[An] absorbing historical novel… compellingly interlaces public history and intimate conjecture.” — The New Yorker
“Voice — the great, elusive necessity in all historical fiction—is rapturous and irresistible in The Mapmaker's Daughter . Katherine Hughes's novel just seems to talk to us, and in so doing makes these titanic events seem human and natural, and thus all-the-more preoccupying. A very impressive book, indeed.” — Richard Ford
“In The Mapmaker’s Daughter, Katherine Hughes introduces us to Cecilia-Nurbanu, an astonishing girl who becomes a woman of immense power in the Ottoman Empire. Lost to history, Hughes retrieves her and through a stunning act of imagination takes us into her consciousness as she finally reckons with a decision that in the light of the present seems unspeakable. Hughes’s novel is a potent reminder of what even today a woman may encounter when she becomes, as Nurbanu becomes, an accessory to power.” — Carol Gilligan, author of In a Different Voice
“A heartbreaking read that marries a strong story arc with a dedication to historical details.” — Booklist (starred)
“A fascinating evocation of the major players of the Ottoman renaissance.” — Kirkus Reviews
“Hughes adeptly mixes fictionalized elements with historical details.” — Publishers Weekly
“Hughes has richly imagined the life of a remarkable historical figure. . . readers who enjoy in-depth historical detail and court intrigue will be riveted.” — Library Journal
“An impressively engaging and consistently entertaining read from beginning to end, The Mapmaker's Daughter reveals author Katherine Nouri Hughes's genuine storytelling gifts. … Unreservedly recommended as an enduringly popular addition to community library Historical Fiction collections…” — Midwest Book Review
“When the fiction is good, the history is usually distorted, and on the rare occasions when the history is good, the fiction is usually less interesting than the straight historical narrative. This novel is a remarkable exception . . . part history, part fiction, it is enthralling.” — Bernard Lewis, Cleveland E. Dodge Professor of Near Eastern Studies, Emeritus, Princeton University
“Of all the appetites the lust for power is the strongest—and most dangerous. This is a lively, absorbing and utterly convincing self-portrait of a woman who came under the influence of the greatest of all Ottoman sultans—with tragic consequences.” — Edmund White, author of Inside a Pearl: My Years in Paris
“Based on a historical event of rare improbability—the rise in the sixteenth century of a daughter of Venice to the rank of Queen Mother in the mighty Ottoman Empire—this novel is a gorgeous feat of imagination, a stellar work by a gifted writer.” — Arnold Rampersand, Stanford University, author of Ralph Ellison
“The Mapmaker's Daughter is an immersive, beautifully-woven narrative that dissects the paradoxes of female power and the particularities of the 16th century Ottoman Empire.” — Dr. Amanda Foreman, author of Georgiana: Duchess of Devonshire and A World on Fire: Britain's Crucial Role in the American Civil War
[An] absorbing historical novel… compellingly interlaces public history and intimate conjecture.
Voice — the great, elusive necessity in all historical fiction—is rapturous and irresistible in The Mapmaker's Daughter . Katherine Hughes's novel just seems to talk to us, and in so doing makes these titanic events seem human and natural, and thus all-the-more preoccupying. A very impressive book, indeed.
In The Mapmaker’s Daughter, Katherine Hughes introduces us to Cecilia-Nurbanu, an astonishing girl who becomes a woman of immense power in the Ottoman Empire. Lost to history, Hughes retrieves her and through a stunning act of imagination takes us into her consciousness as she finally reckons with a decision that in the light of the present seems unspeakable. Hughes’s novel is a potent reminder of what even today a woman may encounter when she becomes, as Nurbanu becomes, an accessory to power.
A heartbreaking read that marries a strong story arc with a dedication to historical details.
Of all the appetites the lust for power is the strongest—and most dangerous. This is a lively, absorbing and utterly convincing self-portrait of a woman who came under the influence of the greatest of all Ottoman sultans—with tragic consequences.
An impressively engaging and consistently entertaining read from beginning to end, The Mapmaker's Daughter reveals author Katherine Nouri Hughes's genuine storytelling gifts. … Unreservedly recommended as an enduringly popular addition to community library Historical Fiction collections…
When the fiction is good, the history is usually distorted, and on the rare occasions when the history is good, the fiction is usually less interesting than the straight historical narrative. This novel is a remarkable exception . . . part history, part fiction, it is enthralling.
Based on a historical event of rare improbability—the rise in the sixteenth century of a daughter of Venice to the rank of Queen Mother in the mighty Ottoman Empire—this novel is a gorgeous feat of imagination, a stellar work by a gifted writer.
The Mapmaker's Daughter is an immersive, beautifully-woven narrative that dissects the paradoxes of female power and the particularities of the 16th century Ottoman Empire.
[An] absorbing historical novel… compellingly interlaces public history and intimate conjecture.
A heartbreaking read that marries a strong story arc with a dedication to historical details.
Booklist (starred review)
2017-05-15 A captured Venetian encounters a strange blend of civilization and barbarism as she attains the highest rank possible for a woman in the Ottoman Empire.As Nurbanu, nee Cecilia Baffo Veniero, queen mother and former sultaness, lies dying, she writes down the story of her life. Born of a never-legalized union between a Venetian mapmaking prodigy, Violante, and a nobleman, Cecilia is doted on by her maternal grandfather and studies science with her mother's teacher, Egnatius. This idyll is interrupted by Violante's death by drowning. At age 12, Cecilia is sent to live on her father's fiefdom, Paros island. Shortly thereafter, invading Turks abduct her. Arriving at the harem of the Ottoman emperor, Suleiman the Magnificent, Cecilia, renamed Nurbanu, finds that she has been fast-tracked for success in her new home: apparently her captors are well-aware of her erudition and her ties to the upper echelons of their most intractable foe, Venice. With Suleiman's blessing, she is schooled alongside the crown prince, Mehmed, with whom she falls in love. When Mehmed is killed by wasps, Suleiman appoints Nurbanu the consort of his next heir, Selim, and although the prince is grossly corpulent and a drunkard, affection grows between them. When she gives birth to a son, Murad, she is promoted to wife and endowed with a huge fortune. When death ends Suleiman's 46-year reign, Selim becomes sultan, and Nurbanu, now sultaness, is embroiled in the Ottoman dynasty's ruthless method of ensuring orderly succession: brothers and half brothers of the heir apparent must be killed, a rule complicated by the existence of harems. Suleiman had commanded Nurbanu to make sure Murad would go unchallenged; thus when Selim starts impregnating concubines, it is her job to eliminate any male children. The resulting moral quandary still plagues Nurbanu on her deathbed. Although Nurbanu is portrayed as a strong woman, the constraints of her milieu rob her of true choice, which renders her struggles less compelling and the plot less suspenseful. However, Hughes marshals her extensive research well, mining the known facts for sensory details that never fail to engage. A fascinating evocation of the major players of the Ottoman renaissance.