Praise for Shelter in Place
"Alexander Maksik is a sorcerer of the first order, and Shelter in Place is a sharp, dark, jagged music conjured out of poetry, pain and ecstatic bursts of beauty. This is a powerful book."
—Lauren Groff, author of Fates and Furies
" Shelter in Place is a magnificent novel. Alexander Maksik charts the legacy of violence and the limits of justice with grace, power, and clarity."
—Anthony Marra, author of A Constellation of Vital Phenomena and The Tsar of Love and Techno
"An unsettling and beautiful exploration of mental illness, love, violence, family and sexual politics. Maksik’s artful story outruns all sorts of received ideas and cliched narratives, and slips into deeply original territory. You’ll be haunted by it in the best possible way."
—Katie Roiphe, author of The Violet Hour and In Praise of Messy Lives
"Unsettling and honest, a remarkably insightful portrait of mental illness, Shelter in Place is elegiac, savage and mournful, a beautifully written novel about the echoes of our actions, of love and its consequences."
—Aminatta Forna, author of The Hired Man and The Memory of Love
" Shelter In Place is a love story like none I’ve ever read before. Lust, longing, betrayal, revenge—it’s all here, but only when and where you least expect it. Densely ruminative, and bracingly unromantic, the ballad of Tess, Joe, and his parents tests the brutal outer-limits of patriarchy, the bleak realities of untreated mental illness, and the nature of loyalty in a world where every woman is out for herself. And every man, as well."
—Kate Bolick, author of Spinster: Making a Life of One’s Own
" Shelter in Place takes a brilliant look at the fractured, jagged nature of masculinity, at how gender warps consciousness in ways we struggle and fail to understand. Maksik writes from inside the fire of a mind unfiltered, unsettled, unresigned, a mind it would be too simple to call unwell. The narrator’s episodes of mania are glittering raptures, electric; his descents into the infinite nothingness of depression drawn so true to that state of absence, of blindness, of Styron’s ‘darkness visible,’ you feel all the numb trapped terror of it. This book’s cutting, unchecked prose makes you an accomplice to violence, and leads you to realize we all are—formed and directed by cruelty, whether as victims, agents, warriors, survivors, or witnesses. Shelter in Place poses the hard, important, and perhaps unanswerable question—how do you live with your self?
—Merritt Tierce, author of Love Me Back
"There's something truly exhilarating about reading a novel that's so audaciously original, so inventive and let's be honest, so sort of weird that you want to put it in the hands of just about everyone you know. And that's a perfect description of Alexander Maksik's stunningly unsettling third novel, Shelter in Place."
—San Francisco Chronicle
"Maksik has an expansive and affecting vision of human capacity. He also evokes time and place particularly well — early 1990s Washington here is as vivid as Santorini or Paris in his other books."
— The New York Times
"A riveting, darkly beautiful novel . . . poised to be one of the big books of the season – the kind of sweeping story that encompasses so much of what it is to be human."
"Sensual, musical... Shelter in Place is as unquestionably brilliant as it is painful; a rare meditation on mania, depression, and the rage of youth."
—The Huffington Post
"Alexander Maksik’s riveting and disturbing novel Shelter in Place is a totally original exploration of mental illness, sexual politics, family and violence."
“Alexander Maksik covers fresh ground with each new work. In poetic bursts…[he] captures [his characters’] inner convulsions while exploring the passions that can drive, and destroy, us.”helter in Place,” is an exceptional look at the vagaries of bi-polar disorder, as well as a powerful consideration of family (both blood and chosen), violence against women (and in response to that violence), and the overwhelming power of love (even when that love comes at a high cost).”
" Shelter in Place is an exceptional look at the vagaries of bi-polar disorder, as well as a powerful consideration of family (both blood and chosen), violence against women (and in response to that violence), and the overwhelming power of love (even when that love comes at a high cost)."
—The Cedar Rapids Gazette
"[A] striking narrative. . . Maksik's Joe March is a man for today as much as Ishmael and Stephen were for Melville's and Joyce's days."
"Maksik describes the highs and lows of bipolar disorder with heartbreaking beauty and terror."
—Angel City Review
" Shelter in Place subverts the Manic Pixie Dream Girl by taking her to her extreme conclusion. ...This is a book about the women in Joe’s life– mothers and lovers, sisters and strangers– but it manages to be feminist, angry, and deeply moving."
“An incredibly courageous novel that delves deeply into issues of love, gender, violence and mental illness.”
— Chuck Robinson of Village Books in Publisher’s Weekly
“On every page we're reminded of the paradox of how mysterious, thorny, and delicate family relationships can be.”
— Kirkus Reviews
"[A] scorching third novel. Maksik [delivers] a portrait of bipolar disorder…that is honest and devastating."
— Publishers Weekly
“Maksik is one of the most exacting and daring writers we have . . . from the first sentence there’s no turning away from this story.”
"Delicately nuanced, this mini saga of an America that lays just behind the headlines is full of emotions, lacerating but true to life in that it is about a recognisable form of everyday life and digs up feelings we all have inevitably had at times."
Praise For the New York Times Notable Book, A Marker to Measure Drift
“A bold book, and an instructive one. . . . [Maksik] has illuminated for us, with force and art, an all too common species of suffering.”
—Norman Rush, The New York Times Book Review
“No novel I read this year affected me more powerfully than A Marker to
Measure Drift. ”
—Richard Russo, author of Empire Falls
“A truly breathtaking accomplishment . . . a work of stupendous imagination,
like Dave Eggers’ What is the What , or (dare I say?) like Mark Twain’s
— Ayelet Waldman, author of Love and Treasure
“Beautiful...It will leave you breathless and speechless; it will send you reeling.”
— The San Francisco Chronicle
Praise for You Deserve Nothing
“Immensely powerful . . . Beautifully written . . .”
— The Boston Globe
“A wonderful debut novel.”
— The Denver Post
"A novel rivetingly plotted and beautifully written. . . [Maksik] writes about the moral ambiguity of Will's circumstances with dazzling clarity and impressive philosophical rigor."
—Adam Langer, The New York Times
“A powerful, absorbing novel . . . Maksik is an unusually gifted writer.”
—Tom Perrotta, author of The Abstinence Teacher and The Leftovers
“Here is a writer who understands why the artful telling of a difficult story is a brave and important thing to do.”
—John Burnham Schwartz, author of Reservation Road
“A provocative, constantly surprising, and original novel. This is a thrilling debut.”
—Susanna Moore, author of In the Cut
Maksik firmly creates the "place" as the Pacific Northwest, though his characters have a difficult time finding any kind of "shelter"—from place or from each other.After graduating from an undemanding college, Joe March finds himself a bit lost. He works part time as a bartender and meets Tess Wolff, a free-spirited young woman with something of a wild streak. Besides developing a relationship with Tess, two things haunt Joe's life. First, he starts to feel the beginnings of bipolar disorder, a disease he characterizes with the metaphors of "tar" and "a bird" whose talons grip him fiercely. Second, Joe's mother, Anne-Marie, witnesses an act of bullying in a grocery store parking lot, and she takes action by seizing a framing hammer and killing the perpetrator of the violence. (Her defense is weakened by the fact that she delivers seven blows with the hammer, which suggests the level of her rage.) She's tried, found guilty, and given five-to-25 years. Maksik offers up all of this plot in a chronologically convoluted narrative, moving back and forth to various fragments of his characters' complicated histories. This strategy serves the narrative well, for it emphasizes the recurring significance of family ties and obligations. After an initial separation, Tess eventually finds Joe and visits Anne-Marie in prison. Along with a number of other women, Tess finds herself admiring Anne-Marie for taking a definitive stand against domestic violence, and she persuades Joe and Seymour, a bouncer at a local bar as well as a prison guard, to get involved in a wacko plot to take revenge on a local college professor who's physically abusing his wife. On every page we're reminded of the paradox of how mysterious, thorny, and delicate family relationships can be.