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Moving Pictures/Stopping Places: Hotels and Motels on Film
By Stuart Aitken (Contribution by), Yvette Blackwood (Contribution by), David B. Clarke (Contribution by), Valerie Crawford Pfannhauser (Contribution by), David Scott Diffrient (Contribution by), Asbjorn Gronstad (Contribution by), Greg Hainge (Contribution by), James Hay (Contribution by), Stan Jones (Contribution by), Roland-Francois Lack (Contribution by), Rob Lapsley (Contribution by), Katherine Lawrie (Contribution by), Jann Matlock (Contribution by), Heather NorrisNicholson (Contribution by), Maria Walsh (Contribution by), David B. Clarke (Editor), Valerie Crawford Pfannhauser (Editor), Marcus A. Doel (Editor)
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$145.80
By Stuart Aitken (Contribution by), Yvette Blackwood (Contribution by), David B. Clarke (Contribution by), Valerie Crawford Pfannhauser (Contribution by), David Scott Diffrient (Contribution by), Asbjorn Gronstad (Contribution by), Greg Hainge (Contribution by), James Hay (Contribution by), Stan Jones (Contribution by), Roland-Francois Lack (Contribution by), Rob Lapsley (Contribution by), Katherine Lawrie (Contribution by), Jann Matlock (Contribution by), Heather NorrisNicholson (Contribution by), Maria Walsh (Contribution by), David B. Clarke (Editor), Valerie Crawford Pfannhauser (Editor), Marcus A. Doel (Editor)
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Mobility has long been a defining feature of modern societies, yet remarkably little attention has been paid to the various 'stopping places'_hotels, motels, and the like_that this mobility presupposes. If the paradoxical qualities of fixed places dedicated to facilitating movement have been overlooked by a variety of commentators, film-makers have shown remarkable prescience and consistency in engaging with these 'still points' around which the world is made to turn. Hotels and motels play...
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