Kerouac's most important poem, Mexico City Blues, incorporates all the elements of his theory of spontaneous composition. Memories, fantasies, dreams, and surrealistic free association are all lyrically combined in the loose format of the blues to create an original and moving epic. "I want to be considered a jazz poet blowing a long blues in an afternoon jam session on Sunday. I take 242 choruses; my ideas vary and sometimes roll from chorus to chorus or from halfway through a chorus to halfway into the next." "A spontaneous bop prosody and original classic literature." - Allen Ginsberg; "Kerouac calls himself a jazz poet. There is no doubt about his great sensitivity to language. His sentences frequently move into tempestuous sweeps and whorls and sometimes they have something of the rich music of Gerard Manley Hopkins of Dylan Thomas" - The New York Herald Tribune
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About the Author
Jack Kerouac (1922-1969) was an American novelist, poet, and painter most closely associated with the Beat Movement of the 1950s. His most famous works include On the Road, The Dharma Bums, and Big Sur, several of which have been adapted into films. In 1959 Kerouac released his collection of poems Mexico City Blues. Few authors can claim as large an influence on American culture as Jack Kerouac and his examinations of youth and rebellion.
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"A spontaneous bop prosody and original classic literature."
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