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“One must make films with this knowledge: there’s no point anymore. Let film meet its end, that’s the only cinema.”

The Darkroom contains the script for Marguerite Durgaas’s 1977 radically experimental film Le camion (The Truck). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Durgaas in conversation with Gérard Depardieu, Le camion turns the art of film into a means of enabling the viewer to engage multiple faculties—not only the visual and the aural, but also me...