The Adventures of Pinocchio

by Carlo Collodi, John Hooper (Translator), Anna Kraczyna (Translator), John Hooper (Introduction), Anna Kraczyna (Introduction)

Overview

A revelatory new annotated edition of the most translated Italian book in the world—the basis for two new major motion pictures: a Netflix animated version co-directed and co-written by Guillermo del Toro and voiced by Ewan McGregor, Cate Blanchett, and Tilda Swinton, and a Disney Plus live-action version directed by Robert Zemeckis and starring Tom Hanks, Cynthia Erivo, Joseph Gordon-Levitt, Lorraine Bracco, and Keegan-Michael Key

A Penguin Classic

Carved from a piece of wood by the old carpenter Geppetto, the puppet Pinocchio comes to life and immediately starts to misbehave. But while this beloved character has achieved literary immortality, the novel has been widely misunderstood. Pinocchio has a penchant for lying, to be sure, but it’s when he avoids going to school that he repeatedly gets into trouble. The Adventures of Pinocchio is thus not a cautionary tale about lying but an unusually timely fable for our increasingly authoritarian times—a story about the importance of education and of preventing others from pulling our strings.
 
This effervescent new translation captures the antic spirit that makes the mischievous, egotistical, and easily distracted Pinocchio a late nineteenth-century prototype for the likes of Bart Simpson. Featuring copious annotations informed by the translators’ deep knowledge of Italy, it reveals the novel to be not only a subversively entertaining children’s book but also a sophisticated satire reflecting the author’s concern for the social inequality of his time and his belief that duty to others is at the core of our humanity.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Product Details

ISBN-13:	9780143136095
Publisher:	Penguin Publishing Group
Publication date:	09/14/2021
Pages:	224
Sales rank:	58,946
Product dimensions:	5.00(w) x 7.60(h) x 0.70(d)
Age Range:	8 - 12 Years

About the Author

Carlo Collodi (1826-1890) was the pen name of Carlo Lorenzini, an Italian author, journalist, translator, critic, and satirist from Florence who took part in Italy's struggle for independence and died too soon to witness the international success of his masterpiece, The Adventures of Pinocchio, which is laced with wry comments on Italian society, some as relevant today as they were in the late nineteenth century.

John Hooper (translator) is Italy and Vatican correspondent of The Economist and the author of the bestseller The Italians. He has reported from Italy for more than twenty years and is a lecturer at the Florence campus of Stanford University.

Anna Kraczyna (translator) is a native of Florence, the daughter of American artists who moved to Italy. She has taught at the Florence campuses of Stanford University and Sarah Lawrence College, and divides her time among translating, interpreting, and lecturing at American universities in her native city on the language, literature, and society of Italy.

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Table of Contents

Title Page

Copyright Page

Introduction

 

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

XXXII

XXXIII

XXXIV

XXXV

XXXVI

PINOCCHIO

Table of Contents

	A Piece of Wood	12
	A Gift to Geppetto	14
	Making a Puppet	16
	The Talking Cricket	22
	The Omelette	24
	The Brazier	27
	The Breakfast of Pears	30
	The Spelling Book	33
	The Puppet Show	37
	The Puppeteer	39
	Pinocchio Saves Harlequin	42
	The Fox and the Cat	45
	The Red Crawfish Inn	51
	The Assassins	54
	The Great Oak Tree	58
	The Little Girl with Blue Hair	61
	Pinocchio's Nose Grows Long	67
	The Field of Miracles	73
	Four Months in Prison	78
	A Horrible Serpent	82
	Pinocchio Becomes a Watchdog	85
	Catching the Thieves	87
	Pinocchio Mourns	90
	The Island of Busy Bees	96
	Pinocchio's Promise	102
	At the Seashore	105
	Pinocchio Is Arrested	107
	The Fisherman	112
	The Fairy's Promise	116
	Candlewick Persuades Pinocchio	124
	Five Months in Funland	128
	Donkey Ears	135
	The Circus	141
	Swallowed by a Terrible Whale	147
	In the Whale's Belly	153
	Pinocchio Becomes a Boy	160
	Acknowledgments	172

Editorial Reviews

A zingy new translation.” ―The Economist

“Perfectly timed. The translators . . . do justice to the story with their insightful annotations and cogent introduction. . . . Who can’t love a story as wildly inventive as [this]? Children certainly love it—and have so for nearly 150 years. But Pinocchio can also grab the interest of any adult willing to engage with the story’s rich tapestry of symbolism, archetypes, and layers of meaning. . . . Should you find yourself watching all or none of the recent and upcoming film adaptations of Pinocchio, this new translation from Penguin Classics is a terrific way to get reacquainted with one of the world’s most popular and important stories.” ―PopMatters

“Very lively . . . A fine translation in many ways, and I love the way it brings out the Italianness, and I do like the punch of it. It’s great.” ―Ann Hallamore Caesar, The TLS Podcast

“A complex, unsettling novel—miles away from the morality tale that Pinocchio’s story has become . . . Pinocchio harbors a strain of systemic injustice and deep betrayal. . . . Imbued with social criticism and pessimistic humor, [it] can be read, among other things, as an irreverent attack on established authority. . . . As the translators John Hooper and Anna Kraczyna note in a recent critical edition published by Penguin, it’s no coincidence that the utterance ‘Pazienza!’ occurs 15 times throughout the novel. . . . It’s a quintessentially Italian admission of defeat . . . that, as Hooper and Kraczyna note, ‘echoes centuries of unwilling yet unavoidable resignation.’ ” —The Atlantic

“An effort to reclaim the spirit of the original, particularly as something distinct from the animated Disney cartoon that most are familiar with . . . Their goal . . . is not dissimilar to that of Matteo Garrone in his wonderfully dark film adaptation: to demonstrate, once again, that Pinocchio is far more than just a children’s story.” ―The Week in Italy

From the Publisher

Two illustrated volumes of Carlo Collodi's Pinocchio take the spotlight this fall. Robert Ingpen's edition starts on a note of humor, with inset illustrations showcasing his meticulous ink lines and cross-hatching. He depicts the newly emerging Marionette wearing Geppetto's wig, for instance, or a full-page image of Geppetto fitting the fellow with new feet after the puppet's burn in a fire. A wordless spread of the Assassins making off with Pinocchio, however, exudes an appropriate creepiness. Copyright 2005 Reed Business Information.

Publishers Weekly

Gr 2-7-The classic moral tale of the wayward puppet's quest to become a real boy is illustrated with Ingpen's richly textured pencil-and-watercolor artwork. A combination of full-page illustration and spreads, as well as numerous smaller pictures, depicts Pinocchio's adventures. Ingpen's color choices-primarily subdued neutral tones accented with bright hues-underscore the sense of play in a rather grim story. The bright-eyed marionette is portrayed as more mischievous than malicious-more naive than nasty. Even as a puppet, his posture and movements are that of an active, curious child. Likewise, the narration is lively and energetic and seasoned with subtle humor. The dark sides of the tale are not omitted, but the focus is on the adventure and on Pinocchio's redemption. Some of the modernization is unnecessary and awkward; for example, the Cat receives a telegram, rather than message, informing him that his child is ill. Overall, this is a handsome traditional edition of the story that will appeal to children. The Adventures of Pinocchio illustrated by Robert Innocenti (Creative Editions, 2005) is a more literary version with a stronger sense of the European setting, dramatic tension, and moral undertones. Sara Fanelli's version (Candlewick, 2003) offers a more contemporary collage-style interpretation.-Heide Piehler, Shorewood Public Library, WI Copyright 2005 Reed Business Information.

School Library Journal

What most readers know of Pinocchio is a wooden puppet whose nose grows from telling lies. This episode—longer than a picture book but shorter than the original tale—is one small chapter in the exploits and adventures of Pinocchio, the boy wannabe. An illustrated adaptation, it follows the original M.A. Murray translation closely, yet succeeds without the long-windedness of the 1892 classic, and with all the rich language, spirited characters, and lively escapades intact. Inspired by the commedia dell'arte, the Italian traveling street theater of Collodi's time, Young (Night Visitors, 1995, etc.) has created scenes that authentically capture the playlike quality of the story. Reminiscent of his colorful cut-paper collage in Seven Blind Mice (1993), the array of characters and images cleverly reflect a stage production, complete with double-page spreads that act as scenery backdrops. It's an energetic rendition that invites the audience to meet again the mischievous puppet with all his foibles, setting the stage for an Oz-like ending that reaffirms the power of good.

Kirkus Reviews