Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.
Related collections and offers
About the Author
Date of Birth:December 23, 1963
Place of Birth:Greenwood, Mississippi
Education:Attended University of Mississippi; B.A., Bennington College, 1986
Read an Excerpt
Excerpted from "The Secret History"
Copyright © 2004 Donna Tartt.
Excerpted by permission of Knopf Doubleday Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
What People are Saying About This
“The Secret History succeeds magnificently. . . . A remarkably powerful novel [and] a ferociously well-paced entertainment. . . . Forceful, cerebral, and impeccably controlled.” The New York Times
“An accomplished psychological thriller. . . . Absolutely chilling. . . . Tartt has a stunning command of the lyrical.” The Village Voice
“Beautifully written, suspenseful from start to finish.” Vogue
“A haunting, compelling, and brilliant piece of fiction. . . . Packed with literary allusion and told with a sophistication and texture that owes much more to the nineteenth century than to the twentieth.” The Times (London)
“Her writing bewitches us. . . . The Secret History is a wonderfully beguiling book, a journey backward to the fierce and heady friendships of our school days, when all of us believed in our power to conjure up divinity and to be forgiven any sin.” The Philadephia Inquirer
“Enthralling. . . . A remarkably powerful novel [and] a ferociously wll-paced entertainment. . . . Forceful, cerebral, and impeccably controlled.” The New York Times Book Review
“A huge, mesmerizing, galloping read, pleasurably devoured. . . . .Gorgeously written, relentlessly erudite.” –Vanity Fair
Reading Group Guide
1. Richard states that he ended up at Hampden College by a “trick of fate.” What do you think of this statement? Do you believe in fate?
2. When discussing Bacchae and the Dionysiac ritual with his students Julian states, “We don’t like to admit it, but the idea of losing control is one that fascinates controlled people such as ourselves more than almost anything. All truly civilized peoplethe ancients no less than ushave civilized themselves through the willful repression of the old, animal self” (p. 38). What is your opinion of this theory? Are we all attracted to that which is forbidden? Do we all secretly wish we could let ourselves go and act on our animal instincts? Is it true that “beauty is terror”?
3. “I suppose there is a certain crucial interval in everyone’s life when character is fixed forever: for me, it was that first fall term spent at Hampden” (p. 80). Did you have such a crucial interval in your life? What/when was it?
4. In the idyllic beginning it is easy to see why Richard is drawn to the group of Greek scholars. It is only after they begin to unravel that we see the sinister side of each of the characters. Do you think any one of the characters possesses true evil? Is there such a thing as true evil, or is there something redeeming in everyone’s character?
5. In the beginning of the novel, Bunny’s behavior is at times endearing and at others maddening. What was your initial opinion of Bunny? Does it change as the story develops?
6. At times Bunny, with his selfish behavior, seems devoid of a conscience, yet he is the most disturbed by the murder of the farmer. Is he more upset because he was left out of the group or because he feels what happened is wrong?
7. Henry says to Richard, “My life, for the most part, has been very stale and colorless. Dead, I mean. The world has always been an empty place to me. I was incapable of enjoying even the simplest things. I felt dead in everything I did. . . . But then it changed . . . The night I killed that man” (p. 463). How does Henry’s reaction compare to that of the others involved in the murder(s)? Do you believe he feels remorse for what he has done?
8. Discuss the significance of the scene in which Henry wipes his muddy hand across his shirt after throwing dirt onto Bunny’s coffin at the funeral (p. 395).
9. List some of the signs that foreshadowed the dark turn of events. Would you have seen all the signs that Richard initially misses? Or do you believe Richard knew all along and just refused to see the truth?
10. Would you have stuck by the group after learning their dark secret?
11. The author states that many people didn’t sympathize with Richard. Did you find him a sympathetic character?
12. What do you make of Richard’s unrequited love for Camilla? Do you feel that she loved him in return? Or did she use his love for her as a tool to manipulate him?
13. Do you feel the others used Richard as a pawn? If so, how?
14. What do you feel is the significance of Julian’s toast “Live forever” (p. 86)?
15. The author mentions a quote supposedly made by George Orwell regarding Julian: “Upon meeting Julian Morrow, one has the impression that he is a man of extraordinary sympathy and warmth. But what you call his ‘Asiatic Serenity’ is, I think, a mask for great coldness” (p. 480). What is your opinion of Julian?
16. Do you think that Julian feels he is somewhat responsible for the murder of Bunny? Is that why he doesn’t turn the group in when he discovers the truth from Bunny’s letter?
17. What causes Julian to flee? Is it because of disappointment in his young protegees or in himself?
18. While the inner circle of characters (Richard, Charles, Camilla, Henry, Francis, and the ill-fated Bunny) are the center of this tale, those on the periphery are equally important in their own ways (Judy Poovey, Cloke Rayburn, Marion, and so on). Discuss the roles of these characters.
19. The rights for The Secret History were initially purchased by director/producer/screenwriter Alan J. Paluka (All The President’s
Men, The Pelican Brief), and they are currently with director Scott Hicks (Shine, Snow Falling on Cedars). What are your feelings about making the novel into a movie? Who would play the main characters if you were to cast it?
20. What is the meaning of Richard’s final dream?