Pecan Pie Baby

by Jacqueline Woodson, Sophie Blackall (Illustrator)

Overview

A sweet addition to the family is coming! Written by National Book Award-winning author Jacqueline Woodson. Illustrated by Caldecott Award-winning illustrator Sophie Blackall.

All anyone wants to talk about with Mama is the new “ding-dang baby” that’s on the way, and Gia is getting sick of it! If her new sibling is already such a big deal, what’s going to happen to Gia’s nice, cozy life with Mama once the baby is born?
 
“[An] honest story about jealousy, anger, displacement, and love [that] will touch kids dealing with sibling rivalry and spark their talk about change.”—Booklist
 
“Fresh and wise.”—Kirkus Reviews

Product Details

ISBN-13:	9780147511287
Publisher:	Penguin Young Readers Group
Publication date:	10/17/2013
Pages:	32
Sales rank:	137,039
Product dimensions:	9.00(w) x 9.00(h) x 0.13(d)
Lexile:	AD560L (what's this?)
Age Range:	5 - 8 Years

About the Author

Jacqueline Woodson (www.jacquelinewoodson.com) is the recipient of a 2020 MacArthur Fellowship, the 2020 Hans Christian Andersen Award, the 2018 Astrid Lindgren Memorial Award, and the 2018 Children’s Literature Legacy Award. She was the 2018–2019 National Ambassador for Young People’s Literature, and in 2015, she was named the Young People’s Poet Laureate by the Poetry Foundation. She received the 2014 National Book Award for her New York Times bestselling memoir Brown Girl Dreaming, which was also a recipient of the Coretta Scott King Award, a Newbery Honor, the NAACP Image Award, and a Sibert Honor. She wrote the adult books Red at the Bone, a New York Times bestseller, and Another Brooklyn, a 2016 National Book Award finalist. Born in Columbus, Ohio, Jacqueline grew up in Greenville, South Carolina, and Brooklyn, New York, and graduated from college with a B.A. in English. She is the author of dozens of award-winning books for young adults, middle graders, and children; among her many accolades, she is a four-time Newbery Honor winner, a four-time National Book Award finalist, and a three-time Coretta Scott King Award winner. Her books include Coretta Scott King Award winner Before the Ever After; New York Times bestsellers The Day You Begin and Harbor Me; The Other Side, Each Kindness, Caldecott Honor book Coming On Home Soon; Newbery Honor winners Feathers, Show Way, and After Tupac and D Foster; and Miracle's Boys, which received the LA Times Book Prize and the Coretta Scott King Award. Jacqueline is also a recipient of the Margaret A. Edwards Award for lifetime achievement for her contributions to young adult literature and a two-time winner of the Jane Addams Children's Book Award. She lives with her family in Brooklyn, New York.

Sophie Blackall (www.sophieblackall.com) is the illustrator of several award-winning picture books, including Meet Wild Boars by Meg Rosoff, Big Red Lollipop (by Rukhsana Khan), and the Ivy and Bean books by Annie Barrows, and she wrote and illustrated The Baby Tree. Her many honors include a BCCB Blue Ribbon, Ezra Jack Keats New Illustrator Award, Society of Illustrators Founders Award, Publishers Weekly Best Children’s Book, Book Sense 76 Pick, and New York Times Top Ten Picture Book. Her artwork has also appeared in murals as part of the New York City MTA’s “Arts for Transit” program. Previously she has had jobs in a shoe shop and a robot factory. She lives in Brooklyn, New York.

Editorial Reviews

Mama is pregnant with what soon-to-be sibling Gia refers to as "the ding-dang baby." Among the indignities she suffers: the in utero baby is already copying Gia's love of pecan pie--a culinary obsession that Gia thought she could share with Mama alone. "So that baby's just being a copycat!" gripes Gia. Newbery Honor author Woodson (Show Way) doesn't have new insights into displacement fears: the usual anxieties, oblivious relatives, and reassurances populate her story. But what she does have to say still resonates: "I know what I'm going to miss the most," Gia complains after an outburst at Thanksgiving dinner. "My whole, whole life." Blackall's (Big Red Lollipop) stylized ink and watercolor images, with their muted colors and slightly flattened perspectives, have a strong sense of style and calming warmth, as in a scene where Gia sits on the stoop, special memories of her mother spooling outward in squiggly thought bubbles. Gia may have moments when she feels "real, real, real alone," but readers will sense that Mama's love endures--and that Gia is going to be a very cool older sister. Ages 5–8. (Oct.)

Publishers Weekly

* “Fresh and wise.”—Kirkus Reviews, starred review

* “Gia’s narrative voice is prime Woodson—lyrical, colloquial, and imbued with the authentic feelings of a child.”—The Horn Book, starred review

From the Publisher

K-Gr 2—Gia's mother is pregnant, and the child is not happy about it. As the story progresses, so does Gia's resentment until it all comes to a head at the Thanksgiving dinner table when she says quietly at first, and then practically yells, "'I'm so sick of that ding-dang baby!'" She is sent to her room where she has time to think. Mama later shares her feelings of how she, too, is going to miss some of the things that will change when the baby comes. "'Those were the good old days.' says Gia. Mama says, "'Guess you're going to have to tell the baby all about it,' and Gia agrees, 'I guess I am.'" From then on, the girl is reassured and her attitude changes for the better. The one thing that Gia, her mother, and the new baby already share is a love of pecan pie. This sweet universal story will have broad appeal. Blackall's full-spread illustrations done in ink and watercolor gently convey the sense of passing time, along with Gia's frustration and nostalgia regarding how things used to be and how they will change. A fine addition to the new-sibling canon.—Mary N. Oluonye, Shaker Heights Public Library, OH

School Library Journal

A feisty big-sister-to-be narrates her ambivalence about her mama's impending childbirth. The baby fixations of classmates, aunties and Grandma reinforce Gia's sense that she's got everything to lose when this winter baby comes—Mama's gentle remonstrances notwithstanding. Woodson infuses Gia's primal child-voice with an authorial lyricism that permits some lovely, lucid introspection. During a "baby-this and baby-that" Thanksgiving dinner, an outburst ("I'm so sick of that DING-DANG BABY!") gets Gia banished to her room. "Upstairs, I got that teary, choky feeling. And even though there were a whole lot of people in my house, I felt real, real, / real alone." Blackall's apt watercolor-and-ink pictures capture the grounded serenity of a multiracial family (and community) with its priorities on straight. Beloved Gia's got corn rows and a sweet gap between her front teeth. The fact that a dad or other mom doesn't figure in renders her conflict more poignant. Cleverly, the story arc spans autumn's slide into winter—a welcome alternative to all those ding-dang spring-baby plots. Fresh and wise. (Picture book. 3-7)

Kirkus Reviews

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