Seven Gothic Tales

by Isak Dinesen

Overview

SEVEN GOTHIC TALES is a collection of seven short stories. They include "The Deluge at Norderney," "The Old Chevalier," "The Monkey" and "The Roads Round Pisa." Rounding out the collection are "The Supper at Elsinore," "The Dreamers" and "The Poet."

"Isak Dinesen is one of the great storytellers of the 20th century, best known for her classic OUT OF AFRICA. But SEVEN GOTHIC TALES is as good. It is a modern classic...a book of extraordinary fantasy that yet takes us intimately into a vivid variety of human lives." (The Saturday Review of Literature)

"Whatever it is that Isak Dinesen does in her tales, she does it marvelously well. It is a strange art, bold and perilous." (Commonweal)

Product Details

ISBN-13:	9780307791801
Publisher:	Knopf Doubleday Publishing Group
Publication date:	04/13/2011
Series:	Vintage International
Sold by:	Random House
Format:	eBook
Pages:	448
File size:	2 MB

About the Author

Isak Dinesen is the pseudonym of Karen Blixen, born in Denmark in 1885. After her marriage in 1914 to Baren Bror Blixen, she and her husband lived in British East Africa, where they owned a coffee plantation. She divorced from her husband in 1921 but continued to manage the plantation for another ten years, until the collapse of the coffee market forced her to sell the property and return to Denmark in 1931. There she began to write in English under the nom de plume Isak Dinesen. Her first book, and literary success, was Seven Gothic Tales. It was followed by Out of Africa, The Angelic Avengers (written under the pseudonym Pierre Andrézel), Winter's Tales, Last Tales, Anecdotes of Destiny, Shadows on the Grass, and Ehrengard. She died in 1962.

Editorial Reviews

Her main memoir, ''Out of Africa,'' published in 1937, has been called the greatest pastoral romance of modern times....Enter a deliciously described world of sharply painted, dramatically costumed heroes and heroines posing, with many a spectacular gesture and eloquent aria, in magnificent landscapes maintained by invisible hands as a kind of huge stage set....hough Isak Dinesen's leisurely and ornate anecdotes, which she furnishes with just enough historical touches to make the stage firm, have something in them of the visionary and the artificial, they are not escapist. From the sweeping flood of the first story to the casual and savage murder of the last, they face pain and loss with the brisk familiarity of one who has amply known both, and force us to face them, too. Far from hollow and devoid of a moral, the tales insistently strive to inculcate a moral stance....Intoxication figures frequently in Isak Dinesen's work, and mercilessness was part of the storyteller's art as she construed it: the story must pursue its end without undue compassion for its characters. Combat lies closer than compassion to the secret of ''Seven Gothic Tales,'' and its exhilaration is their contagious mood. -- New York Times

John Updike

"These tales are a modern refinement of German romanticism. ...They are peopled, or haunted, by ghosts of a past age, voluptuaries dreaming of the singers and ballerinas of the operas of Mozart and Gluck, young men who are too melancholy to enjoy love or too perverse to profit by it, maidens dedicated to chastity and others hopeful of a gentlemanly seduction; their generally fantastic adventures are exquisitely played."

— The New York Times

"[Seven Gothic Tales is] in that special realm in which artistry is more real than reality" — Time

From the Publisher