“A wonderful first-person narrative . . . both a love story and a chronicle of a brutal time in American history.” —Chicago Tribune
“My Jim is a compelling, eloquently written novel that can stand on its own merits beside the great works that inspired it.” —San Francisco Chronicle
“Rawles’s affecting spin-off of Twain’s classic gives the resilient Sadie Watson a harrowing story and a powerful voice to tell it.” —Entertainment Weekly
“In a spare, naturalistic style that’s reminiscent of oral history, Rawles covers territory Twain did not....As heart-wrenching a personal history as any recorded in American literature.” —New York Times Book Review
In a spare, naturalistic style that's reminiscent of oral history (the story is largely told by Jim's wife, Sadie, to her granddaughter), Rawles covers territory Twain did not: Jim's early life in captivity, his seemingly endless struggle for freedom, his love for his wife and children, his impossible anguish upon separation. But more of the book is focused on Sadie's story, and it is, in its particulars, as heart-wrenching a personal history as any recorded in American literature.… Certainly if The Adventures of Huckleberry Finn is presented to school children as their introduction to American slavery, as it sometimes has been in the past, then the deeply felt and moving My Jim would be a welcome accompaniment.
The New York Times
In her spare, moving retelling of the story of escaped slave Jim from Mark Twain's The Adventures of Huckleberry Finn, Rawles shifts the focus to Jim's wife, Sadie, whose unspeakable losses set the tone for Jim's flight. Trained as a healer, Sadie helps bring Jim into the world when she herself is "no higher than a barrel." As they grow up together on Mas Watson's Missouri plantation, Jim only has eyes for Sadie, and after an informal marriage following their daughter Lizbeth's birth, they consider fleeing together. Their plans change when Mas Watson dies, and Sadie is taken by a hateful neighbor while Jim is kept on by Mas Watson's daughter. Jim finally escapes on his own, but is presumed dead when his hat is found floating in the Mississippi. After countless tribulations, Sadie meets up again with Jim, who has ventured down the Mississippi with Huck Finn in the meantime, but the pair are not reunited. Further disappointment comes after emancipation, when Sadie learns that freedom looks an awful lot like slavery. Writing in sonorous slave dialect, Rawles creates a memorable protagonist in Sadie and builds on Twain's portrayal of Jim while remaining true to the original. Agent, Victoria Sanders. (Jan.) Forecast: Like Jean Rhys in Wide Sargasso Sea, Rawles sketches an impressionistic portrait of a secondary 19th-century fictional character. This is a skillful addition to a small subcanon and may find a place on some high school reading lists. Copyright 2004 Reed Business Information.
Not only is Mark Twain's Jim an iconographic literary character, but his role in The Adventures of Huckleberry Finn has also provided him with iconographic status in the discipline of literary criticism more generally. Here Rawles supplies Jim's own back story in an elegantly structured and genuinely developed fiction informed by classic slave narratives. Faced with a marriage proposal, sixteen-year-old freeborn Marianne turns to her slave-born grandmother for counsel. Sadie offers her own story of lifelong hardship, lasting love, choking losses, and hope regained. Jim was, indeed, Sadie's true romance, but the vagaries of slave holding, punishment, and banishment all militated against their marriage lasting through the fullness of their lives. Sadie tells her story in several vignettes prompted by the treasures she has kept in a canning jar across the years: a bit of clay pottery, a child's tooth, a gold button, and a bit of corncob pipe. Students reading Huckleberry Finn are a prime audience for this accessible and revealing new story, but teens who enjoy family romance or contemporary African American fiction will be rewarded and bring insight to the older text when later meeting it. Hoggatt's chapter-heading illustrations echo the narrative with visual symbols of Sadie's life and suggest to teachers and other reading group leaders possible activities to extend the experience of this text through various art and craft activities. This book is highly recommended for all libraries serving American teens. VOYA CODES: 5Q 3P S A/YA (Hard to imagine it being any better written; Will appeal with pushing; Senior High, defined as grades 10 to 12; Adult-marketed book recommended for YoungAdults). 2005, Crown, 176p., Ages 15 to Adult.
Told entirely in dialect, this first-person narrative features Sadie, a third-generation slave emancipated during the Civil War. Sadie is making a quilt with her granddaughter, Marianne Libre, who was born free and must decide whether to marry and move away or remain with the grandmother who raised her. This inspires Sadie to tell the story of her own separation and loss. It is Sadie's story, but it is an archetypal story likely shared in some form by most slaves. In particular, Sadie recalls her husband, Jim, and their two children. Jim was sold away and later escaped to freedom with none other than Huckleberry Finn (a surprising detail that is not further developed). Sadie was later sold away from her children, neither of whom survived to freedom. As Sadie tells this story, she clearly depicts both her inner life and the details of her daily existence. The intimate and immediate nature of the narrative draws the reader quickly into Sadie's story of physical and emotional pain. Rawles won the American Book Award for her first novel, Love Like Gumbo; this new work is highly recommended for all YA and academic fiction collections.-Rebecca Stuhr, Grinnell Coll. Libs., IA Copyright 2004 Reed Business Information.
Adult/High School-Rawles turns an American classic on its head with this story of Sadie Watson, the wife Jim left behind when he joined Huck Finn on his adventure down the Mississippi. As a child, Sadie helps deliver Jim in a tobacco field. Her mother, the midwife, comforts his mother, "This baby might buy you freedom, one day." As an adult, Jim is obsessed with that freedom, but his schemes are continually thwarted. Once he and Sadie "jump the broom," he refuses to leave without his family. Circumstances change when their master, Watson, dies and Sadie and her children are sold. When Jim tries to visit her, he is caught and beaten, and finally runs away. His hat is found floating on the Mississippi, and he is feared drowned. Sadie, however, never gives up hoping for his return. My Jim is a love story. But it is also a vivid portrayal of Jim's other life-harsh at times, poignant at others. Even young adults unfamiliar with Huckleberry Finn's companion will find Rawles's tale moving and real. The author creates a heartbreaking world where farewells to husbands, wives, and children are common.-Patricia Bangs, Fairfax County Public Library System, VA Copyright 2005 Reed Business Information.
A tale of slave life in the Old South imagines the hidden life of Huck Finn's sidekick, the runaway slave Jim. It's always risky to build a narrative around someone else's characters, but second-novelist Rawles (Crawfish Dreams, 2003) handles Twain's creations so deftly that it would be hard to imagine him objecting. Her narrator is one Sadie Watkins, an elderly sharecropper who was born a slave in Missouri. Growing up on the Watson plantation, Sadie met and fell in love with one of the field hands, a big, dapper slave named Jim. As masters go, Watson is better than most, but he's still a long way from what anyone would call kindly. He doesn't think twice about selling Jim downriver to raise some cash when his crops do badly, despite the fact that Jim and Sadie are married and have two children. Jim is a gentle soul not given to rebellion, but he runs away to make his own fate, promising Sadie that he'll come back to her and the children when he can buy their freedom. Jim's story we already know, of course, since he hooked up with a boy named Huck Finn and rafted his way up the Mississippi. But Sadie's history is just as engaging, if rather less adventurous. Passed along like a poker chip from master to master, Sadie lives through the Civil War, gains her freedom, becomes a refugee, and makes and re-makes several lives for herself down the years. She and Jim are reunited and parted several times, but there are few happy endings for blacks (whether slave or free) in the 19th century. Her hopes eventually center upon her niece Marianne, born a freewoman, who as part of the new generation has the chance of a decent life. Intensely sad but not mawkish: a very fine love story, wonderfullynarrated with a perfect feel for the time and place. Agent: Victoria Sanders/Victoria Sanders & Associates