Sleeping Worlds Have No Memory

by Yaroslav Barsukov

Overview

NOMINATED FOR THE NEBULA AWARD

"Mind-expanding" —Kirkus, starred review

"Dreamy and precise, huge in scope and very personal, this is a towering achievement and a genre-busting tour de force."—Daily Mail

Refusing the queen’s order to gas a crowd of protesters, Minister Shea Ashcroft is banished to the border to oversee the construction of the biggest defensive tower in history. However, the use of advanced technology taken from refugees makes the tower volatile and dangerous, becoming a threat to local interests. Shea has no choice but to fight the local hierarchy to ensure the construction succeeds—and to reclaim his own life.

Surviving an assassination attempt, Shea confronts his inner demons, encounters an ancient legend, and discovers a portal to a dead world—all while struggling to stay true to his own principles and maintain his sanity. Fighting memories and hallucinations, he starts to question everything...

Sleeping Worlds Have No Memory is a thought-provoking meditation on the fragility of the human condition, our beliefs, the manipulation of propaganda for political gains, and our ability to distinguish the real from the unreal and our willingness to accept convenient “truths.”  The novel is a compelling exploration of memory, its fragile nature, and its profound impact on our perception of identity, relationships, and facts themselves.

"Eloquent, moody, poetic. . . masterful."—Beth Cato (author of A Thousand Recipes for Revenge)

A note from the author: “A major theme of the book is how disinformation and propaganda can be used to justify violence, and how ignoring evil can lead people to accept atrocities. I was able to witness all this first-hand, having spent the first 21 years of my life in Russia and absorbing the recent events unfiltered and in my native tongue. Sleeping worlds are not only devoid of memories; they are also oblivious to the pain of others.”

A unique blend of science fiction, fantasy and noir, with zeitgeist and prophetic qualities (the original novella anticipated the Russo-Ukrainian War), this is a must for fans of China Miéville’s Bas-Lag series, Ted Chiang’s Tower of Babylon, and Robert Silverberg’s Tower of Glass.

"An imaginative, heady clash of fantasy and science-fiction that delivers powerful messages"—FantasyBookCritic

"Triumphs in its emotional and unsettling storytelling" —The Fantasy Hive

Product Details

ISBN-13:	9781647101367
Publisher:	CAEZIK
Publication date:	11/12/2024
Pages:	300
Product dimensions:	6.14(w) x 9.21(h) x 0.00(d)

About the Author

Yaroslav Barsukov, an author with a unique background in physics and software engineering, has emerged as a distinctive voice in the realm of speculative fiction. Born in Cold War-era Moscow and educated at the Moscow Engineering Physics Institute and Austria’s Vienna University of Technology, Barsukov initially pursued a career in software engineering. His entry into the literary world was serendipitous, stemming from his involvement in game development where he translated a companion tale to a game’s mythology. This experience marked the beginning of his journey as a writer, and he started crafting short stories in English around 2014.

Barsukov's work is celebrated for its innovative blend of fantasy and science fiction elements, diverging from the traditional hard-science SF model. His acclaimed novella "Tower of Mud and Straw" was shortlisted for the Nebula Award and received a Kirkus Star, demonstrating his prowess in weaving narratives that explore the human condition through a speculative lens. His stories, characterized by high-fantasy filigree and physics reminiscent of alchemy, have appeared in renowned publications such as Galaxy’s Edge, Nature: Futures, and StarShipSofa. Barsukov's literary influences span from Russian maestros like Leo Tolstoy to American science fiction authors, shaping his unique storytelling style that transcends genre boundaries.

Editorial Reviews

"Mind-expanding fantasy and SF"—Kirkus (starred review) 

"Simply put, this is the most impressive debut novel I have encountered since Simon Jimenez’s The Vanished Birds."—Locus Magazine

"Somewhere in the slipstream between science fiction and fantasy—a little to the left of early Chiang, a few degrees south of Miéville—Yaroslav Barsukov has word-painted a world I can see when I close my eyes."—Peter Watts (Hugo Award-winning author of Blindsight)

"Masterful. It is action-packed and emotionally rich, delightfully grim and unsettling at times. At the end, I could only sit back and say, “Wow.”"—Beth Cato (author of A Thousand Recipes for Revenge)

"Dreamy and precise, huge in scope and very personal, this is a towering achievement and a genre-busting tour de force."—Daily Mail

"A literary masterpiece"—Before We Go Blog

"Sleeping Worlds Have No Memory is a surreal and ambitious undertaking, surprising at every turn. From the moment the tower appears on the page, a steady sense of dread and wonder builds toward a staggering conclusion, one that may just change the way you think."—Andrea Stewart (bestselling author of The Bone Shard Daughter)

From the Publisher

★ 2024-10-24
A royal minister in disfavor is ordered to complete a tyrannical queen’s prized project in Barsukov’s fantasy novel.

In an unspecified realm where medieval elements combine with a culture approaching (but not quite reaching) a “steampunk” level of development, Lord Shea Ashcroft is a royal minister who has defied an order by the all-powerful but rarely seen Queen Daelyn to use a gas weapon on protesters. Thus, Ashcroft is demoted to an assignment to ensure completion of Daelyn’s ruinously ambitious legacy project: a soaring tower in Owenbeg, a province bordering on the rival nation of Duma. Though ostensibly a defense against “skyrafts,” the massive edifice seems more an arrogant affirmation of royal power than anything else (its toll, in human and financial terms, triggered the protests in the first place). To keep the structure standing and growing, its chief engineer Brielle has had to resort to accepting aid from the “Drakiri”; these are members of a strange, secretive minority—equipped with advanced, incomprehensible technologies—whose origins are now obscure even to them. Among their most prized pieces of tech are “tulips,” oval devices that can counteract gravity. If not wielded properly, a tulip can cause a drastic implosion, destructively pulling everything in range inward. Brielle’s desperate deployment of tulips throughout the tower leads to catastrophic failures and losses of life—but are these accidents or acts of sabotage? Haunted by the death of his sister Lena in a childhood tulip incident, Ashcroft gets close to a Drakiri woman (coincidentally also called Lena) and learns that a Drakiri superstition predicts the advent of a frightful “Mimic Tower” that will materialize if the tulip-assisted tower of Daelyn continues to persist. Assassination attempts and intrigues at court seed a trail ultimately leading Ashcroft into Duma itself, where the Cold War–like animosity between the two kingdoms takes on literally cosmos-bending proportions.

Readers may be tempted to make analogies between the Drakiri and Jews or Romany people, or to compare the Drakiri devices to the nuclear power plant at Chernobyl, another apocalyptic power grimly unleashed in a Slavic setting. But these analogs only go so far as the narrative reaches a metaphysical denouement that goes outside the realm of conventional reality to explicate the tale’s vagueness regarding time, place, physics, and even the reason that Queen Daelyn’s capital remains nameless. Some of this material was originally released as an award-winning novella,Tower of Mud and Straw (2021). In this volume,Barsukov has added a follow-up,City of Spires, City of Seagulls, forming a whole that answers many of the original narrative’s questions, however cryptically. There are similarities to Stephen King’s epic Dark Tower series (though without anything near the marathon page count) as well as to Ursula K. Le Guin’sLathe of Heaven (1971) and the work of sibling Russian masters Arkady and Boris Strugatsky. Barsukov’s storyline becomes quite challenging to follow in the narrative’s latter half, in which plot threads diverge to follow Shea, Brielle, and (via rather conveniently recovered diary entries) the Drakiri Lena, but the payoff is worth the effort. The author’s prose is rarely less than lyrical and poetic (“The balcony windows brought in the smells of autumn’s brandy: smoke from the burning leaves, damp earth, the rotting perfume of forgotten things”). Highly recommended for fans of high fantasy and SF wishing to tread in especially exotic territory.

Mind-expanding fantasy and SF.

Kirkus Reviews