Playing Before the Lord: The Life and Work of Joseph Haydn

Playing Before the Lord: The Life and Work of Joseph Haydn

by Calvin R. Stapert


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Product Details

ISBN-13: 9780802868527
Publisher: Eerdmans, William B. Publishing Company
Publication date: 01/30/2014
Pages: 304
Sales rank: 377,105
Product dimensions: 5.90(w) x 8.90(h) x 0.80(d)

About the Author

Calvin R. Stapert is professor emeritus of music at Calvin College, Grand Rapids, Michigan. His previous books include My Only Comfort: Death, Deliverance, and Discipleship in the Music of Bach; Handel's Messiah: Comfort for God's People; and A New Song for an Old World: Musical Thought in the Early Church.

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From the Publisher

Peter Mercer-Taylor
-- University of Minnesota
"Calvin Stapert here provides an encounter with Joseph Haydn's life and work that is at once broad in its cultural outlook, confident in its musical explorations, and intimate in its portrayal of the composer's human experience. The music scholar will find an array of Haydn's works, both canonical and farther from the beaten path, revisited with thoughtfulness and keen musical insight. The more casual reader is guided with the gentlest hand toward a rich understanding of what made Haydn's compositional voice so uniquely significant to his era. And Stapert's own voice -- that of a consummate storyteller -- carries the tale of Haydn's remarkable life swiftly along."

John Nelson
-- founding artistic director of Soli Deo Gloria
"A wonderful and loving work on a great but often sidelined composer. Stapert captures Haydn's marvelous effervescence as he distills volumes of musicological detail into a manageable and enjoyable read. If one wants to explore the vast variety of opinions on Haydn written over the last two centuries, go no further. Ultimately, Stapert makes a strong case that Haydn belongs in the highest echelons of composers."

Kenneth Slowik
-- Smithsonian Institution
"This excellent study gives a detailed yet eminently readable survey of Haydn's life and brilliant output. . . . Stapert's analyses of important works can be appreciated by readers armed with either scores or recordings, and his glossary entries clearly explain the four dozen or so technical terms he cannot avoid employing. Playing Before the Lord makes a cogent case that, as Stapert so pithily puts it, 'listening to Haydn's music gives us cause to rejoice because it is a revelation of grace, a case in point of the way things really are.'"

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