Radical Hermeneutics: Repetition, Deconstruction, and the Hermeneutic Project

by John D. Caputo

Overview

Radical Hermeneutics forges a closer collaboration between hermeneutics and deconstruction than has previously been attempted.

Product Details

ISBN-13:	9780253114341
Publisher:	Indiana University Press
Publication date:	01/22/1988
Series:	Studies in Phenomenology and Existential Philosophy
Sold by:	Barnes & Noble
Format:	eBook
Pages:	336
File size:	500 KB

Table of Contents

ACKNOWLEDGMENTS

Introduction: Restoring Life to Its
Original Difficulty

Part One: Repetition and the Genesis of
Hermeneutics

CHAPTER I. Repetition and Kinesis: Kierkegaard on the
Foundering of Metaphysics

CHAPTER II. Repetition and Constitution:
Husserl's Proto-Hermeneutics

CHAPTER III. Retrieval and the
Circular Being of Dasein: Hermeneutics in Being and Time

Part Two:
Deconstruction and the Radicalization of Hermeneutics

CHAPTER IV.
Hermeneutics after Being and Time

CHAPTER V. Repetition and the
Emancipation of Signs: Derrida on Husserl

CHAPTER VI. Hermes and
the Dispatches from Being: Derrida on Heidegger

CHAPTER VII. Cold
Hermeneutics: Heidegger/Derrida

Part Three: The Hermenuatic
Project

CHAPTER VIII. Toward a Postmetaphysical
Rationality

CHAPTER IX. Toward an Ethics of
Dissemination

CHAPTER X. Openess to the
Mystery

List of
Abbreviations
Notes
Index

Editorial Reviews

Laila Storch's biography of Marcel Tabuteau provides a detailed and intimate portrait of the life and artistry of the man widely considered to be the father of the American school of oboe playing.

The Double Reed

. . . Storch's intriguing book will appeal to a broad audience, not just oboists. Anyone interested in music will find Tabuteau's philosophies and Storch's research beneficial and applicable.

January 2009 Choice

Everyone always said that a book ought to be written about that unique and extraordinary man, Marcel Tabuteau. Now, at last, the book has arrived.

Louis Rosenblatt

In this volume, Ms. Storch cleverly captures the essence of Marcel Tabuteau, one of the finest musicians and greatest teachers of his era and whose unique perspective profoundly influenced classical music for generations to follow. The stories she tells about this remarkable man are, at once, poignant, witty and right on the mark.

John Minsker

[Storch's] personal descriptions of what it was like to study with this mercurial genius are absolutely fascinating; they provide indispensable glimpses for this generation of oboe students, not to mention future ones.

Interlochen Centre for the Arts - Dan Stolper

. . . This book will be informative, interesting, and beneficial for anyone who is involved with the performance of music in the United States, whether in the field or in academe.

Louisiana State University - Lois Kuyper-Rushing

Ms. Storch's style is descriptive, informative, and engaging—a nice blend between the historical and the personal. This volume gets my vote as the winning historical profile of one of the most influential and revered performers and pedagogues of our time—Marcel Tabuteau. A must for every serious musician's library.

Indiana University - Linda Strommen

Laila Storch . . . is generous in her admiration of [Marcel Tabuteau's] compelling artistry. She has produced a monumental tribute to an extraordinary musician whose influence remains alive in each generation of American oboists.

Double Reed News, 87 Summer 2009 - Anthony McColl

[This biography is] movingly personal . . . . may prove to be one of the most accomplished and important musical biographies of the 21st century.

Fanfare, 8/1/10 - Christopher Brodersen