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The Illustrated Northrop Frye
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This five-part application of Northrop Frye's theory of archetypal criticism to Herman Melville's Moby-Dick examines Melville's masterpiece as an encyclopedic romance.
Following Ishmael's descent into and return from a demonic sea world of experience, Moby-Dick exhibits the U-shaped pattern of development typical of romance.
Melville broadens and deepens the thematic and formal complexity of his romance through the encyclopedic use of archetypes, particularly those of satire and tragedy.
As Ah...
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