Just Desserts

Just Desserts

by Tim Heald

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Just Desserts by Tim Heald

When a restaurateur dies suspiciously, Bognor is forced to eat his way to the truth
Dinner service is over, the staff has left, and Escoffier Savarin Smith is about to tuck into a couple of bottles of champagne. He seals the windows with electrical tape, fiddles with a canister of gas, and begins to drink. When his staff arrives the next morning to open the restaurant, the champagne is drunk, the air has been poisoned, and the greatest chef in England is dead—seemingly by his own hand.  For Board of Trade investigator Simon Bognor, this is a crushing blow. Although he moves through life in a permanent state of near-bafflement, Bognor knows his way around a restaurant, and Smith’s was the finest in Britain. It was also a clearinghouse for international espionage, which may have led to the chef’s peculiar demise. Although usually hesitant to put himself in danger, for once Bognor is unafraid. After all, there are great meals at stake.

Product Details

ISBN-13: 9781480463073
Publisher: MysteriousPress.com/Open Road
Publication date: 12/31/2013
Series: Simon Bognor Mysteries , #5
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 138
Sales rank: 680,844
File size: 2 MB

About the Author

Tim Heald (b. 1944) is a journalist and author of mysteries. Born in Dorchester, England, he studied modern history at Oxford before becoming a reporter and columnist for the Sunday Times. He began writing novels in the early 1970s, starting with Unbecoming Habits (1973), which introduced Simon Bognor, a defiantly lazy investigator for the British Board of Trade. Heald followed Bognor through nine more novels, including Murder at Moose Jaw (1981) and Business Unusual (1989) before taking a two-decade break from the series, which returned in 2011 with Death in the Opening Chapter.

Heald has further distinguished himself with official biographies of Prince Philip and Princess Margaret, as well as accounts of sporting heroes like cricket legends Denis Compton and Brian Johnston. He is also an experienced public speaker. Heald’s forthcoming novel, Yet Another Death in Venice (2014), is the latest in the Bognor chronicles.
Tim Heald (b. 1944) is a journalist and author of mysteries. Born in Dorchester, England, he studied modern history at Oxford before becoming a reporter and columnist for the Sunday Times. He began writing novels in the early 1970s, starting with Unbecoming Habits (1973), which introduced Simon Bognor, a defiantly lazy investigator for the British Board of Trade. Heald followed Bognor through nine more novels, including Murder at Moose Jaw (1981) and Business Unusual (1989) before taking a two-decade break from the series, which returned in 2011 with Death in the Opening Chapter.
Heald has further distinguished himself with official biographies of Prince Philip and Princess Margaret, as well as accounts of sporting heroes like cricket legends Denis Compton and Brian Johnston. He is also an experienced public speaker. Heald’s forthcoming novel, Yet Another Death in Venice (2014), is the latest in the Bognor chronicles. 

Read an Excerpt

Just Desserts

A Simon Bognor Mystery

By Tim Heald


Copyright © 2003 Tim Heald
All rights reserved.
ISBN: 978-1-4804-6307-3


Simon Bognor of the Special Investigations Department of the Board of Trade was a man ill-equipped by nature, upbringing and experience for the painstaking and sensitive job in which he found himself. His position was, indeed, one of recurring embarrassment both to himself and his superiors and stemmed from a simple, but apparently irretrievable, misunderstanding during his interview many years before with the Appointments Board at Oxford University. 'There is another branch of the Civil Service,' the man had said, and Bognor, absent-mindedly assuming that he was talking about the Treasury, had somehow become embroiled in a recruitment process which he was too lazy and incompetent to reverse.

Like others doomed to a job which was not only beyond him but which was also seen to be beyond him, he took some solace in food and drink. He and his girlfriend, Monica, frequently ate out, and when they did they ate well. When they ate in they tended to spend more time, effort and money on the preparation of their meals than would generally be thought quite decent. As a result Bognor was plump and florid, knew the difference between a Château Bel-Air and a Château Belair, could rescue a curdled aioli and make his own curry powder. His boss, Parkinson, knew all this and therefore summoned him on the morning of Escoffier Savarin Smith's death.

Bognor, as usual during these interviews which were invariably painful, stared fixedly at the portrait of Her Majesty Queen Elizabeth which dominated the wall behind Parkinson.

'Fancy yourself as a gastronome, isn't that so?' asked Parkinson.

'I enjoy my food, if that's what you mean,' said Bognor, recollecting his unhappy spell on attachment in Canberra. He had never eaten so badly in his life, and it would be typical of Parkinson to re-assign him there or to some other gastronomic wilderness simply out of spite.

'Your modesty ill becomes you,' said Parkinson.

Bognor said nothing, but continued to stare at his monarch. After a moment's silence Parkinson continued, 'So you will know all about Escoffier Savarin Smith?'

'Yes. As a matter of fact Monica and I are going to his restaurant tonight. He does the most extraordinary chocolate omelette, and it's the only place in London where they know how to deal with guinea fowl.'

'I shouldn't bother,' said Parkinson. 'He's dead.'

'Good God.' Bognor was shocked. 'We were only there about a couple of months ago. He seemed fine then. What happened?'

'It looks like suicide. I gather there was a note. He appears to have sealed off the kitchen with Scotch tape or something and then turned on the gas.'

'I thought North Sea gas ...'

'This wasn't North Sea gas. It was the emergency supply. They kept a spare cylinder for power cuts and emergencies. It was perfectly effective.'

'Do we have any idea why?'

'Not yet.' Parkinson smiled. 'I'm not even one hundred per cent certain it was suicide. Of course it may have been. I'm just not quite convinced.' He paused and frowned at his subordinate. 'You knew he was one of ours?'

'How do you mean?' Bognor was perplexed as always by the ramifications of the Board; and it occurred to him that any association between Parkinson and Smith was about as unlikely as his own involvement.

'I mean,' said Parkinson, 'that he helped us from time to time. Provided us with information, tip-offs, odds and ends. He was surprisingly well informed.'


Bognor now saw where this was leading. He just prayed that Parkinson was not going to ask him to masquerade as a waiter or a chef. Parkinson had a habit of asking him to go in as an undercover agent in the most unlikely and humiliating circumstances. He would never forget his futile attempts to pass himself off as a newspaper reporter after the murder of St John Derby of the Daily Globe—though that had not been as chillingly ghastly as Collingdale's last case. Collingdale had had to sign up as a novice friar at Beaubridge and had been found strangled in the potato patch. Bognor shuddered.

'Where did he get his information?' he asked. Whenever he had seen Smith at the restaurant he had seemed too jovial and disorganized to have gleaned much during working hours. If he had had to put money on anyone being involved in the sort of amateur espionage that Parkinson was suggesting, he would have plumped for Smith's partner, Gabrielle, the Eurasian. She was a Mata Hari figure, while Smith was a fat food buff with a fading reputation as a Lothario, hypochondriac tendencies, and a widely acknowledged drink problem.

'You know the place,' said Parkinson. 'You must have seen the sort of people who went there.'

Bognor laughed. 'I hardly think we'd have much use for the sort of things Lady Aubergine would have access to. Or Aubrey Pring. And Nuala O'Flaherty is only a sort of champagne provo. Not the real thing at all. Her name's actually Norah. Norah Wills. Did you know that?'

'I did not.' Parkinson's icy tone made it clear that he didn't care either. 'Do you recognize either of these two?' He passed a couple of photographs across the desk. One showed a dark, shaggily suave person around forty-five; the other a Madison Avenue type with a button-down shirt and spectacles, who looked a little like Elliott Richardson, the ex– American Ambassador.

'Yes, as a matter of fact,' said Bognor. 'They were both there one night for some sort of party. I'm not sure it wasn't Smith's birthday or something. I remember it being spectacularly boisterous.'

'And you remember them?'

Bognor flushed slightly. 'I have a good memory for faces, and it was a very noisy party. Not the sort of party you would forget.'

'But you don't know who they are?'

'No idea.'

Parkinson sighed. 'In that case,' he said, 'I shall have to enlighten you. The one with the hair and the Slavonic features is Dmitri Petrov, the so-called Managing Director of the Soviet Synthetics Consortium. The more presentable one is Anthony J. Ebertson III, a socalled cultural counsellor at the American Embassy. Are you beginning to see what I'm getting at?'

'They're so-called impostors,' said Bognor, heart sinking yet faster. 'Mr Ebertson knows nothing about culture and Mr Petrov knows nothing about synthetics, and they're engaged in some form of espionage at which I can only guess.'

'Which in the circumstances makes me suspicious.'

'I can see that, but how precisely?'

'I'm not able to be precise,' said Parkinson. 'That's what you're employed for—to give precision to my half-formed notions and incipient suspicions, which is what I would be obliged if you would do now.'

'You mean ...' Bognor's perplexity was more apparent than real. He knew only too well what Parkinson meant, but the stammered refusal to admit it was a habitual defensive mechanism.

'I mean,' said Parkinson, 'that the verdict on your Mr Smith will be that he gassed himself while the balance of his mind was disturbed, and that there is no reason to suspect foul play. This will be perfectly acceptable to the great British public and the great British press but not, alas, to me. As I have indicated, we have reason to think otherwise. So there you are. Bon appetite!'

Parkinson smiled viciously, evidently amused at what he would doubtless have described as his bon mot, and began to sort through the papers on his desk. The interview was apparently over. Bognor rose, stretched and ambled out of the room but not before Parkinson had added, crisply and unnecessarily: 'A little exercise would do you no harm, Bognor. Don't make this job an excuse for too much gourmandizing, and if I were you I'd take up squash.'

Bognor, who'd been meaning to take up squash for years, did not reply.

'Oh, and Bognor ...'

The door was not yet shut. Reluctantly Bognor took two paces back and turned round. 'Yes?'

'I don't want anyone to know precisely what you're doing.' Bognor braced himself, certain now that Parkinson was going to ask him once more to participate in some dangerous and degrading charade. 'Since I don't know precisely what I'm doing myself,' he volunteered, 'that shouldn't present too much of a problem.'

Parkinson frowned. It was a rule of their relationship that such witticisms were left to him. Bognor was becoming insubordinate. 'You may say, Bognor,' he said, 'that you are working for us, but only that you are looking at ... oh ... at the possibilities of expansion in the top end of the food market, or something similarly anodyne. But don't let anyone think you suspect anything about our friend Mr Smith.'

'Right,' said Bognor. 'I'll keep in touch.' This time his exit was more effectively accomplished. He paced slowly along the subterranean passages, made more hideous still by peeling pea-green paint and miles of cylindrical metal ventilation shaft. At least Bognor supposed it was a ventilation shaft. He had never really considered it for long, except once when it had occurred to him that if it was a ventilation shaft, then a tightly knit group of politically motivated men could knock out the Special Investigations Department with a single suitable gas cylinder. Just like poor old Scoff Smith. A whiff of gas and pouf he was gone. The Gastronomer Royal extinguished in a suspicion of aroma. Bognor smiled sourly and stopped by the newly installed coffee and tea vending machine. There was nothing gastronomic about this. It had been installed purely for reasons of economy and to eliminate the tea trolley ladies who had long been considered an unacceptable security risk as well as being too expensive in these days of the new austerity. The machine, unlike the tea trolley ladies, claimed to dispense coffee as well as tea, but it didn't fool Bognor. Whatever the liquid was, it was certainly not tea or coffee. As usual he selected the drink purporting to be tea, on the grounds that it was the cheaper of the two, and took it back to his desk. The taste was just as he had expected, but it still had the power to make him wince.

He grimaced over it for a few moments while wondering what to do next. Dinner at the Dour Dragoon was, he supposed, off. Le patron est mort ici, he thought to himself grimly, but on the other hand it was just possible that the feast would go on and that Scoff Smith's staff would display a sort of showbiz stoicism.

In the event he discovered that their attitude was more epicurean than stoic. 'This is a recorded message,' said the telephone when he dialled the Dragoon's number. 'Owing to unforeseen circumstances the restaurant is closed until further notice. We apologize for any inconvenience.'

'Oh, shit,' said Bognor with a vehemence which surprised him. The news had put a spoke in his gastronomic as well as his professional wheel. He would now have to find another place for dinner and another way of getting down to work.

The Extravaganza was no substitute for the Dour Dragoon, and both he and Monica realized it the moment they arrived. It was brand new, yet had a musty odour of yesterday's cigarettes, spilt plonk and no daylight. It had been recommended by a friend of Monica's who compiled reports for The Good Food Guide. Monica was impressed by her friend's aggressive obsession with food and drink; Bognor had had his suspicions about her ever since dining at her house and spotting an empty magnum of Château Waitrose by the pedal bin in the kitchen. Not that there was anything wrong with Château Waitrose, it was just that she had been serving wine from interesting Italian bottles and claiming that she had found it just outside Siena, 'at the most divine little palazzo owned by this simply ravishing count'. Bognor had not actually accused her of passing off supermarket wine as chianti, but he had said as much to Monica in the car on the way home. There had been a row.

Now sitting alone in this fusty little bar toying with a weak Campari and contemplating a menu as long as his arm, he felt sufficiently aggrieved to bring the matter up again. Instead he said simply, 'Bloody woman'.

Monica picked up a peanut, examined it for dust, then ate it tentatively as if it might be booby-trapped and go off in her mouth. When she had destroyed and swallowed it, she said, 'You know that's not fair, Simon, Ailsa is very good at restaurants'.

Bognor looked round the bar theatrically. 'So I see,' he said.

'Oh, come on. Give them a chance, we haven't even ordered yet. Besides, she didn't exactly recommend it, she simply said she knew the man who owned it.'

'Now you tell me.'

'Well ...' She selected another peanut, unable to think of anything suitably placatory. 'I still think she could help you start off this new assignment.'

'Assignment ... assignment,' mimicked Bognor. 'Why must you use words like "assignment"? It's the sort of word Parkinson uses. Why on earth can't you say "job" like any normal person? And I am most certainly not having Ailsa bloody Larkin ruining my latest job, assignment, or whatever. She's already caused enough trouble for one evening.'

A waiter appeared, ballpoint poised. He had that peculiar look of combined servility and contempt which Bognor found particularly offensive. He also had dirty fingernails and a thumb yellow with nicotine. His swarthy looks and lank black hair suggested something Latin. He said nothing, merely hovered, one eyebrow raised in an attitude of half-hearted expectancy.

'Have you decided?' asked Bognor.

Monica gave him a look intended to wither but which was so anaemic that it merely had the effect of making him laugh. Luckily, after a moment's hesitation, she joined him. The waiter remained motionless, pen and eyebrow poised in mute readiness.

'I'd like the fritto misto and then the stiffado,' said Monica. 'Are the vegetables fresh?'

'Green beans, courgettes, spinach,' said the waiter expressionlessly.

'Yes, but are they fresh?'

He frowned. 'Yes, they are fresh.'

Bognor and Monica exchanged glances and shrugs, and she settled for the courgettes. Bognor chose ravioli and a specialty of the house called Polio Sophia Loren. He also ordered a carafe of red.

'I know,' he said, suddenly, when the nearly dumb waiter had shuffled off into some nether region. 'Aubrey Pring.'

'Aubrey Pring?'

'Yes, you know, Aubrey Pring—he was in the Dragoon once when we were there. He does The Guide to Good Dining.'

'And that frightful column in the Chronicle.'

'It's not frightful. It's rather good actually.'

Monica laughed without humour. 'The wine snob's guide to an early cirrhosis,' she said. 'If he eats and drinks half what he claims, then he ought to be dead by now.'

'Oh, rubbish,' said Bognor. 'He's only about a year older than me.'

'And what is that supposed to prove?' Monica swilled her drink round her mouth as if it was a gargle. 'Anyway, what about Aubrey Pring?'

'Just that I knew him at Oxford.'


'No, not particularly. In fact to be absolutely honest I think "only vaguely" would be the proper way to put it. He was at Wadham. Only I did know him. He was president of the Wine and Food Soc.'

'That follows,' said Monica as icily as a mouthful of lukewarm apéritif allowed. 'Have you seen him since?'

'Well, I've seen him at the Dour Dragoon, like I said, but I admit I haven't actually ...'

Embarrassing confession was prevented by the reappearance of the glum waiter who told them, gracelessly, that their table was ready, and then ushered them to it.

It was a perfectly respectable table as tables went. The tablecloth was pink and clean, the wax night-light affair in a sort of inverted goldfish bowl shimmered romantically, and there was a rose in a vase. It looked wan enough to be real. The meal, when it appeared, was by no means as disgusting as they had supposed while in the bar, and by the end of it they were feeling more or less content, if less than euphoric. Just as two brandies arrived they were both suddenly aware of noise. It was not that the restaurant had hitherto been silent, but there were no more than half a dozen other couples in the large, rather starkly Apicello-style room and, as is the way with apprehensive diners in half-empty restaurants, they conversed, when they did, in virtual whispers. Whether this affected the staff or whether the uncharacteristically dour mien of the staff was there in the first place Bognor could not conceive. At all events the noise from the bar was unexpected and out of place. Whoever had arrived was clearly in convivial mood. Moreover the pitch of their voices and the slightly braying quality of their laughter suggested that they expected convivial surroundings. It also suggested alcohol, freely imbibed.


Excerpted from Just Desserts by Tim Heald. Copyright © 2003 Tim Heald. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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