Endlessly fascinating, Miss Anne in Harlem reveals a whole new perspective on the Harlem Renaissance, and Carla Kaplan delivers an essential and absorbing portrait of race and sex in 20th century America.
With superb, exhaustive research and finely dramatic writing, Carla Kaplan’s brilliant Miss Anne in Harlem fills an aching void in our knowledge of the Harlem Renaissance. It also significantly deepens our understanding of American culture in the 1920s and American feminism in general.
The fact that white women played a pivotal role in creating the Harlem Renaissance was a secret hiding in plain sight, but it took Carla Kaplan’s keen eye, rigorous research, and crystal clear prose to reveal it. A surprising, delightful book.
Kaplan always writes from inside her characters, and with a novelist’s sense of scope—and compassion.
[An] utterly fascinating and deeply insightful account. . . . This fine book takes the Misses Anne seriously and goes further, to reveal the workings of interracial networks in one of the most important cultural phenomena in American history.
Professor Kaplan, a biographer of the writer Zora Neale Hurston, captivatingly illuminates and places in overdue perspective.
A work of meticulous and far-ranging scholarship, Miss Anne in Harlem matches its characters’ shocking and subversive lives with explosive revelations and subtle insights. . . . Kaplan’s haunting narrative forces a rethinking of race and gender.
In this remarkable work of historical recovery . . . [Kaplan] resurrects Miss Anne as a cultural figure and explores the messy contradictions of her life . . . deeply researched.
New York Times Book Review
Carla Kaplan has given us and history a great gift.
New York Journal of Books
[R]ichly researched, thoughtful new book.
Kaplan’s meticulously documented and intrepid history of Miss Anne encompasses a unique vantage on the complexities of race and gender and a dramatic study in paradox.
Booklist (starred review)
In her clear-sighted, empathetic assessment of a half-dozen of these women, Carla Kaplan casts a fresh eye over people and relationships too often reduced to stereotypes.
[A] revelatory book. . . . Aside from its significance as cultural history, Miss Anne in Harlem is packed with amazing life stories.
[An] intriguing new book.
Washington Post Book World
(Kaplan’s) extensive research has given life to a critical period in black American history-and given credit to the white women who, for various reasons, helped the Harlem Renaissance flourish.
In this remarkable work of historical recovery, Carla Kaplan…does well by a group of women who got so much wrong. She resurrects Miss Anne as a cultural figure and explores the messy contradictions of her life, moving her from the periphery of a story about white patronage and boundary-testing interracial liaisons to the center. With a focus on six of the roughly 60 white women active in the Harlem Renaissance, Kaplan delineates Miss Anne as a counterpart to the better known flapper or "new woman" of the Roaring Twenties. But this is really a collection of individual stories, a group biography that lets the idiosyncrasies of the individual women shine through…The book is full of fresh discoveries.
The New York Times Book Review - Martha A. Sandweiss
Northeastern University literature and gender studies scholar Kaplan (Zora Neale Hurston: A Life in Letters) shares the previously untold story of a group of notable white women who embraced black culture—and life—in Harlem in the 1920s and ’30s. Collectively known as “Miss Anne,” these women served as hostesses, patrons, activists, comrades, lovers, writers, and editors at a time when the Ku Klux Klan was at its height, and when a white woman who became intimate with a “Negro” faced almost certain ostracism. A captivating group biography and social history, the book focuses on six women: Lillian Wood (Let My People Go), a teacher at a small black college; Josephine Cogdell Schuyler, a Texan heiress who married black journalist George Schuyler and became a writer herself, yet had to keep her interracial marriage hidden from her family; Barnard college founder Annie Nathan Meyer; influential patron Charlotte Osgood Mason; novelist Fannie Hurst; and English heiress Nancy Cunard. An empathetic and skillful writer, Kaplan has produced a valuable addition to the history of the period. As she shows, Miss Anne defied categorization, transcending her race, class, and gender, and introducing many of the ideas we hold today about inclusiveness and self-reinvention. 54 b&w photos and two 8-page color inserts. Agent: Brettne Bloom, Kneerim & Williams. (Sept.)
Professor Kaplan, a biographer of the writer Zora Neale Hurston, captivatingly illuminates and places in overdue perspective.” — New York Times
“In this remarkable work of historical recovery . . . [Kaplan] resurrects Miss Anne as a cultural figure and explores the messy contradictions of her life . . . deeply researched.” — New York Times Book Review
“An empathetic and skillful writer, Kaplan . . . shares the previously untold story of a group of notable white women who embraced black culture—and life—in Harlem in the 1920s and ‘30s. . . . Captivating.” — Publishers Weekly (starred review)
“Endlessly fascinating, Miss Anne in Harlem reveals a whole new perspective on the Harlem Renaissance, and Carla Kaplan delivers an essential and absorbing portrait of race and sex in 20th century America.” — Gilbert King, author of Devil in the Grove
“With superb, exhaustive research and finely dramatic writing, Carla Kaplan’s brilliant Miss Anne in Harlem fills an aching void in our knowledge of the Harlem Renaissance. It also significantly deepens our understanding of American culture in the 1920s and American feminism in general.” — Arnold Rampersad, author of The Life of Langston Hughes
“A work of meticulous and far-ranging scholarship, Miss Anne in Harlem matches its characters’ shocking and subversive lives with explosive revelations and subtle insights. . . . Kaplan’s haunting narrative forces a rethinking of race and gender.” — Megan Marshall, author of Margaret Fuller: A New American Life and The Peabody Sisters: Three Women Who Ignited American Romanticism
“[An] utterly fascinating and deeply insightful account. . . . This fine book takes the Misses Anne seriously and goes further, to reveal the workings of interracial networks in one of the most important cultural phenomena in American history.” — Nell Irvin Painter, author of The History of White People
“The fact that white women played a pivotal role in creating the Harlem Renaissance was a secret hiding in plain sight, but it took Carla Kaplan’s keen eye, rigorous research, and crystal clear prose to reveal it. A surprising, delightful book.” — Debby Applegate, author of The Most Famous Man in America
“Carla Kaplan has taken on a dauntingly liminal topic and by force of scholarly rigor and narrative compassion rendered it central to our understanding of an era. Lush, original, and vigorously argued....” — Diane McWhorter, author of Carry Me Home
“Kaplan always writes from inside her characters, and with a novelist’s sense of scope—and compassion.” — Hilton Als, New Yorker .com
“Kaplan’s meticulously documented and intrepid history of Miss Anne encompasses a unique vantage on the complexities of race and gender and a dramatic study in paradox.” — Booklist (starred review)
“(Kaplan’s) extensive research has given life to a critical period in black American history-and given credit to the white women who, for various reasons, helped the Harlem Renaissance flourish.” — NPR.org
“[A] revelatory book. . . . Aside from its significance as cultural history, Miss Anne in Harlem is packed with amazing life stories.” — NPR's Fresh Air
“[R]ichly researched, thoughtful new book.” — Boston Globe
“In her clear-sighted, empathetic assessment of a half-dozen of these women, Carla Kaplan casts a fresh eye over people and relationships too often reduced to stereotypes.” — Daily Beast
“[An] intriguing new book.” — Washington Post Book World
“Carla Kaplan has given us and history a great gift.” — New York Journal of Books
Miss Anne refers collectively to the white women who participated in the Harlem Renaissance of the 1920s, generally upper-crust types considered scandalous by whites and disdained by some blacks. An authority on modernism, women's and African American history, and race relations, Kaplan is surely the woman to write this book. With a 50,000-copy first printing.
