaching for my coffee and bypassing it to pick up Emily's instead, or rather holding it captive for the return I doubt she'll make.
"Good to see you too," he says, the words dripping with his trademark sarcasm, which five years of knowing him has taught me to expect.
"Bring me good news for once," I say, motioning us forward, leading the way through several display racks of chocolates and coffees, as well as a trio of empty tables, to claim a seat at a corner table facing the entryway.
Seth sits next to me rather than across from me, keeping an eye on the door, the ex-CIA agent in him ever present, his skills and loyalty paired with his no-nonsense attitude only a few of the reasons I recruited him from my firm in New York. He opens a large white envelope and pulls out a picture, setting it in front of me. "The private security company we contracted to do surveillance on your brother delivered this to me about an hour ago."
I stare down at the image of my brother handing a large envelope to a man I've never seen before. I eye Seth. "Who is he?"
"He works for the FDA."
Any remnant of pleasure I'd taken from the exchange with Emily disappears. "Obviously it's related to the pharmaceutical division and I don't even want to think about how many laws we broke in that exchange."
"That's why I wanted you to see it right away."
"Do we know what was in the envelope? Do we know anything?"
"The FDA employee's name and tenure. That's about it, but I authorized the security team to follow him as of today."
I glance at the picture, wrestling with anger that will get me nowhere but the hell to which my brother is trying to drag me. "This is the aftermath of last week's stockholder meeting. I walked in there singing the praises of BP profit margins, with the promise that once the FDA approves our new asthma drug, it would allow us to let go of all the dirty money."
"And all they heard was the chance to double their money," Seth supplies. "Enter Derek, who promises to make it happen in a ploy to claim the table. You knew this could happen. We talked about it. Dishonest people don't suddenly become honest."
"No," I say tightly. "They don't. And I haven't been operating with the same killer instincts as I did in the firm or this wouldn't have happened."
"Because you still haven't let go of the firm."
"It's not the firm I haven't let go of. It's my brother. Because despite my denial, I knew staying meant my brother became my enemy."
Seth leans closer. "Listen to me, Shane. I'm thirty-five years old. I did seven years in the CIA and five years of contract work all over the world before I happened to take a job that threw us together. I've seen monsters. I've seen criminals. I've seen your family and I say this not just as the person you hired to have your back, but the friend who would have it anyway." He taps the image of my brother in the photo. "This man is your enemy. And I'm not going to let you forget it."
"He's also my brother, and this is my family, who I want to save."
"You may not be able to."
"I'm aware of that and if I don't take this company as my life, the way I did my law career, I won't succeed. And believe me, I've navigated enough family-driven litigation to know that blood divides as easily as it unites, especially when money and power are involved. I have to get ahead of this before we all end up bloody or in jail."
"So we agree. This is war."
"It's always been war. I didn't want to name it, but I am now. It's time we go to battle."
"I played nice for my brother's sake. Today he put me — us — into the line of fire with the law, and I'm done pulling punches. The number-one obstacle is my need for the board's vote to gain control."
"And when exactly is that vote? Because the last I heard, your father wasn't exactly retiring to hit a bucket list. If he hadn't dropped twenty pounds in six months, I could forget the man is dying of cancer."
If only forgetting made it not true. "Whatever the case, a vote now would not be in my favor and since we've agreed there isn't a cure for corruption, our board needs to go away. That's the only way I can freely dissolve the root of all of our problems, which is Brandon Financial, where my father's spent decades hiding people's money and doing dirty deals for them. The rest of the companies — trucking, restaurants, real estate, and steel — they're nothing but shells to hide money for us and those clients."
"You won't get rid of them without playing hardball."
"I didn't win the case I won, or save my father's ass from the Feds, by playing softball. This is a chess game, and you can ask my father and brother. I'm damn good at chess, both on the board, and off. Hire the staff you need and get me the kind of leverage I can use to push them out."
"Dirt or leverage?"
"Isn't it one and the same with these kinds of people?"
"There can be a fine line."
"And I'll evaluate when I have data to analyze but if I don't do this in one fatal blow, my family will push me out before I can."
"I've already pulled enough substantial 'dirt' on everyone to force an exit, with the exception of Mike Rogers. He's reading clean to me. The man owns a professional basketball team and twenty percent of our stock and I can't figure out why he's even risking the liability he knows exists here. He has to have hidden money with your father, but we can't use that without the threat of the company being exposed."
"His money is exactly why he's involved. He has a boatload to hide and invest. He has more to lose when we shut down the investment division than anyone. Interestingly enough, Mike is the only one, aside from me, Derek, and my father, who has the complete list of transactions for the financial division. He could rally people together. He's dangerous."
"Why would your father put him on the board and give him that kind of power?"
"Good question, because my father isn't one to give anyone else power. I'll ask my mother what she knows. In the meantime, get me what you have on the others."
Excerpted from Hard Rules by Lisa Renee Jones. Copyright © 2016 Lisa Renee Jones. Excerpted by permission of St. Martin's Press.
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