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The Great Vogue for the Guitar in Western Europe: 1800-1840
By Christopher Page (Editor), Paul Sparks (Editor), James Westbrook (Editor), Richard Savino (Contribution by), Christopher Page (Contribution by), Paul Sparks (Contribution by), James Westbrook (Contribution by), Dami n Mart n G l (Contribution by), Erik Stenstadvold (Contribution by), Kenneth Sparr (Contribution by), Jelma van Amersfoort (Contribution by), Jukka Savijoki (Contribution by), Mario Torta (Contribution by), Gerhard Penn (Contribution by), Luis Briso de Montiano (Contribution by), Nicoletta Confalone (Contribution by), Sarah Clarke (Contribution by), Jenny Nex (Contribution by)
Hardcover
$130.00
By Christopher Page (Editor), Paul Sparks (Editor), James Westbrook (Editor), Richard Savino (Contribution by), Christopher Page (Contribution by), Paul Sparks (Contribution by), James Westbrook (Contribution by), Dami n Mart n G l (Contribution by), Erik Stenstadvold (Contribution by), Kenneth Sparr (Contribution by), Jelma van Amersfoort (Contribution by), Jukka Savijoki (Contribution by), Mario Torta (Contribution by), Gerhard Penn (Contribution by), Luis Briso de Montiano (Contribution by), Nicoletta Confalone (Contribution by), Sarah Clarke (Contribution by), Jenny Nex (Contribution by)
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The first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vogue throughout Western Europe during the early decades of the nineteenth century.
Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur mus...
Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur mus...
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