Horror Films for Children: Fear and Pleasure in American Cinema
Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes.

Horror Films for Children examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?
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Horror Films for Children: Fear and Pleasure in American Cinema
Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes.

Horror Films for Children examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?
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Horror Films for Children: Fear and Pleasure in American Cinema

Horror Films for Children: Fear and Pleasure in American Cinema

by Catherine Lester
Horror Films for Children: Fear and Pleasure in American Cinema

Horror Films for Children: Fear and Pleasure in American Cinema

by Catherine Lester

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Overview

Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes.

Horror Films for Children examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?

Product Details

ISBN-13: 9781350135284
Publisher: Bloomsbury Publishing
Publication date: 10/21/2021
Sold by: Barnes & Noble
Format: eBook
Pages: 232
File size: 4 MB

About the Author

Catherine Lester is Lecturer in Film and Television at the University of Birmingham, UK. Prior to this, she was a teaching assistant and PhD candidate at the University of Warwick. Her primary teaching and research interests include children's media, animation and the horror genre, both separately and the intersections between them.
Catherine Lester is Lecturer in Film and Television at the University of Birmingham, UK. Her research centres on the intersections between the horror genre and children's culture. She is the author of the monograph Horror Films for Children: Fear and Pleasure in American Cinema (Bloomsbury, 2021), as well as chapters and articles on Disney Princess films, animated horror and children's horror television.

Table of Contents

Introduction
Chapter One: Frankenstein to Frankenweenie: the evolution of children's horror in Hollywood cinema
Chapter Two: Children Behaving Badly: representing and addressing the horrific child in Gremlins
Chapter Three: No Grown-Ups Allowed: PG-13 and the horrific 'Crazyspace' of The Monster Squad
Chapter Four: 'As normal as it could be': ParaNorman and the normalization of the horrific child
Chapter Five: A 'Child-Friendly' Horror Aesthetic: challenging assumptions with Coraline
Chapter Six: Man of the House: gender, space and domestic violence in Monster House and The Hole
Conclusion: Expansions and Absences of Children's Horror
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