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Stories of loners, outsiders, tricksters, addicts, jazzmen, and drifters in the Jim Crow South—a classic of 1950s Black fiction.

Raw, fearless, ironic, the stories in Lover Man (1958) promised the birth of a new sensibility in American fiction. Inspired by the bebop he loved, and the philosophy he studied at the Sorbonne, Alston Anderson looked back at the North Carolina of his youth to capture the hidden lives of Black boys and men in the early 1940s. Fascinated by loners and outsiders—tric...