A Belletrist Book Club Pick A Most Anticipated Title of 2021 from BuzzFeed, Refinery29, Literary Hub, The Millions, The Rumpus, Write or Die Tribe, and Palm Beach Daily News A Most Anticipated Title of March by Entertainment Weekly, Ms. Magazine, The Millions, and HelloGigglesNamed a Most Anticipated Title by a Woman of Color for 2021 by R.O. Kwon in Electric Literature A Best Book of the Spring from BuzzFeed “Breathless . . . Alyan plants the riches of the city with stealthy precision, making the maddening conundrum of Beirut yours . . . From Lebanon, we visit Syria. We reach back to Palestine. The three nations mirror the imperfect, strained yet inextricable relationship of the Nasr children, now adults . . . Alyan distilled the fog of displacement and exposes the ways an unfamiliar culture can devour the traits that make us special. And when plumbing the intricacies of race and womanhood, Alyan turns paragraphs into poetry.”—New York Times Book Review “Feels revolutionary in its freshness . . . The book has all the elements we expect from a family saga, but set against the backdrop of Lebanon’s long, sad history, the narrative stakes are so much higher.”—Entertainment Weekly “Beautifully illustrating the complexities, fragilities, and flaws of families, this heartfelt novel centers on siblings struggling to make a decision about the sale of the family home in Beirut as secrets, bonds, and the legacies of war come to the fore.”—Ms. Magazine “I didn’t think I could love The Arsonists’ City as much as Salt Houses, but I did. It was sharp, thought-provoking. I couldn’t put it down. Hala Alyan is a lyrical force, a much-needed Arab American voice.” —Etaf Rum, New York Times best-selling author of A Woman Is No Man “I don’t exactly understand how Hala Alyan does it—conjures love, sorrow, betrayal, and joy; goes from being funny and warm to incisive and thoughtful—but as a reader, I’m glad that she does. The Arsonists’ City delivers all the pleasures of a good old-fashioned saga, but in Alyan’s hands, one family’s tale becomes the story of a nation—Lebanon and Syria, yes, but also the United States. It’s the kind of book we are lucky to have.”—Rumaan Alam, author of Leave the World Behind “A sprawling look at various fragments of Arab identity . . . Alyan’s family saga contains meticulously crafted moments of betrayal, bitterness, and dashed ambitions . . . The Arsonists’ City is at its core a meditation on the loss of love and of one’s homeland—losses that are intertwined . . . Rather than providing Western readers with an exotic fantasy of Arab culture and identity, Alyan teases out the complexities of her characters’ layered experiences with a slow burn that demands the reader’s patience and careful attention . . . Alyan draws on her vivid memories of the region from which she hails and turns to rigorous research to fill in any gaps. The result is an intricately plotted, tightly knit novel that at once breaks the heart and fills it with joy.”—Los Angeles Review of Books “A profound inquiry into what it means to be a family, determine your identity, and hold onto a home — particularly in a world that doesn't always weigh equally the importance of everyone’s home, identity, and family . . . Alyan is virtuosic at portraying the complicated bonds that exist between family members, and she is unafraid to show both the beauty and the despair that come with true intimacy, love, and loss.”—Refinery29 “Simultaneously a sprawling look across five decades at the legacy of unending violence in the Middle East, especially in Lebanon and Syria, and an intimate, heartfelt portrait of a family gathering at their ancestral home in Beirut.” —Orange County Register “Alyan’s varied talents never cease to amaze.”—The Millions “Alyan, author of the award-winning Salt Houses, has written another family saga studded with the same beautiful lyricism . . . Makes for great fiction.”—Literary Hub “A sweeping family saga that examines the insidious long shadow of war . . . Alyan brings her talents to examine the ongoing crisis of Palestinian displacement in The Arsonist’s City through deeply imagined characters, place-based descriptions that teem with life, and attention to conflicts from past to present day.”—Jacqueline Alnes, Electric Literature “Alyan, who is a family therapist as well as a poet and novelist, has a gift for depicting the knotty, messy but ultimately resilient bonds of family love. Though The Arsonists’ City lays bare how civil war and brutal violence impact a single family, it is the everyday, sometimes petty squabbles between husband and wife, brother and sister, parent and child that make this novel both memorable and relatable.”—BookPage “This multi-generational story is deeply thought-provoking.”—HelloGiggles “The sheer scope of Hala Alyan’s novel, The Arsonists’ City, is astounding. With seemingly effortless confidence, Alyan hops back and forth between decades and continents, investigating the social, political, and gender-based tensions experienced in California, New York, Beirut, and Damascus. Alyan honestly and genuinely examines the complex forces at play in each place’s culture while also fully acknowledging how confusing, equivocal, and unknowable they can be . . . This territory is rich and Alyan mines it thoroughly and adeptly. Present are many familiar, though skillfully portrayed, elements of family, and immigrant, life . . . As the pieces of the puzzle come together in the novel, though resisting the pull of a coherent image in favor of a more complex, ambiguous, and real one, the familial experience of estrangement is revealed to be an underlying theme of immigration and exile."—Ploughshares “No one knows the human heart like Hala Alyan. Her ability to show its unexpected contours is on full display in The Arsonists’ City—a book so gorgeously written I found myself reading sentences aloud just to keep them with me a little longer."—Mira Jacob, author of Good Talk and The Sleepwalker’s Guide to Dancing “Faced with the impending sale of their ancestral home in Beirut, the delightfully flawed members of the Nasr family must confront their late-onset nostalgia just as the secrets they’ve kept buried from each other are surfacing to air. An irresistible heart-tugger as complex and sensual as Lebanon itself.”—Courtney Maum, author of I Am Having So Much Fun Here Without You andCostalegre “A spellbinding family epic, as lyrical as it is profound.”—Largehearted Boy “Extraordinary . . . Alyan plumbs the interior lives of her characters with nuance, wit, and compassion.”—Public Libraries Online “Intricately plotted, TheArsonists’ City is a novel that renders custom and place in very precise detail . . . TheArsonists’ City contains pleasing revelations as the story progresses. Mazna is a complex and rewarding character.”—Publishers Weekly, author profile “Exquisite . . . Tenderly and compassionately told, and populated with complicated and flawed characters, the Nasrs’ story interrogates nostalgia, memory, and the morality of keeping secrets against the backdrop of a landscape and a people in constant flux. Alyan’s debut was striking, and this one’s even better.”—Publishers Weekly, starred review “Riveting . . . Alyan is masterful at clarifying the complicated sociopolitical realities surrounding Lebanon’s and Syria’s intertwined histories in terms of class, caste, colonialism, and tribalism. But even more masterful here . . . is her laserlike focus on her multifaceted characters in big and small moments that come together to create a singular family. Painful and joyous, sad and funny—impossible to put down.”—Kirkus Reviews, starred review “Acute psychological insight and a sense of Beirut as a fluid, evolving entity further amplify the power of this moving family drama.”—Booklist, starred review
Poet and novelist Alyan (Salt Houses) illuminates in this exquisite novel the recent history of Lebanon and Syria through the intimate tragedies and betrayals befalling one family. After Lebanese American heart surgeon Idris Nasr’s father dies, Idris feels compelled to sell the family’s ancestral home in Beirut. His Syrian-born wife, Mazna and their three adult children—Ava, Mimi, and Naj—fear he’s making a mistake, and they gather in Beirut to host a memorial and discuss the sale. All of the children harbor jealousies of various kinds and hide secrets from one another and from their parents, but no secrets are bigger or more potentially devastating than those carried by Mazna, and they gradually emerge in flashbacks of her life before she married Idris. The family conflict plays out over the summer of 2019, and the narrative alternates with scenes from Mazna and Idris’s lives in Beirut during the Lebanese Civil War and in California during the early years of their marriage. “We don’t choose what we belong to,” Mazna considers near the novel’s end, and in Alyan’s sweeping yet intimate narrative, this thought holds true for the characters’ relationships to family and country alike. Tenderly and compassionately told, and populated with complicated and flawed characters, the Nasrs’ story interrogates nostalgia, memory, and the morality of keeping secrets against the backdrop of a landscape and a people in constant flux. Alyan’s debut was striking, and this one’s even better. (Mar.)
Alyan’s riveting novel, set in America and the Middle East, brims with overlapping memories of secrets, betrayals, and loyalties within a seemingly assimilated Syrian Lebanese American family.
In 1978, young Palestinian Zakaria is assassinated in a refugee camp in Beirut, the victim of a factional revenge killing during Lebanon’s civil war. Weeks before, Zakaria had betrayed his best friend, Lebanese Idris, with Idris’ Syrian girlfriend, Mazna. Spelled out in the first pages, these facts will haunt the novel as their impact on members of the Nasr family comes to light. Cut to present-day California, where cardiac surgeon Idris Nasr lives with Mazna, whom he married not long after Zakaria’s death. Their three grown children, born and raised in America, take their parents’ perpetually rocky 40-year marriage for granted. And as they first avoid, then succumb to Mazna’s entreaties to convene in Beirut—supposedly to hold a memorial service for Idris’ recently deceased father but really to protest against Idris’ selling the ancestral home he's just inherited—all three are hiding problems from their parents. In Brooklyn, almost 40-year-old microbiologist Ava suspects her WASP husband is having an affair; in Austin, Mimi, 32, has cheated on his long-suffering girlfriend and been dumped by the band he started; almost 30-year-old Naj, an internationally famous singer/musician, has yet to tell her parents she’s gay. Meanwhile, Mazna, whose passions for Zakaria and her aborted career as an actress have never died, has spent her marriage betraying and being betrayed by Idris, depending upon yet resenting him. And Idris, a man of privileged self-importance and some charm, is perhaps more self-aware than his family realizes. Palestinian American psychologist and writer Alyan is masterful at clarifying the complicated sociopolitical realities surrounding Lebanon's and Syria’s intertwined histories in terms of class, caste, colonialism, and tribalism. But even more masterful here—as in Salt Houses (2017), which portrayed the Palestinian diaspora through four generations of a single family—is her laserlike focus on her multifaceted characters in big and small moments that come together to create a singular family.
Painful and joyous, sad and funny—impossible to put down.