Sampling and Site-Specific Practice in Contemporary Art

In the early 20th century, copying, cutting and pasting entered the Western European avant—garde through collage and readymades, as artists employed found objects and ephemera to create new meaning from existing materials.

This book explores how this practice has evolved in contemporary art today, looking at its important and distinct outcomes in the practice of artists such as Andrea Fraser, Douglas Gordon, Isaac Julien, Christian Marclay, Amie Siegel and Christopher Williams. It analyses ...