New York Times Bestseller
"Compelling and utterly fascinating." —Lisa Wingate, author of Before We Were Yours
An enthralling feat of historical suspense that unravels the extraordinary twists and turns in Anna Anderson's fifty-year battle to be recognized as Anastasia Romanov. Is she the Russian Grand Duchess or the thief of another woman's legacy?
Countless others have rendered their verdict. Now it is your turn.
Russia, July 17, 1918: Under direct orders from Vladimir Lenin, Bolshevik secret police force Anastasia Romanov, along with the entire imperial family, into a damp basement in Siberia, where they face a merciless firing squad. None survive. At least that is what the executioners have always claimed.
Germany, February 17, 1920: A young woman bearing an uncanny resemblance to Anastasia Romanov is pulled shivering and senseless from a canal. Refusing to explain her presence in the freezing water or even acknowledge her rescuers, she is taken to the hospital where an examination reveals that her body is riddled with countless horrific scars. When she finally does speak, this frightened, mysterious young woman claims to be the Russian grand duchess.
As rumors begin to circulate through European society that the youngest Romanov daughter has survived the massacre at Ekaterinburg, old enemies and new threats are awakened. The question of who Anna Anderson is and what actually happened to Anastasia Romanov spans fifty years and touches three continents. This thrilling saga is every bit as moving and momentous as it is harrowing and twisted.
|Publisher:||Knopf Doubleday Publishing Group|
|Product dimensions:||5.10(w) x 7.80(h) x 1.10(d)|
About the Author
ARIEL LAWHON is a critically acclaimed author of historical fiction. She is the author of The Wife the Maid and the Mistress, Flight of Dreams, and I Was Anastasia. Her books have been translated into numerous languages and have been Library Reads, One Book One County, and Book of the Month Club selections. She is the co-founder of SheReads.org and lives in the rolling hills outside Nashville, Tennessee, with her husband, four sons, black Lab, and a deranged Siamese cat. Both pets are, thankfully, girls.
Read an Excerpt
Folie à Deux
1970 & 1968
Charlottesville, Virginia, February 17, 1970
Fifty years ago tonight Anna threw herself off a bridge in Berlin. It wasn’t her first brush with death, or even the most violent, but it was the only one that came at her hands. Anna’s husband does not know this, however. She watches him, watching her, and she knows he only sees a fragile old woman who has waited too long for vindication. He sees the carefully cultivated image she presents to the world: a crown of thinning, silver hair and tired blue eyes. Age and confusion and the gentle aura of. This could not be further from the truth. She has been many things through the years but—even at seventy-four—helpless is not one of them. At the moment, however, Anna is simply impatient. She sits in this living room, two thousand miles from her past, waiting for a verdict.
Jack is like a frightened rabbit, all nerves and tension. He springs from his chair and begins to pace through the cluttered den. “Why haven’t they called? They should have called by now.”
“I’m sure they read the verdict hours ago,” Anna says, leaning her head against the fold of her wingback chair and closing her eyes.
Whatever news awaits them is not good but Anna does not have the heart to tell him this. Jack is so hopeful. He’s already written the press release and taken a polaroid so he can bring both to The Daily Progress first thing in the morning. Jack spoke with the editor this afternoon, suggesting they reserve a front-page spot for the story. He’s hoping for something above the fold. He’s hoping for exclamation points.
Even though Jack hasn’t admitted it, Anna knows that he is looking forward to reporters showing up again. They haven’t had any in months and she suspects he’s gotten lonely with only her and the animals for company. She feels a bit sad for him, being saddled with her like this. But there was no other way. Gleb insisted on it, and in all the years she knew him, Gleb Botkin remained her truest friend, her staunchest champion. He’s been dead two years now. Another loss in an unending string of losses. And Jack is kind to her—just as Gleb promised—and beggars can’t be choosers anyway. Anna reminds herself of this daily.
The phone rings. Three startling metallic alarms and then Jack snatches it from the cradle.
“Manahan residence.” A pause, and then, “yes, she’s here. Hold on a moment.” The cord won’t stretch across the room so Jack lays it on the sideboard. He grins wildly. “It’s from Germany.”
“The Prince.” He beams, then clarifies—there have been a number of princes in her life. “Frederick.”
Anna feels a wild stab of anger at the name. She hasn’t forgotten what Frederick did, hasn’t forgotten the burn pile behind her cottage at the edge of the Black Forest. All those charred little bones. If the news had come from anyone else she would take the call. “I don’t want to speak with him.”
“He knows why.”
“I really think it’s time you—”
Anna holds her hand up, palm out, a firm, final sort of motion. “Take a message.”
Jack pouts but doesn’t protest. He knows that arguing is futile. Anna does not change her mind. Nor does she forgive. He picks up the receiver again. “I’m sorry. She doesn’t want to speak right now. Why don’t you give me the news?”
And then she watches Jack’s countenance fall by tiny, heartbreaking increments. First his smile. Then his lifted, expectant brows. His right arm drops to his side, deflated. “I don’t understand,” he says, finally, then clears his throat as though he’s swallowed a cobweb.
“Write it down,” Anna instructs. “Word for word.” She doesn’t want to interpret the verdict through his anger once he hangs up. Anna wants to know exactly what the appeals court has to say. Jack is too emotional and prone to exaggeration. He needs to transcribe it or vital bits of information will be lost the moment he hangs up. Gleb wouldn’t need this instruction. He would know what to do. He would know what questions to ask. But Gleb is no longer here and, once again this reality leaves her feeling adrift.
“Let me write this down,” Jack says, like it’s his idea. She watches him shuffle through piles of paper on the cluttered sideboard, looking for a notebook with blank pages. Finding none, he grabs an envelope and turns it over. “Go ahead. I’m ready.”
A decade ago Anna’s lawyer told her this lawsuit was the longest running case in German history. This appeal has stretched it into something worse, something interminable. And there stands Jack, writing the footnote to her quest on the back of their electric bill in his tidy, ever-legible script. “How do you spell that?” he asks at one point, holding the phone with one hand and recording the verdict with the other. He doesn’t rush or scribble but rather pens each word with painstaking precision, occasionally asking Frederick to repeat himself.
Jack and Anna don’t have many friends. They haven’t been married long, only two years, and theirs is a relationship based on convenience and necessity, not romance. They are old and eccentric and not fit for polite society in this quaint college town. But a handful of people—mostly former professors at the University of Virginia, like Jack—are due to arrive shortly. Anna doesn’t want to know how he convinced them to come. It would have been awkward before. It will be excruciating now. Anna decides there won’t be a party tonight. She doesn’t have the heart to entertain strangers this evening.
But Jack, in all his eagerness, has catered for a celebration. Their small den is littered with trays of fruit and sandwiches. Deviled eggs and cheese platters. Tiny brined pickles and cocktail sausages skewered with toothpicks. He even bought three bottles of champagne and they sit in a bowl of ice, unopened beneath the string of Christmas lights he’s stapled to the ceiling. Anna stares at the bottles with suspicion. She hasn’t touched the stuff in almost four decades. The last time Anna drank champagne she ended up naked on a rooftop in New York City.
The entire setting is tacky and festive—just like her husband. Jack bought a rhinestone tiara from the costume shop near the college campus just for the occasion. It sits on a gaudy red velvet pillow next to the champagne. He’s been dying to crown her since they met and only today, only in the hopes of a positive verdict, has she humored him. But that hope is gone now. Snuffed out in a German courtroom on the other side of the world.
“Thank you,” he finally says, and then lower, almost a whisper, “I will. I’m sorry. You know how it can be with her. I’m sure she’ll speak with you next time. Goodbye.”
When he turns back to Anna, Jack has the envelope pressed to his chest. He doesn’t speak.
“We need to call our guests and tell them the party’s cancelled.”
He looks crushed. “I’m so sorry.”
“This isn’t your fault. You did what you could.” A deep breath. A shrug. “What did Frederick say?”
“Your appeal was rejected. They won’t reverse the lower court’s ruling.”
“I gathered that. Tell me his words exactly.”
Jack looks to the paper. “They regard your claim as a ‘non liquet.’”
“What does that mean?”
“‘Not clear’ or ‘not proven.’”
When Jack frowns, he puckers his mouth until his upper lip nearly touches his nose. It’s an odd, childish expression and one he’s used with greater frequency the longer he has known her. “Is that German?”
“You know Latin?”
“Very little at this point.” Anna swats at him. “Go on.”
“The judges said that even though your death has never been proven, neither has your escape.”
“Ah. Clever.” She smiles at this dilemma. It is the ultimate Catch 22. Her escape can’t be proven without a formal declaration of identity from the court. “Read the rest please.”
He holds the envelope six inches from his nose and slowly recites the verdict. “‘We have not decided that the plaintiff is not Grand Duchess Anastasia, but only that the Hamburg court made it’s decision without legal mistakes and without procedural errors.’” He looks up. “So they have decided…nothing?”
She shakes her head slowly and then with more determination. “Oh they have decided everything, Jack.”
“It was that photo, wasn’t it? The court must have seen it. There’s no other reason they would rule against you. Damn that Rasputin. Damn her!” Jack begins to pace again. “We could make a statement—”
“No. It’s over.” Anna lifts her chin with all the dignity she can muster and folds her hands in her lap. She is resigned and regal. “They will never formally recognize me as Anastasia Romanov.”
Two Years Earlier
Charlottesville, Virginia, December 23, 1968
Anna does not want to marry Jack Manahan. She would rather marry Gleb. Even after all the trouble he’s caused through the years. But theirs is a story of false starts and near misses. Bad timing. Distance. And rash decisions. They were not meant to be. So Gleb has urged her to marry Jack instead. This whole fiasco is his idea—the courthouse, the silly pink dress, the bouquet of roses and pinecones, the white, rabbit fur hat that she’s supposed to wear out of the courthouse to greet the photographers (these arranged by Jack because the damnable man cannot help but make a scene everywhere he goes). Gleb insists the hat makes her look the part of Russian Grand Duchess. She refuses to wear the thing. Poor rabbit.
When they discussed this ridiculous plan in August, Gleb said his health was to blame, that he couldn’t marry her himself. He said that she would end up caring for him instead, but Anna believes that this is punishment for a long-held resentment. Tit for tat. Wound for wound. He has loved her for decades and she has never been able to fully reciprocate. Now he stands as witness to her unwilling nuptials. As best man, in fact.
It is snowing outside the courthouse. Not the angry, hard, blistering shards of snow she’s used to in Germany, but fat, lethargic flakes that drift and flutter and take their time getting to the ground. Lazy snow. American snow.
Anna’s had only a single a tryst since that limpid summer in Bavaria all those years ago, but Gleb moved on. Got married. Had children. They’ve never talked about the intervening years and it’s not worth bringing up now. Anna is seventy-two—too old to get married at all, much less for the first time. Jack Manahan is twenty years her junior. A former professor enamored with Russian history, with her—or, at least, the idea of her. Regardless, he hasn’t put up much of a fight since being presented with the plan. Jack’s only show of hesitation was a long, curious look at Gleb. Assessing his attachment and willingness to let Anna go.
It occurred to her, far too late into this arrangement, that she had not considered the issue of sex. Jack is young. Younger at least. And she is…well…she is not. The idea of consummation almost caused her to back out entirely. All of those hormones have shriveled up, turned to dust, and blown away. Desire is little more than a fond memory these days.
Gleb has taken care of that issue as well, however, assuring her that sex isn’t a necessary part of this bargain. She and Jack will have separate bedrooms. This will be a legal marriage, enough to keep her in the United States once her visa expires in three weeks, but it will be a marriage of convenience only. Gleb swore this, endless times, over what ended up being their last shared bottle of wine. Jack will not set a hand on her. Unless she wants him to. Why Gleb added that last part she isn’t sure. He wouldn’t meet her eyes as he said it and she said nothing in return. It was a small cruelty. This is how it is with them, apparently. Little wounds. Paper cuts. Just enough to sting but not really harm. Perhaps it’s best that they aren’t marrying one another after all.
Gleb slips into the antechamber beside the courtroom and surveys her tiny, slender form. “You look nice.”
He looks weary and pale and infirm. He’s lost weight recently and his once broad shoulders seem to have narrowed with illness and age. Anna wants to ask Gleb if his heart has gotten worse. But she’s afraid of what his answer might be. So she says. “I look ridiculous.”
“All brides look ridiculous. That’s why they’re so charming.”
Anna turns back to the window. It’s late afternoon, getting darker by the moment, and the overhead light bounces off the glass, throwing her reflection back at her. She touches a hand to her cheek. Traces one deep wrinkle after another, each of them telling a story she’s long since decided to cast into the sea of forgetfulness.
“I am too old for this,” she says.
“You admit it then?” She studies his reflection too, hovering over her shoulder. “But no apology I see.”
“It is this or you return to Germany,” he says. “We are out of time.”
“That always seems to be the case with us, doesn’t it?”
“Ships in the night,” he whispers and sets a large, warm hand on her shoulder. “Are you ready? Sergeant Pace is waiting. So is Jack.”
“Judge Morris called in sick this morning.”
Anna turns to him and looks, not at his face, but at the knot in his tie. Stares at the red and blue alternating stripes on the fabric, those thin lines circling back on themselves, all twisted and turned around. She’s knotted up as well, but now, suddenly, it’s with mirth.
“I am to be married,” she asks, tilting her chin to meet those twinkling green eyes, “not by a priest, or a judge, but by a police officer?”
“It gives an entirely new meaning to being read your rights, doesn’t it?”
They laugh, then, long and loud. She turns back to the window and they stand in comfortable silence, watching Charlottesville disappear beneath the snow.
Finally Anna leans her head back against Gleb’s chest. “How did I get here?” Anna sighs, already knowing the answer. She has gotten here, she has survived, by always doing the thing that needs to be done.
Reading Group Guide
These discussion questions are designed to enhance your group’s discussion of I Was Anastasia by Ariel Lawhon.
1. I Was Anastasia is an unusually structured novel that moves backward and forward in time. Why do you think the author chose to tell the story in this way?
2. When we first meet Anna Anderson, she is not an easy character to like. As you learned more about her past, did your opinion of her change?
3. How do you interpret Anna’s hoarding tendencies, especially with regard to animals?
4. Anna’s story is told in the third person; Anastasia’s story in the first person. What are your thoughts on the different points of view? Which did you prefer?
5. People often think of Anastasia Romanov in terms of the 1997 animated film. Yet this book does not portray her as a typical Disney princess. Were you glad to see a different side to this historic figure? Or did it bother you?
6. The bombing of Hannover (October 8, 1943) is a dramatic and terrifying scene in the book. Do you think you could display the same level of resilience if you were in Anna’s shoes?
7. The longer the Romanovs were in captivity, the smaller their world became, until they were confined to a handful of rooms. They each handled the boredom and oppression differently. What would you have done in their situation?
8. Do your thoughts about Anna’s identity shift as the novel progresses? Does she become more (or less) believable as we travel back in time with her?
9. Did reading this novel inspire you to find out more about the Romanovs?
10. The Romanovs are not the only royal family to come to a tragic end, yet their story endures as few have. What do you think contributes to the timeless fascination—that of Anastasia in particular?
11. Discuss the ending of the novel. How did it affect your feelings about the novel as a whole?
12. Did the Author’s Note change your opinion about the ending?