Raqs in the City: The Belly Dance Landscape of Cairo

In the city of Cairo, certain spaces bear strong historical associations with belly dance, belly dancers, and professional entertainment in general. Azbakiyah, Imad al-Din Street, and Muhammad Ali Street were all staging grounds for innovations in Egyptian belly dance, as well as in Egyptian music, song, and theater, at the turn of the nineteenth and twentieth centuries, and in the Egyptian popular imagination, these places continue to be linked to entertainment and entertainers. However, research reveals that the ties binding these spaces to entertainment extend much deeper: in some cases, this relationship can be traced back to the Fatimid era. The longstanding associations between belly dance and certain Cairene spaces demand a more in-depth investigation into the nature of this historical interconnection.

In this work, the author examines the relationship between belly dance space and belly dancer in the Cairo landscape over the course of the city's history, relying on a theoretical framework informed by Pierre Bourdieu's theory of practice, Michel Foucault's concept of heterotopia, and Mikhail Bakhtin's notion of the carnivalesque. This analysis reveals the mutually constituting relationship between dance, dancers, and the Cairene landscape and explains why and how certain Cairo spaces have retained their centuries-long historical associations with belly dance and its professional practitioners.

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Raqs in the City: The Belly Dance Landscape of Cairo

In the city of Cairo, certain spaces bear strong historical associations with belly dance, belly dancers, and professional entertainment in general. Azbakiyah, Imad al-Din Street, and Muhammad Ali Street were all staging grounds for innovations in Egyptian belly dance, as well as in Egyptian music, song, and theater, at the turn of the nineteenth and twentieth centuries, and in the Egyptian popular imagination, these places continue to be linked to entertainment and entertainers. However, research reveals that the ties binding these spaces to entertainment extend much deeper: in some cases, this relationship can be traced back to the Fatimid era. The longstanding associations between belly dance and certain Cairene spaces demand a more in-depth investigation into the nature of this historical interconnection.

In this work, the author examines the relationship between belly dance space and belly dancer in the Cairo landscape over the course of the city's history, relying on a theoretical framework informed by Pierre Bourdieu's theory of practice, Michel Foucault's concept of heterotopia, and Mikhail Bakhtin's notion of the carnivalesque. This analysis reveals the mutually constituting relationship between dance, dancers, and the Cairene landscape and explains why and how certain Cairo spaces have retained their centuries-long historical associations with belly dance and its professional practitioners.

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Raqs in the City: The Belly Dance Landscape of Cairo

Raqs in the City: The Belly Dance Landscape of Cairo

by Heather D. Ward
Raqs in the City: The Belly Dance Landscape of Cairo

Raqs in the City: The Belly Dance Landscape of Cairo

by Heather D. Ward

eBook

$25.99 

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Overview

In the city of Cairo, certain spaces bear strong historical associations with belly dance, belly dancers, and professional entertainment in general. Azbakiyah, Imad al-Din Street, and Muhammad Ali Street were all staging grounds for innovations in Egyptian belly dance, as well as in Egyptian music, song, and theater, at the turn of the nineteenth and twentieth centuries, and in the Egyptian popular imagination, these places continue to be linked to entertainment and entertainers. However, research reveals that the ties binding these spaces to entertainment extend much deeper: in some cases, this relationship can be traced back to the Fatimid era. The longstanding associations between belly dance and certain Cairene spaces demand a more in-depth investigation into the nature of this historical interconnection.

In this work, the author examines the relationship between belly dance space and belly dancer in the Cairo landscape over the course of the city's history, relying on a theoretical framework informed by Pierre Bourdieu's theory of practice, Michel Foucault's concept of heterotopia, and Mikhail Bakhtin's notion of the carnivalesque. This analysis reveals the mutually constituting relationship between dance, dancers, and the Cairene landscape and explains why and how certain Cairo spaces have retained their centuries-long historical associations with belly dance and its professional practitioners.


Product Details

ISBN-13: 9781476653488
Publisher: McFarland & Company, Inc., Publishers
Publication date: 07/26/2024
Sold by: Barnes & Noble
Format: eBook
Pages: 259
File size: 17 MB
Note: This product may take a few minutes to download.
Age Range: 18 Years

About the Author

Heather D. Ward is a Middle Eastern dance instructor, performer and researcher based in St. Louis, Missouri. She specializes in Egyptian belly dance, and has conducted in-depth research into primary textual, photographic and pictorial evidence as well as on-site investigations in Egypt of this fascinating dance form.
Heather D. Ward is a Middle Eastern dance instructor, performer and researcher based in St. Louis, Missouri. She specializes in Egyptian belly dance, and has conducted in-depth research into primary textual, photographic and pictorial evidence as well as on-site investigations in Egypt of this fascinating dance form.

Table of Contents

Table of Contents

Preface
Notes on Transcription and Translation
Introduction
One—A History of Belly Dance and Its Professional Practitioners in Egypt
Two—Fatimid Beginnings
Three—Ottoman Elaboration, Khedivial Change
Four—Entertainment Halls and Occupation
Five—Revolution and Restructuring
Epilogue
Bibliography
Index
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