The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance
By Thomas Forrest Kelly (Editor), Sean Gallagher (Editor), David Blackbourn (Contribution by), Thomas Christensen (Contribution by), Hermann Danuser (Contribution by), Elaine R. Sisman (Contribution by), John Butt (Contribution by), Eric Chafe (Contribution by), Sergio Durante (Contribution by), Daniel R. Melamed (Contribution by), Hans-Joachim Schulze (Contribution by), Peter Wollny (Contribution by), Neal Zaslaw (Contribution by), Ulrich Konrad (Contribution by), Reinhard Strohm (Contribution by), James Webster (Contribution by), Gretchen Wheelock (Contribution by), Christopher Hogwood (Contribution by), Ton Koopman (Contribution by), Robert Levin (Contribution by)
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By Thomas Forrest Kelly (Editor), Sean Gallagher (Editor), David Blackbourn (Contribution by), Thomas Christensen (Contribution by), Hermann Danuser (Contribution by), Elaine R. Sisman (Contribution by), John Butt (Contribution by), Eric Chafe (Contribution by), Sergio Durante (Contribution by), Daniel R. Melamed (Contribution by), Hans-Joachim Schulze (Contribution by), Peter Wollny (Contribution by), Neal Zaslaw (Contribution by), Ulrich Konrad (Contribution by), Reinhard Strohm (Contribution by), James Webster (Contribution by), Gretchen Wheelock (Contribution by), Christopher Hogwood (Contribution by), Ton Koopman (Contribution by), Robert Levin (Contribution by)
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For many today Johann Sebastian Bach and Wolfgang Amadeus Mozart stand as towering representatives of European music of the eighteenth century, composers whose works reflect intellectual, religious, and aesthetic trends of the period. Research on their compositions continues in many ways to shape our broader understanding of eighteenth-century musical thought and its contexts. This collection of essays by leading authorities in the field offers a variety of new perspectives on the two compo...






















