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Traversing philosophy and the human sciences, literature, cinema, and the visual arts, this book maps out a history where all is chaos, maelstrom, and fog.

If perception and language objectivate the world, if imagination structures it, if knowledge orders it, then how can we describe, name, or even apprehend that which comes to pass when language is absent, when perception vacillates, and when knowledge eludes us? How can we say, show, or make known that which undermines and refutes the orde...