Mícheál Ó Súilleabháin: A life in music
Mícheál Ó Súilleabháin: A life in music, is a collection of essays and reflections around the musical life of Mícheál Ó Súilleabháin. With contributions from musicians, artists, dancers, academics, students, poets, politicians and media personalities, the book explores the multifaceted life of one of Ireland’s best—known musicians. Ranging in style from the scholarly to the personal, the anecdotal and the poetic, each piece offers a unique perspective on his life and work. This richly illustrated volume brings together the voices of those who knew him best and captures his wide—ranging influence as an educator, performer, composer and cultural personality.
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Mícheál Ó Súilleabháin: A life in music
Mícheál Ó Súilleabháin: A life in music, is a collection of essays and reflections around the musical life of Mícheál Ó Súilleabháin. With contributions from musicians, artists, dancers, academics, students, poets, politicians and media personalities, the book explores the multifaceted life of one of Ireland’s best—known musicians. Ranging in style from the scholarly to the personal, the anecdotal and the poetic, each piece offers a unique perspective on his life and work. This richly illustrated volume brings together the voices of those who knew him best and captures his wide—ranging influence as an educator, performer, composer and cultural personality.
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Mícheál Ó Súilleabháin: A life in music

Mícheál Ó Súilleabháin: A life in music

Mícheál Ó Súilleabháin: A life in music

Mícheál Ó Súilleabháin: A life in music

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Overview

Mícheál Ó Súilleabháin: A life in music, is a collection of essays and reflections around the musical life of Mícheál Ó Súilleabháin. With contributions from musicians, artists, dancers, academics, students, poets, politicians and media personalities, the book explores the multifaceted life of one of Ireland’s best—known musicians. Ranging in style from the scholarly to the personal, the anecdotal and the poetic, each piece offers a unique perspective on his life and work. This richly illustrated volume brings together the voices of those who knew him best and captures his wide—ranging influence as an educator, performer, composer and cultural personality.

Product Details

ISBN-13: 9781782050162
Publisher: Cork University Press
Publication date: 10/18/2024
Pages: 576
Product dimensions: 6.54(w) x 9.29(h) x 1.84(d)

About the Author

Helen Phelan is professor of arts practice, and director of the Irish World Academy of Music and Dance, University of Limerick. She is founder of the PhD Arts Practice programme at the Academy, and founding Chair of IMBAS, a national network for artistic research. She is an award—winning scholar for her work in music, ritual and migration.

Marie McCarthy is professor of music education at the University of Michigan. She has contributed to music education in Ireland for over three decades. Awards include honorary life member of the Society for Music Education in Ireland and the International Society for Music Education, and the 2022 Senior Researcher Award from the US National Association for Music Education.


Nicholas Carolan is director emeritus of the Irish Traditional Music Archive, of which he was founder—director 1987–2015 and general editor of its publications. A researcher, writer, producer and lecturer, he is best known for the archival television series Come West along the Road and Siar an Bóthar (1994–2014).

Table of Contents

List of Figures  

List of Abbreviations 

Acknowledgements

 

Introduction

Editors 

Mícheál Ó Súilleabháin: A biography Helen Phelan 

 

 

PART I: MUSICIAN 

 Foreword Nicholas Carolan 

Elver Gleams 


  1. The Making of Fresh Music  
    Paddy Glackin 


  1. An Bóthar Ard ón gCrosbhóthar  
    Máire Nic Fhinn 


  1. ‘This is, in several ways, an experimental recording …’ 
    Declan Colgan  


  1. It Began Literally as a Dream  
    Nóirín Ní Riain 


 

Becoming 


  1. ‘Let’s start with an improvisation’: Playing the saxophone for Mícheál Ó Súilleabháin 
    Kenneth Edge  


  1. The First Time I Met Mícheál O’Smoothie—Phone 
    Brian Kennedy  


  1. Mícheál and the ICO: A musical journey 
    Gerard Keenan  


  1. A Bridge Between Worlds 
    Sinead Hayes  


  1. Inspirational Torch Bearer 
    Martin Hayes 


  1. Moments 
    Iarla Ó Lionáird 

 

Between Worlds 


  1. Distant Beating Hearts 
    David Brophy  


  1. Mícheál Ó Súilleabháin: A force for good 
    Neil Martin 



  1. A Conversation on Music and Memory
    Mary Coll and Joan Sheehy  


  1. Irish Destiny: The movie, the music, the maestro 
    Sunniva O’Flynn  


  1. Along the Enchanted Way: Recollections of a church musician 
    John O’Keeffe 


  1. The Mediator and the ‘Disappointment’: Understanding Mícheál Ó Súilleabháin’s contribution to Irish composition  
    Toner Quinn 

 

 

PART II: EDUCATOR 

Foreword Marie McCarthy  

The Dolphin’s Way 


  1. Reflections from the Well 
    Mel Mercier 


  1. The Scholar’s Harvest Home: Mícheál Ó Súilleabháin and the student experience of traditional music at third level
    Sandra Joyce  


  1. Francesco Walks: A personal reflection
    Liz Doherty  


  1. A Creative Process: Mícheál Ó Súilleabháin at UCC 
    Niall Vallely  



  1. ‘The Dolphin’s Way’: Mícheál Ó Súilleabháin’s pioneering work at the Department of Music, University College Cork (1975–93) 
    Mary Mitchell—Ingoldsby 


  1. Mícheál Ó Súilleabháin, Ethnomusicology and Queen’s University Belfast 
    John Baily 

 

Templum 


  1. Mícheál Ó Súilleabháin 
    Edward Walsh  


  1. Always Unfolding Knowing: Toyota Performing Arts Initiative as curriculum of event, cultural object and lived experience 
    Margaret O’Sullivan 


  1. An Dúghabháil: Reifying the source 
    Ríonach uí Ógáin 


  1. The CÉILÍ and the HOUSE OF LIGHT
    Daniel Cordier 


  1. Of Our Times 
    David J. Elliott 


  1. Towards a National Ethnomusicology
    John Morgan O’Connell  


  1. Engaging Traditional Ears in the Irish World Academy’s Ethnomusicology Programme 
    Susan H. Motherway  



  1. Ethnochoreology and Traditional Dance in the Irish World Academy 
    Catherine E. Foley, Orfhlaith Ní Bhriain and Mats Melin   


  1. Music Education at the Irish World Academy 
    Jean Downey and Ernestine Healy  


  1. Lighting the Fire: Perspectives on the development of the Classical String Performance programme at the Irish World Academy
    Diane Daly and Ferenc Szűcs  


  1. The MA Programme in Ritual Chant and Song: A mirror of a grand spirit 
    Edward Foley and Sr Sidonia Freedman  


  1. Music Therapy at the Irish World Academy: A ‘lobal’ reflection 
    Tríona McCaffrey and Jane Edwards  


  1. Mícheál Ó Súilleabháin: ‘Ah, sweet dancer’ 
    Mary Nunan 


  1. Conferring the Céilí: Irish traditional music programmes at the Irish World Academy
    Niall Keegan  


  1. Community Music in the Irish World Academy: Opening, inspiration, rupture
    Kari K. Veblen and Kathleen Turner  


  1. Moving Song: Reflections on the BA Voice and Dance
    Jennifer de Brún, Hannah Fahey and Óscar Mascareñas  


  1. Mícheál Ó Súilleabháin: My personal psychopomp
    Carl Corcoran 



  1. Between Worlds: Being, becoming and belonging 
    Mary Louise O’Donnell and Matthew James Noone  

 

Lumen 


  1. The Grace of His Teaching: Lessons from Mícheál Ó Súilleabháin
    Patricia Shehan Campbell  


  1. ‘there for the crossing’: Reflections on the practical and the poetic 
    Anya Peterson Royce 


  1. Three Meetings with Mícheál Ó Súilleabháin from 1985 to 2017 
    Tran Quang Hai  


  1. Mícheál Ó Súilleabháin: The candle and the light 
    Christopher Frayling  


  1. Transmodal Curriculum Maker, Symbolic Leader
    Regina Murphy  


  1. Mícheál Ó Súilleabháin: Encounters with a musical visionary 
    Svanibor Pettan  


  1. ‘My Love is in America’: Mícheál brings Irish music to Boston College
    Elizabeth Sweeney and Christian Dupont  


  1. Mícheál Ó Súilleabháin, Music Educator: Local accent, global vision 
    Marie McCarthy 


 

 

PART III: CULTURAL MEDIATOR 

Foreword Helen Phelan 

Casadh/Turning 


  1. Memories of Mícheál: Cuimhní cinn ar Mhícheál 
    Lillis Ó Laoire 


  1. Cófra na mBeart Caillte
    Áine Uí Cheallaigh  


  1. Téada Machnaimh agus Téada Gutha: Ceist na teangan sa cheol Gaelach
    Tríona Ní Shíocháin  

 

Gaiseadh/Flowing 


  1. Listening to Mícheál Ó Súilleabháin Play ‘Carolan’s Farewell to Music’ on the Piano
    Paula Meehan  


  1. Elegy Between Worlds 
    Thomas McCarthy  


  1. A Planxty for Mícheál Ó Súilleabháin
    Joseph O’Connor  



  1. Irish Destiny (1926) 
    Tom French 


  1. The Rags of Time 
    Paddy Bushe  


  1. Across the Plains of Boyle
    Vincent Woods  


  1. Where Music Begins 
    Eva Bourke  


  1. Eurydice Speaks 
    Enda Wyley 


  1. Air: The map of the world 
    Eiléan Ní Chuilleanáin  


  1. Between the Jigs and the Reels 
    Moya Cannon  


  1. Between the Beats at The Moorings Bar
    Michael Coady  


  1. Anonymous: A blackbird
    Paul Muldoon  


  1. Interludes 
    Peter Sirr  



  1. Early Music
    Mícheál ‘Moley’ Ó Súilleabháin 


  1. Tigín i gCnocán a’ Phaoraigh
    Áine Uí Fhoghlú 


  1. For Mícheál
    Fióna Bolger 


  1. The Music of the Morning Sun
    David Whyte 


  1. Ceol 
    Gerard Smyth 


  1. Church Music 
    John McAuliffe  


  1. Back on the Island 
    Bernard O’Donoghue  


  1. Marbhna on a Grand Piano
    Theo Dorgan  


  1. Like a Soul
    Martin Dyar 

 

Oileán/Island 



  1. Mícheál Ó Súilleabháin and Seamus Heaney: Boundaries, mediation and redress
    Johanne Devlin Trew  


  1. Turas go Tír na nÓg: A personal reflection 
    Trew O’Connor  


  1. A River of Sound
    Philip King  


  1. A Constant Companion in Music 
    Aodán Ó Dubhghaill  


  1. History Lessons
    Rod Stoneman  


  1. ‘Too—Ra—Loo—Ra—Loo—Ral’: Musical priests on screen and Irish—American identity
    Méabh Ní Fhuartháin 


  1. The Gleam of the Elver and the Work of the Heart: Reflections on Mícheál Ó Súilleabháin
    Timothy Emlyn Jones 


  1. A Journey of the Soul
    Page Allen  


  1. Learning from Mícheál: Placing culture at the heart of regenerative innovation
    Finbarr Bradley  


  1. Planxty: A newly coined word for a new kind of composition? 
    Cathal Goan  



  1. ‘The local is the path to true globalisation’: Mícheál as musical mediator and the redress of the Irish psyche 
    Owen Ó Súilleabháin  


  1. Irish Music (Re—)Defined: The writings of Mícheál Ó Súilleabháin
    John O’Flynn  


  1. The Daring Young Man on the Flying Trapeze: A personal recollection and evaluation by a musician and educator
    Fintan Vallely  


  1. Tradition and the Individual Talent: Ó Súilleabháin in the light of Heaney
    Harry White  

 

 

Epilogue: Homily at the Funeral Mass for Mícheál Ó Súilleabháin 

Mark Patrick Hederman OSB  

 

Works by Mícheál Ó Súilleabháin: Discography, Writings and Select Scores  

Discography by Nicholas Carolan  

Writings by John O’Flynn, Helen Phelan, Marie McCarthy and Nicholas Carolan 

Select Scores by Susan Brodigan and Evonne Ferguson 

 

Notes 

Select Bibliography 

Index 

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