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King Lear 'After' Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama

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Analyses appropriations of King Lear in post—war British drama
Provides the first dedicated study on appropriations of King Lear in British playwriting of the post—war, developing valuable new perspectives on the legacy of Shakespeare in post—war drama and culture.Features original case studies on Edward Bond, David Rudkin, Howard Barker, Sarah Kane, Forced Entertainment and Dennis Kelly. Situates appropriations of King Lear in a wider literary, theatrical and philosophical discourse around ...