Movie Love In The Fifties

"What I set out to do is to help you see movies better, to experience them more deeply and sharply and richly," says James Harvey. And his critical method-reading a movie moment by moment, scene by scene-reveals new layers of meaning in even the most familiar films. See how 1940s film noir evolves into 1950s melodrama; how the femme fatale of the 1940s (think Barbara Stanwyck) becomes blander and blonder (think Doris Day) and then younger and sexier (yes, Marilyn); and how the new boy-men-C...