Welles. Hitchcock. Kubrick. These names appear on nearly every list of the all-time greatest filmmakers. But what makes these directors so great? Despite their very different themes and sensibilities, is there a common genius that unites them and elevates their work into the realm of the sublime?
The Extraordinary Image takes readers on a fascinating journey through the lives and films of these three directors, identifying the qualities that made them cinematic visionaries. Reflecting on a lifetime of teaching and writing on these filmmakers, acclaimed film scholar Robert P. Kolker offers a deeply personal set of insights on three artists who have changed the way he understands movies. Spotlighting the many astonishing images and stories in films by Welles, Hitchcock, Kubrick, he also considers how they induce a state of amazement that transports and transforms the viewer.
Kolker’s accessible prose invites readers to share in his own continued fascination and delight at these directors’ visual inventiveness, even as he lends his expertise to help us appreciate the key distinctions between the unique cinematic universes they each created. More than just a celebration of three cinematic geniuses, The Extraordinary Image is an exploration of how movies work, what they mean, and why they bring us so much pleasure.
|Publisher:||Rutgers University Press|
|Product dimensions:||6.20(w) x 9.30(h) x 1.00(d)|
|Age Range:||15 Years|
About the Author
ROBERT P. KOLKER has been teaching and writing about film for over forty years. He is the author or editor of A Cinema of Loneliness (4th ed.,); The Altering Eye; Stanley Kubrick’s 2001: A Space Odyssey: New Essays; The Oxford Handbook of Film and Media Studies; The Cultures of American Film; and Film, Form, and Culture.
Table of Contents
The Passion of Film
What We Talk About When We Talk About Film
The Body of Work
The Films They Made
The Work of the Body
Apollo, Dionysus, and Nemesis
Embodiment and Performance
Form, Time, and Space
The Spaces of Space Fiction
Cycles and Symmetry
Photograph of a Photograph
Power and Sexuality
The Art of Feeling
Coda: An Immense Shadow
Chronology of Films by Welles, Hitchcock, and Kubrick