Jackdaws

Jackdaws

by Ken Follett

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Overview

In his own bestselling tradition of Eye of the Needle and The Key to Rebecca, Ken Follett delivers a breathtaking novel of suspense set in the most dangerous days of World War II. Look out for Ken's newest book, A Column of Fire, available now.

D-Day is approaching. They don’t know where or when, but the Germans know it’ll be soon, and for Felicity “Flick” Clariet, the stakes have never been higher. A senior agent in the ranks of the Special Operations Executive (SOE) responsible for sabotage, Flick has survived to become one of Britain’s most effective operatives in Northern France. She knows that the Germans’ ability to thwart the Allied attack depends upon their lines of communications, and in the days before the invasion no target is of greater strategic importance than the largest telephone exchange in Europe.

But when Flick and her Resistance-leader husband try a direct, head-on assault that goes horribly wrong, her world turns upside down. Her group destroyed, her husband missing, her superiors unsure of her, her own confidence badly shaken, she has one last chance at the target, but the challenge, once daunting, is now near impossible. The new plan requires an all-woman team, none of them professionals, to be assembled and trained within days. Code-named the Jackdaws, they will attempt to infiltrate the exchange under the noses of the Germans—but the Germans are waiting for them now and have plans of their own. There are secrets Flick does not know—secrets within the German ranks, secrets among her hastily recruited team, secrets among those she trusts the most. And as the hours tick down to the point of no return, most daunting of all, there are secrets within herself. . . . 

Filled with the powerful storytelling, unforgettable characters, and authentic detail that have become his hallmarks, Jackdaws is Ken Follett writing at the height of his powers.

Product Details

ISBN-13: 9780451219596
Publisher: Penguin Publishing Group
Publication date: 12/05/2006
Pages: 416
Sales rank: 120,545
Product dimensions: 5.46(w) x 8.34(h) x 0.91(d)
Age Range: 18 - 17 Years

About the Author

Ken Follett is one of the world’s best-loved authors, selling more than 160 million copies of his thirty books. Follett’s first bestseller was Eye of the Needle, a spy story set in the Second World War. 

In 1989 The Pillars of the Earth was published, and has since become the author’s most successful novel. It reached number one on bestseller lists around the world and was an Oprah’s Book Club pick.
 
Its sequels, World Without End and A Column of Fire, proved equally popular, and the Kingsbridge series has sold 38 million copies worldwide.
 
Follett lives in Hertfordshire, England, with his wife Barbara. Between them they have five children, six grandchildren, and three Labradors. 

Hometown:

Hertfordshire, England

Date of Birth:

June 5, 1949

Place of Birth:

Cardiff, Wales

Education:

B.A. in Philosophy, University College, London, 1970

Read an Excerpt

Chapter One


ONE MINUTE BEFORE the explosion, the square at Sainte-Cécile was at peace. The evening was warm, and a layer of still air covered the town like a blanket. The church bell tolled a lazy beat, calling worshipers to the service with little enthusiasm. To Felicity Clairet it sounded like a countdown.

    The square was dominated by the seventeenth-century château. A small version of Versailles, it had a grand projecting front entrance, and wings on both sides that turned right angles and tailed off rearwards. There was a basement and two main floors topped by a tall roof with arched dormer windows.

    Felicity, who was always called Flick, loved France. She enjoyed its graceful buildings, its mild weather, its leisurely lunches, its cultured people. She liked French paintings, French literature, and stylish French clothes. Visitors often found the French people unfriendly, but Flick had been speaking the language since she was six years old, and no one could tell she was a foreigner.

    It angered her that the France she loved no longer existed. There was not enough food for leisurely lunches, the paintings had all been stolen by the Nazis, and only the whores had pretty clothes. Like most women, Flick was wearing a shapeless dress whose colors had long ago been washed to dullness. Her heart's desire was that the real France would come back. It might return soon, if she and people like her did what they were supposed to.

    She might not live to see it—indeed, she might not survive the next few minutes. She was no fatalist; she wanted tolive. There were a hundred things she planned to do after the war: finish her doctorate, have a baby, see New York, own a sports car, drink champagne on the beach at Cannes. But if she were about to die, she was glad to be spending her last few moments in a sunlit square, looking at a beautiful old house, with the lilting sounds of the French language soft in her ears.

    The château had been built as a home for the local aristocracy, but the last Comte de Sainte-Cécile had lost his head on the guillotine in 1793. The ornamental gardens had long ago been turned into vineyards, for this was wine country, the heart of the Champagne district. The building now housed an important telephone exchange, sited here because the government minister responsible had been born in Sainte-Cécile.

    When the Germans came they enlarged the exchange to provide connections between the French system and the new cable route to Germany. They also sited a Gestapo regional headquarters in the building, with offices on the upper floors and cells in the basement.

    Four weeks ago the château had been bombed by the Allies. Such precision bombing was new. The heavy four-engined Lancasters and Flying Fortresses that roared high over Europe every night were inaccurate—they sometimes missed an entire city—but the latest generation of fighter-bombers, the Lightnings and Thunderbolts, could sneak in by day and hit a small target, a bridge or a railway station. Much of the west wing of the château was now a heap of irregular seventeenth-century red bricks and square white stones.

    But the air raid had failed. Repairs were made quickly, and the phone service had been disrupted only as long as it took the Germans to install replacement switchboards. All the automatic telephone equipment and the vital amplifiers for the long-distance lines were in the basement, which had escaped serious damage.

    That was why Flick was here.

    The château was on the north side of the square, surrounded by a high wall of stone pillars and iron railings, guarded by uniformed sentries. To the east was a small medieval church, its ancient wooden doors wide open to the summer air and the arriving congregation. Opposite the church, on the west side of the square, was the town hall, run by an ultraconservative mayor who had few disagreements with the occupying Nazi rulers. The south side was a row of shops and a bar called Café des Sports. Flick sat outside the bar, waiting for the church bell to stop. On the table in front of her was a glass of the local white wine, thin and light. She had not drunk any.

    She was a British officer with the rank of major. Officially, she belonged to the First Aid Nursing Yeomanry, the all-female service that was inevitably called the FANYs. But that was a cover story. In fact, she worked for a secret organization, the Special Operations Executive, responsible for sabotage behind enemy lines. At twenty-eight, she was one of the most senior agents. This was not the first time she had felt herself close to death. She had learned to live with the threat, and manage her fear, but all the same she felt the touch of a cold hand on her heart when she looked at the steel helmets and powerful rifles of the château guards.

    Three years ago, her greatest ambition had been to become a professor of French literature in a British university, teaching students to enjoy the vigor of Hugo, the wit of Flaubert, the passion of Zola. She had been working in the War Office, translating French documents, when she had been summoned to a mysterious interview in a hotel room and asked if she were willing to do something dangerous.

    She had said yes without thinking much. There was a war on, and all the boys she had been at Oxford with were risking their lives every day, so why shouldn't she do the same? Two days after Christmas 1941 she had started her SOE training.

    Six months later she was a courier, carrying messages from SOE headquarters, at 64 Baker Street in London, to Resistance groups in occupied France, in the days when wireless sets were scarce and trained operators even fewer. She would parachute in, move around with her false identity papers, contact the Resistance, give them their orders, and note their replies, complaints, and requests for guns and ammunition. For the return journey she would rendezvous with a pickup plane, usually a three-seater Westland Lysander, small enough to land on six hundred yards of grass.

    From courier work she had graduated to organizing sabotage. Most SOE agents were officers, the theory being that their "men" were the local Resistance. In practice, the Resistance were not under military discipline, and an agent had to win their cooperation by being tough, knowledgeable, and authoritative.

    The work was dangerous. Six men and three women had finished the training course with Flick, and she was the only one still operating two years later. Two were known to be dead: one shot by the Milice, the hated French security police, and the second killed when his parachute failed to open. The other six had been captured, interrogated, and tortured, and had then disappeared into prison camps in Germany, Flick had survived because she was ruthless, she had quick reactions, and she was careful about security to the point of paranoia.

    Beside her sat her husband, Michel, leader of the Resistance circuit codenamed Bollinger, which was based in the cathedral city of Reims, ten miles from here. Although about to risk his life, Michel was sitting back in his chair, his right ankle resting on his left knee, holding a tall glass of pale, watery wartime beer. His careless grin had won her heart when she was a student at the Sorbonne, writing a thesis on Molière's ethics which she had abandoned at the outbreak of war. He had been a disheveled young philosophy lecturer with a legion of adoring students.

    He was still the sexiest man she had ever met. He was tall, and dressed with careless elegance in rumpled suits and faded blue shirts. His hair was always a little too long. He had a come-to-bed voice and an intense blue-eyed gaze that made a girl feel she was the only woman in the world.

    This mission had given Flick a welcome chance to spend a few days with her husband, but it had not been a happy time. They had not quarreled, exactly, but Michel's affection had seemed halfhearted, as if he were going through the motions, and she had felt hurt. Her instinct told her he was interested in someone else. He was only thirty-five, and his unkempt charm still worked on young women. It did not help that since their wedding they had been apart more than together, because of the war. And there were plenty of willing French girls, she thought sourly, in the Resistance and out of it.

    She still loved him. Not in the same way: she no longer worshiped him as she had on their honeymoon, no longer yearned to devote her life to making him happy. The morning mists of romantic love had lifted, and in the clear daylight of married life she could see that he was vain, self-absorbed, and unreliable. But when he chose to focus his attention on her, he could still make her feel unique and beautiful and cherished.

    His charm worked on men, too, and he was a great leader, courageous and charismatic. He and Flick had figured out the battle plan together. They would attack the château in two places, dividing the defenders, then regroup inside to form a single force that would penetrate the basement, find the main equipment room, and blow it up.

    They had a floor plan of the building supplied by Antoinette Dupert, supervisor of the group of local women who cleaned the château every evening. She was also Michel's aunt. The cleaners started work at seven o'clock, the same time as vespers, and Flick could see some of them now, presenting their special passes to the guard at the wrought-iron gate. Antoinette's sketch showed the entrance to the basement but no further details, for it was a restricted area, open to Germans only, and cleaned by soldiers.

    Michel's attack plan was based on reports from MI6, the British intelligence service, which said the château was guarded by a Waffen SS detachment working in three shifts, each of twelve men. The Gestapo personnel in the building were not fighting troops, and most would not even be armed. The Bollinger circuit had been able to muster fifteen fighters for the attack, and they were now deployed, either among the worshipers in the church, or posing as Sunday idlers around the square, concealing their weapons under their clothing or in satchels and duffel bags. If MI6 was right, the Resistance would outnumber the guards.

    But a worry nagged at Flick's brain and made her heart heavy with apprehension. When she had told Antoinette of MI6's estimate, Antoinette had frowned and said, "It seems to me there are more." Antoinette was no fool—she had been secretary to Joseph Laperrière, the head of a champagne house, until the occupation reduced his profits and his wife became his secretary—and she might be right.

    Michel had been unable to resolve the contradiction between the MI6 estimate and Antoinette's guess. He lived in Reims, and neither he nor any of his group was familiar with Sainte-Cécile. There had been no time for further reconnaissance. If the Resistance were outnumbered, Flick thought with dread, they were not likely to prevail against disciplined German troops.

    She looked around the square, picking out the people she knew, apparently innocent strollers who were in fact waiting to kill or be killed. Outside the haberdashery, studying a bolt of dull green cloth in the window, stood Geneviève, a tall girl of twenty with a Sten gun under her light summer coat. The Sten was a submachine gun much favoured by the Resistance because it could be broken into three parts and carried in a small bag. Geneviève might well be the girl Michel had his eye on, but all the same Flick felt a shudder of horror at the thought that she might be mowed down by gunfire in a few seconds' time. Crossing the cobbled square, heading for the church, was Bertrand, even younger at seventeen, a blond boy with an eager face and a .45 caliber Colt automatic hidden in a folded newspaper under his arm. The Allies had dropped thousands of Colts by parachute. Flick had at first forbidden Bertrand from the team because of his age, but he had pleaded to be included, and she had needed every available man, so she had given in. She hoped his youthful bravado would survive once the shooting started. Loitering on the church porch, apparently finishing his cigarette before going in, was Albert, whose wife had given birth to their first child this morning, a girl. Albert had an extra reason to stay alive today. He carried a cloth bag that looked full of potatoes, but they were No.36 Mark I Mills hand grenades.

    The scene in the square looked normal but for one element. Beside the church was parked an enormous, powerful sports car. It was a French-built Hispano-Suiza type 68-bis, with a V12 aeroengine, one of the fastest cars in the world. It had a tall, arrogant-looking silver radiator topped by the flying-stork mascot, and it was painted sky blue.

    It had arrived half an hour ago. The driver, a handsome man of about forty, was wearing an elegant civilian suit, but he had to be a German officer—no one else would have the nerve to flaunt such a car. His companion, a tall, striking redhead in a green silk dress and high-heeled suede shoes, was too perfectly chic to be anything but French. The man had set up a camera on a tripod and was taking photographs of the château. The woman wore a defiant look, as if she knew that the shabby townspeople who stared at her on their way to church were calling her whore in their minds.

    A few minutes ago, the man had scared Flick by asking her to take a picture of himself and his lady friend against the background of the château. He had spoken courteously, with an engaging smile, and only the trace of a German accent. The distraction at a crucial moment was absolutely maddening, but Flick had felt it might have caused trouble to refuse, especially as she was pretending to be a local resident who had nothing better to do than lounge around at a pavement café. So she had responded as most French people would have in the circumstances: she had put on an expression of cold indifference and complied with the German's request.

    It had been a farcically frightening moment: the British secret agent standing behind the camera; the German officer and his tart smiling at her, and the church bell tolling the seconds until the explosion. Then the officer had thanked her and offered to buy her a drink. She had refused very firmly: no French girl could drink with a German unless she were prepared to be called a whore. He had nodded understandingly, and she had returned to her husband.

    The officer was obviously off-duty and did not appear to be armed, so he presented no danger, but all the same he bothered Flick. She puzzled over this feeling in the last few seconds of calm and finally realized that she did not really believe he was a tourist. There was a watchful alertness in his manner that was not appropriate for soaking up the beauty of old architecture. His woman might be exactly what she seemed, but he was something else.

    Before Flick could figure out what, the bell ceased to toll.

    Michel drained his glass, then wiped his mouth with the back of his hand.

    Flick and Michel stood up. Trying to look casual, they strolled to the café entrance and stood in the doorway, inconspicuously taking cover.


Excerpted from JACKDAWS by Ken Follett. Copyright © 2001 by Ken Follett. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

What People are Saying About This

From the Publisher

“The book’s celebration of uncommon courage and unlikely heroes couldn’t be better timed…a distaff Dirty Dozen.”—People
 
“With its vivid characters, suspense, patriotism, and examples of supreme bravery, Jackdaws is a fitting tribute to the women of World War II.”—Orlando Sentinel
 
“Compelling reading…great entertainment.”—The Baltimore Sun
 
“A very entertaining, very cinematic thriller about a ragtag, all-female band of British agents, code-named Jackdaws, sent to blow up a key telephone exchange in France on the eve of D-Day…[Jackdaws] promises to be one of Follett’s most popular novels ever.”
Publishers Weekly
 
“Cleverly plotted…the characters are sharply drawn and fully realized [and] the pace is rapid-fire.”—Minneapolis Star-Tribune
 
“A sort of distaff dirty (half) dozen. They don’t come any tougher, smarter, braver, or, for that matter, deadlier than Major Felicity (call her ‘Flick’) Clairet. Quintessentially female and sexy as all get out, she kills without compunction if that’s the way the mission goes.”—Kirkus Reviews
 
“Carried off with the kind of galvanic skill that was the hallmark of Follett’s early books…a memorable, complex heroine.”—Publishing News
 
“For fans of the ’60s movie The Dirty Dozen, this could be called The Perfumed Six…It’s certainly pleasant to have the main characters be female.”—The Buffalo News
 
“[Follett is] dead on-target…updating that World War II workhorse in which a gang of misfits goes behind Nazi lines to do the impossible…thoroughly entertaining.”—Booklist
 
“Suspenseful, gripping.”—New York Post
 
“Deeply satisfying.”—Entertainment Weekly
 
“Follett delivers one of his most entertaining thrillers.”—Denver Post
 

 

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Jackdaws 4.1 out of 5 based on 0 ratings. 131 reviews.
ladyhawke28 More than 1 year ago
This is the second book I have read of Follett's and I was not disappointed. I was entertained from beginning to end. This book showed a different perspective of WW2 and those who were fighting in the middle of it. A great historical fiction.
aytin More than 1 year ago
Fast paced and gripping!
BrianFL More than 1 year ago
Exelent story, well told, about women spys in world war two.
Colorado_J More than 1 year ago
Captivating historical fiction story about a behind the lines female character in Natzi captured France before the invasion. Great for someone who loved historical fiction and with a strong female lead.
AshRyan on LibraryThing More than 1 year ago
Jackdaws is an exciting espionage thriller set in World War II with a bit of a twist: it's about a team of British spies operating behind enemy lines, who are all women (including a couple of lesbians)...well, and one German transvestite.The heroines are very interesting (particularly the transvestite), but Follett's greatest achievement in this novel is perhaps his villain, a German interrogator in charge of rooting out and breaking up the French resistance. He is not averse to using extreme brutal torture to extract information if necessary (and there is some very graphic violence in the novel, but with the Nazis as a subject that's pretty much inevitable), but he is extremely intelligent and would rather use trickery or emotional manipulation when those methods would serve the purpose. In fact, he finds the methods of his fellow Nazis rather distasteful.At the same time, Follett portrays the lead heroine, Flick, as somewhat cold and steely, willing to kill the enemy in cold blood to protect her mission. Many writers today would use this juxtaposition to insinuate that the Nazis weren't such monsters as they are often made out to be and that the Allies were just as brutal and vicious. But in Follett's hands, the Nazi interrogator's supposed "scruples" are clearly rank hypocrisy which only serves to highlight the atrocious nature of the ends he pursues and the means he employs, while Flick's actions are underlain by a righteous determination not to suffer the guilt which rightly belongs to the aggressors against whom she fights. Very well done.
SLuce on LibraryThing More than 1 year ago
Listened to tape. WWII story which I enjoyed.
robertgriffen on LibraryThing More than 1 year ago
Well written and the story moves along at a good pace. The plot is very familiar but the switch between the German and British sides of the story makes it just a little different from the many 'resistance' stories that have been written since the Second World War.
CynDaVaz on LibraryThing More than 1 year ago
Another great WWII spy story by Ken Follett. I look forward to reading/listening to more of this author's novels.
hellonicole on LibraryThing More than 1 year ago
I picked up Jackdaws while waiting on my copy of Pillars of the Earth to see what all of the hype was about. Now, I'm even more eager to get PotE. Ken Follett is an amazing story teller, dragging you in with amazing characters and details. He can string you along and keep you turning pages with his abilities. Jackdaws is about a group of women recruited to complete a Resistance operation during WWII. Follett gets you attached to the characters one by one, as well as sets up vivid scenes with his attention to detail. Highly recommended.
donaldgallinger on LibraryThing More than 1 year ago
Ken Follet achieves the nearly impossible task of creating genuine suspense about an event that is well-known, using fresh characters, clever plotting, and surprising twists on an old story. You will enjoy this book on a long plane flight, or just sitting out on your porch during the lazy days of summer. I always enjoy Ken Follet's approach to history--crackerjack pacing, strong dialogue, and a deep desire to entertain. If only all writers cared as much about their audience's enjoyment as Follet does, TV would become obsolete.
miyurose on LibraryThing More than 1 year ago
Though I have listened to one of his books on tape, I've never actually read Ken Follett before. I'm glad I have a couple more of his books waiting for me on my shelf. This was excellent. I love a good WWII story. And he is really great at developing his characters. I essentially read this in a day and a half, it was so engrossing. And seeing things from both sides of the conflict was also a nice touch.
AmieG on LibraryThing More than 1 year ago
Really, really enjoyed this one! Flick must lead a secret mission deep into Nazi-occupied France. Time is short and personnel is difficult to find. Great story about female spies during WWII. It was fantastic!
Neilsantos on LibraryThing More than 1 year ago
I really liked this. You have to thank the Nazis for this: No matter what else, they have provided the entertainment world with a universal villian. Folett's style is easy on the brain and fast-moving. I like most authors in inverse relation to the amount of words I have to read in order to understand the story. I'll definately grab some more of his off the library shelf.
5hrdrive on LibraryThing More than 1 year ago
Awful. Can't believe this is the same author that wrote, Eye of the Needle and The Pillars of the Earth.
tuffstuff08 on LibraryThing More than 1 year ago
I couldn't put this down! It was very graphic and well written. Everything had detail. Highly reccomended.
Anonymous More than 1 year ago
Great characters, plot, and descriptions. Read like watching a movie. Good ending, also!
Anonymous More than 1 year ago
Loved this book, can't wait to read another.
Anonymous More than 1 year ago
Love the book. It was exciting, thrilling, agonizing, upsetting, emotional, that I couldn’t stop reading it until I found it how it ended, and then a sense of relief and pride. (Relief because I could breathe normally again after if found I was holding my breath turning the pages to find out what happened next, and then pride because the the deed was done!!)
Hillsboro More than 1 year ago
Good read. However, and I know this is picky, several mistakes were made regarding D-Day and military etiquette. First, the airborne troops jumped from C-47s and did NOT jump from gliders. The gliders flew in and literally crash landed in pre-selected landing zones to deliver their troops. Secondly, when inside a building one removes his/her cover. One also does not salute inside. That is Army etiquette. Maybe the Navy and Marines do it differently. If Follett is going to write stories that include military characters and locations, please get the details correct.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Book never gets boring
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Anonymous More than 1 year ago
dreadfull, nuff said
Anonymous More than 1 year ago
What a great read. Wonderful writing! I loved this book and recommend this author to anyone.