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In Medias Res #3: Postproductions
By Dennis Brzek (Editor), Junia Thiede (Editor), Loretta Fahrenholz (Text by), Richard Hawkins (Text by), Thomas Helbig (Text by), Margaret Honda (Text by), Evelyn Kreutzer (Text by), Elisa R. Linn (Text by), D'Ette Nogle (Text by), Maya Schweizer (Text by), Richard Sides (Text by), Mike Terry (Text by), Peter Wächtler (Text by), Florian Wüst (Text by)
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By Dennis Brzek (Editor), Junia Thiede (Editor), Loretta Fahrenholz (Text by), Richard Hawkins (Text by), Thomas Helbig (Text by), Margaret Honda (Text by), Evelyn Kreutzer (Text by), Elisa R. Linn (Text by), D'Ette Nogle (Text by), Maya Schweizer (Text by), Richard Sides (Text by), Mike Terry (Text by), Peter Wächtler (Text by), Florian Wüst (Text by)
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The third and final study of Fluentum's time-based art collection spotlights the early days of post-Soviet film art in in the 1990s and 2000s
In the final issue of In Medias Res, Fluentum's project on the history of time-based art reviews the productivity inherent in moving images. New essays discuss the films shot in Fluentum's building beginning in the mid-1990s, as part of reunified Germany's nascent creative industry.
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