Philip Roth's bestselling alternate history novelthe chilling story of what happens to one family when America elects a charismatic, isolationist presidentis soon to be an HBO limited series.
In an extraordinary feat of narrative invention, Philip Roth imagines an alternate history where Franklin D. Roosevelt loses the 1940 presidential election to heroic aviator and rabid isolationist Charles A. Lindbergh. Shortly thereafter, Lindbergh negotiates a cordial "understanding" with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism.
For one boy growing up in Newark, Lindbergh's election is the first in a series of ruptures that threaten to destroy his small, safe corner of America-and with it, his mother, his father, and his older brother.
|Publisher:||Knopf Doubleday Publishing Group|
|Series:||Vintage International Series|
|Product dimensions:||5.13(w) x 7.98(h) x 0.85(d)|
|Lexile:||1640L (what's this?)|
|Age Range:||14 - 18 Years|
About the Author
In 1997 Philip Roth won the Pulitzer Prize for American Pastoral. In 1998 he received the National Medal of Arts at the White House and in 2002 the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction. He twice won the National Book Award and the National Book Critics Circle Award. He won the PEN/Faulkner Award three times. In 2005 The Plot Against America received the Society of American Historians’ Prize for “the outstanding historical novel on an American theme for 2003–2004.” Roth received PEN’s two most prestigious awards: in 2006 the PEN/Nabokov Award and in 2007 the PEN/Bellow Award for achievement in American fiction. In 2011 he received the National Humanities Medal at the White House, and was later named the fourth recipient of the Man Booker International Prize. He died in 2018.
Date of Birth:March 19, 1933
Place of Birth:Newark, New Jersey
Education:B.A. in English, Bucknell University, 1954; M.A. in English, University of Chicago, 1955
Read an Excerpt
June 1940–October 1940
Vote for Lindbergh or Vote for War
FEAR PRESIDES over these memories, a perpetual fear. Of course no childhood is without its terrors, yet I wonder if I would have been a less frightened boy if Lindbergh hadn't been president or if I hadn't been the offspring of Jews.
When the first shock came in June of 1940the nomination for the presidency of Charles A. Lindbergh, America's international aviation hero, by the Republican Convention at Philadelphiamy father was thirty-nine, an insurance agent with a grade school education, earning a little under fifty dollars a week, enough for the basic bills to be paid on time but for little more. My motherwho'd wanted to go to teachers' college but couldn't because of the expense, who'd lived at home working as an office secretary after finishing high school, who'd kept us from feeling poor during the worst of the Depression by budgeting the earnings my father turned over to her each Friday as efficiently as she ran the householdwas thirty-six. My brother, Sandy, a seventh-grader with a prodigy's talent for drawing, was twelve, and I, a third-grader a term ahead of himselfand an embryonic stamp collector inspired like millions of kids by the country's foremost philatelist, President Rooseveltwas seven.
We lived in the second-floor flat of a small two-and-a-half-family house on a tree-lined street of frame wooden houses with red-brick stoops, each stoop topped with a gable roof and fronted by a tiny yard boxed in with a low-cut hedge. The Weequahic neighborhood had been built on farm lots at the undeveloped southwest edge of Newark just after World War One, some half dozen of the streets named, imperially, for victorious naval commanders in the Spanish-American War and the local movie house called, after FDR's fifth cousinand the country's twenty-sixth presidentthe Roosevelt. Our street, Summit Avenue, sat at the crest of the neighborhood hill, an elevation as high as any in a port city that rarely rises a hundred feet above the level of the tidal salt marsh to the city's north and east and the deep bay due east of the airport that bends around the oil tanks of the Bayonne peninsula and merges there with New York Bay to flow past the Statue of Liberty and into the Atlantic. Looking west from our bedroom's rear window we could sometimes see inland as far as the dark treeline of the Watchungs, a low-lying mountain range fringed by great estates and affluent, sparsely populated suburbs, the extreme edge of the known worldand about eight miles from our house. A block to the south was the working-class town of Hillside, whose population was predominantly Gentile. The boundary with Hillside marked the beginning of Union County, another New Jersey entirely.
We were a happy family in 1940. My parents were outgoing, hospitable people, their friends culled from among my father's associates at the office and from the women who along with my mother had helped to organize the Parent-Teacher Association at newly built Chancellor Avenue School, where my brother and I were pupils. All were Jews. The neighborhood men either were in business for themselvesthe owners of the local candy store, grocery store, jewelry store, dress shop, furniture shop, service station, and delicatessen, or the proprietors of tiny industrial job shops over by the Newark-Irvington line, or self-employed plumbers, electricians, housepainters, and boilermenor were foot-soldier salesmen like my father, out every day in the city streets and in people's houses, peddling their wares on commission. The Jewish doctors and lawyers and the successful merchants who owned big stores downtown lived in one-family houses on streets branching off the eastern slope of the Chancellor Avenue hill, closer to grassy, wooded Weequahic Park, a landscaped three hundred acres whose boating lake, golf course, and harness-racing track separated the Weequahic section from the industrial plants and shipping terminals lining Route 27 and the Pennsylvania Railroad viaduct east of that and the burgeoning airport east of that and the very edge of America east of thatthe depots and docks of Newark Bay, where they unloaded cargo from around the world. At the western end of the neighborhood, the parkless end where we lived, there resided an occasional schoolteacher or pharmacist but otherwise few professionals were among our immediate neighbors and certainly none of the prosperous entrepreneurial or manufacturing families. The men worked fifty, sixty, even seventy or more hours a week; the women worked all the time, with little assistance from labor-saving devices, washing laundry, ironing shirts, mending socks, turning collars, sewing on buttons, mothproofing woolens, polishing furniture, sweeping and washing floors, washing windows, cleaning sinks, tubs, toilets, and stoves, vacuuming rugs, nursing the sick, shopping for food, cooking meals, feeding relatives, tidying closets and drawers, overseeing paint jobs and household repairs, arranging for religious observances, paying bills and keeping the family's books while simultaneously attending to their children's health, clothing, cleanliness, schooling, nutrition, conduct, birthdays, discipline, and morale. A few women labored alongside their husbands in the family-owned stores on the nearby shopping streets, assisted after school and on Saturdays by their older children, who delivered orders and tended stock and did the cleaning up.
It was work that identified and distinguished our neighbors for me far more than religion. Nobody in the neighborhood had a beard or dressed in the antiquated Old World style or wore a skullcap either outdoors or in the houses I routinely floated through with my boyhood friends. The adults were no longer observant in the outward, recognizable ways, if they were seriously observant at all, and aside from older shopkeepers like the tailor and the kosher butcherand the ailing or decrepit grandparents living of necessity with their adult offspringhardly anyone in the vicinity spoke with an accent. By 1940 Jewish parents and their children at the southwestern corner of New Jersey's largest city talked to one another in an American English that sounded more like the language spoken in Altoona or Binghamton than like the dialects famously spoken across the Hudson by our Jewish counterparts in the five boroughs. Hebrew lettering was stenciled on the butcher shop window and engraved on the lintels of the small neighborhood synagogues, but nowhere else (other than at the cemetery) did one's eye chance to land on the alphabet of the prayer book rather than on the familiar letters of the native tongue employed all the time by practically everyone for every conceivable purpose, high or low. At the newsstand out front of the corner candy store, ten times more customers bought the Racing Form than the Yiddish daily, the Forvertz.
Israel didn't yet exist, six million European Jews hadn't yet ceased to exist, and the local relevance of distant Palestine (under British mandate since the 1918 dissolution by the victorious Allies of the last far-flung provinces of the defunct Ottoman Empire) was a mystery to me. When a stranger who did wear a beard and who never once was seen hatless appeared every few months after dark to ask in broken English for a contribution toward the establishment of a Jewish national homeland in Palestine, I, who wasn't an ignorant child, didn't quite know what he was doing on our landing. My parents would give me or Sandy a couple of coins to drop into his collection box, largess, I always thought, dispensed out of kindness so as not to hurt the feelings of a poor old man who, from one year to the next, seemed unable to get it through his head that we'd already had a homeland for three generations. I pledged allegiance to the flag of our homeland every morning at school. I sang of its marvels with my classmates at assembly programs. I eagerly observed its national holidays, and without giving a second thought to my affinity for the Fourth of July fireworks or the Thanksgiving turkey or the Decoration Day double-header. Our homeland was America.
Then the Republicans nominated Lindbergh and everything changed.
For nearly a decade Lindbergh was as great a hero in our neighborhood as he was everywhere else. The completion of his thirty-three-and-a-half-hour nonstop solo flight from Long Island to Paris in the tiny monoplane the Spirit of St. Louis even happened to coincide with the day in the spring of 1927 that my mother discovered herself to be pregnant with my older brother. As a consequence, the young aviator whose daring had thrilled America and the world and whose achievement bespoke a future of unimaginable aeronautical progress came to occupy a special niche in the gallery of family anecdotes that generate a child's first cohesive mythology. The mystery of pregnancy and the heroism of Lindbergh combined to give a distinction bordering on the divine to my very own mother, for whom nothing less than a global annunciation had accompanied the incarnation of her first child. Sandy would later record this moment with a drawing illustrating the juxtaposition of those two splendid events. In the drawingcompleted at the age of nine and smacking inadvertently of Soviet poster artSandy envisioned her miles from our house, amid a joyous crowd on the corner of Broad and Market. A slender young woman of twenty-three with dark hair and a smile that is all robust delight, she is surprisingly on her own and wearing her floral-patterned kitchen apron at the intersection of the city's two busiest thoroughfares, one hand spread wide across the front of the apron, where the span of her hips is still deceptively girlish, while with the other she alone in the crowd is pointing skyward to the Spirit of St. Louis, passing visibly above downtown Newark at precisely the moment she comes to realize that, in a feat no less triumphant for a mortal than Lindbergh's, she has conceived Sanford Roth.
Sandy was four and I, Philip, wasn't yet born when in March 1932, Charles and Anne Morrow Lindbergh's own first child, a boy whose arrival twenty months earlier had been an occasion for national rejoicing, was kidnapped from his family's secluded new house in rural Hopewell, New Jersey. Some ten weeks later the decomposing body of the baby was discovered by chance in woods a few miles away. The baby had been either murdered or killed accidentally after being snatched from his crib and, in the dark, still in bedclothes, carried out a window of the second-story nursery and down a makeshift ladder to the ground while the nurse and mother were occupied in their ordinary evening activities in another part of the house. By the time the kidnapping and murder trial in Flemington, New Jersey, concluded in February 1935 with the conviction of Bruno Hauptmanna German ex-con of thirty-five living in the Bronx with his German wifethe boldness of the world's first transatlantic solo pilot had been permeated with a pathos that transformed him into a martyred titan comparable to Lincoln.
Following the trial, the Lindberghs left America, hoping through a temporary expatriation to protect a new Lindbergh infant from harm and to recover some measure of the privacy they coveted. The family moved to a small village in England, and from there, as a private citizen, Lindbergh began taking the trips to Nazi Germany that would transform him into a villain for most American Jews. In the course of five visits, during which he was able to familiarize himself at first hand with the magnitude of the German war machine, he was ostentatiously entertained by Air Marshal Göring, he was ceremoniously decorated in the name of the Führer, and he expressed quite openly his high regard for Hitler, calling Germany the world's "most interesting nation" and its leader "a great man." And all this interest and admiration after Hitler's 1935 racial laws had denied Germany's Jews their civil, social, and property rights, nullified their citizenship, and forbidden intermarriage with Aryans.
By the time I began school in 1938, Lindbergh's was a name that provoked the same sort of indignation in our house as did the weekly Sunday radio broadcasts of Father Coughlin, the Detroit-area priest who edited a right-wing weekly called Social Justice and whose anti-Semitic virulence aroused the passions of a sizable audience during the country's hard times. It was in November 1938the darkest, most ominous year for the Jews of Europe in eighteen centuriesthat the worst pogrom in modern history, Kristallnacht, was instigated by the Nazis all across Germany: synagogues incinerated, the residences and businesses of Jews destroyed, and, throughout a night presaging the monstrous future, Jews by the thousands forcibly taken from their homes and transported to concentration camps. When it was suggested to Lindbergh that in response to this unprecedented savagery, perpetrated by a state on its own native-born, he might consider returning the gold cross decorated with four swastikas bestowed on him in behalf of the Führer by Air Marshal Göring, he declined on the grounds that for him to publicly surrender the Service Cross of the German Eagle would constitute "an unnecessary insult" to the Nazi leadership.
Lindbergh was the first famous living American whom I learned to hatejust as President Roosevelt was the first famous living American whom I was taught to loveand so his nomination by the Republicans to run against Roosevelt in 1940 assaulted, as nothing ever had before, that huge endowment of personal security that I had taken for granted as an American child of American parents in an American school in an American city in an America at peace with the world.
Table of Contents
1 June 1940–October 1940 Vote for Lindbergh or Vote for War • 1
2 November 1940–June 1941 Loudmouth Jew • 44
3 June 1941–December 1941 Following Christians • 83
4 January 1942–February 1942 The Stump • 122
5 March 1942–June 1942 Never Before • 153
6 May 1942–June 1942 Their Country • 204
7 June 1942–October 1942 The Winchell Riots • 237
8 October 1942 Bad Days • 287
9 October 1942
Perpetual Fear • 328
Note to the Reader 364
A True Chronology of the Major Figures 365
Other Historical Figures in the Work 380
Some Documentation 385
Reading Group Guide
“A terrific political novel. . . . Sinister, vivid, dreamlike. . . . Creepily plausible. . . . You turn the pages, astonished and frightened.”
—The New York Times Book Review
The introduction, discussion questions, and suggestions for further reading that follow are designed to enhance your group’s discussion of Pulitzer Prize winner Philip Roth’s extraordinary new novel, The Plot Against America. Set in Newark, New Jersey, in the early 1940s, The Plot Against America tells the story of the Roth family and Jews across the country when the isolationist aviation hero Charles Lindbergh is elected president of the United States.
1. In what ways does The Plot Against America differ from conventional historical fiction? What effects does Roth achieve by blending personal history, historical fact, and an alternative history?
2. The novel begins “Fear presides over these memories, a perpetual fear” [p. 1]. With this sentence Roth establishes that his story is being told from an adult point of view by an adult narrator who is remembering what befell his family, over sixty years earlier, when he was a boy between the ages of seven and nine. Why else does Roth open the novel this way? What role does fear play throughout the book?
3. How plausible is the alternative history that Roth imagines? How would the world be different if America had not entered the war, or entered it on the side of Germany?
4. When the Roth family plans to go to Washington, young Philip wants to take his stamp collection with him because he fears that, since he did not remove the ten-cent Lindbergh stamp, “a malignant transformation would occur in my absence, causing my unguarded Washingtons to turn into Hitlers, and swastikas to be imprinted on my National Parks” [p. 57]. What does this passage suggest about how the Lindbergh election has affected the boy? Where else does this kind of magical thinking occur in the novel?
5. Herman Roth asserts, “History is everything that happens everywhere. Even here in Newark. Even here on Summit Avenue. Even what happens in this house to an ordinary man—that’ll be history too someday” [p. 180]. How does this conception of history differ from traditional definitions? In what ways does the novel support this claim? How is the history of the Roth family relevant to the history of America?
6. After Mrs. Wishnow is murdered, young Philip thinks, “And now she was inside a casket, and I was the one who put her there” [p. 336]. Is he to some degree responsible for her death? How did his desire to save his own family endanger hers?
7. Observing his mother’s anguished confusion, Philip discovers that “one could do nothing right without also doing something wrong” [p. 340]. Where in the novel does the attempt to do something right also result in doing something wrong? What is Roth suggesting here about the moral complexities of actions and their consequences?
8. When Herman Roth is explaining the deals Hitler has made with Lindbergh, Roth comments, “The pressure of what was happening was accelerating everyone’s education, my own included” [p. 101]. What is Philip learning? In what ways is history robbing him of a normal childhood? Why does he want to run away?
9. What motivates Rabbi Bengelsdorf, Aunt Evelyn, and Sandy to embrace Lindbergh and dismiss Herman Roth’s fears as paranoia? Are they right to do so? In what ways do their personal aspirations affect their perceptions of what is happening?
10. In what ways are Bess and Herman Roth heroic? How do they respond to the crises that befall them? How are they able to hold their family together?
11. Roth observes that violence, when it’s in a house, is heartbreaking: “like seeing the clothes in a tree after an explosion. You may be prepared to see death but not the clothes in a tree” [p. 296]. What causes Herman Roth and Alvin to fight each other so viciously? What is it that brings the violence swirling around them off the streets and into the house? Why is violence in a home so much more disturbing than on the street or the battlefield?
12. Much is at stake in The Plot Against America—the fate of America’s Jews, the larger fate of Europe and indeed of Western civilization, but also how America will define itself. What does the novel suggest about what it means to be an American, and to be a Jewish American? How are the Roths a thoroughly American family?
13. What does the postscript, particularly “A True Chronology of the Major Figures,” add to the novel?