Resplendent, powerful paintings by these two-time Caldecott-winning artists bring new life to the title story from the late Hamilton's 1985 collection, The People Could Fly: American Black Folktales. Making dramatic use of shadow and light, Leo and Diane Dillon (whose half-tone illustrations also graced the original volume) ably convey the tale's simultaneous messages of oppression and freedom, of sadness and hope. "They say the people could fly. Say that long ago in Africa, some of the people knew magic," opens the narrative, as the full-color artwork reveals elegant, beautifully clothed individuals with feathered wings serenely ascending into the sky. On the following spread, images of the Middle Passage set a fittingly somber tone, depicting Africans who "were captured for Slavery. The ones that could fly shed their wings. They couldn't take their wings across the water on the slave ships. Too crowded, don't you know." The picture-book format allows room for the relationship to develop between Sarah, who labors in the cotton fields with an infant strapped to her back, and Toby, the "old man," who utters the magic African words that give her flight. Toby helps others take flight as well (a stunning image shows seemingly hundreds linking hands and taking to the skies)-and eventually does so himself, sadly leaving some of the captives "who could not fly" behind to "wait for a chance to run." Art and language that are each, in turn, lyrical and hard-hitting make an ideal pairing in this elegant volume that gracefully showcases the talent of its creators. All ages. (Nov.) Copyright 2004 Reed Business Information.
This widely lauded anthology boasts stunning black-and-white artwork and stirringly told stories with such evocative titles as ``The Beautiful Girl of the Moon Tower'' and ``Wiley, His Mama, and the Hairy Man.'' All ages. (Feb.)
Publishers Weekly - Publisher's Weekly
Hamilton's compelling retelling of this black folktale appeared originally in her 1985 collection with the same title. As a stand-alone in picture book format, it has been newly and profusely illustrated as a tribute to the author who died in 2002. The tale is told in the language and cadences of an African griot. When Africans were captured and brought to America as slaves, those who had known magic and could fly had to leave their wings behind, the story goes, but they kept their magic. When they are subjected to the cruelty of Master, Overseer, and Driver, old Toby helps first his daughter Sarah and her child to rise and fly away; then he and others who are stricken rise and go as well. Those who can't fly tell the tale until they too are free. The Dillons introduce us to the soaring flyers on the jacket/cover in their multi-patterned African dress and hair styles. The end-papers display shiny black feathers on a subtle black surface, giving added credence to the tale. Full-page and half-page paintings with gold borders create believable portraits of the slaves and masters as the fields are worked and as the people fly to freedom. Mixed emotions are generated by the portrayals: the evil Overseer in black against the reddish sky, the joyous folks who can fly. Notes from both author and editor fill in further information. The final rising triumphant figure appears to be Hamilton herself. 2004 (orig. 1985), Alfred A Knopf/Random House Children's Books, Ages 7 up.
Ken Marantz and Sylvia Marantz
This classic collection contains twenty-four tales, stories, and riddles about animals, fantasy and the supernatural handed down by African slaves before and during the Civil War period. These stories, born out of the sorrow of slaves, focus on freedom and triumph and bring hope to all who read them. Bruh Rabbit and the Two Johns are just some of the fascinating characters featured in this enchanting anthology. Dillon's mystical and inspiring black-and-white illustrations perfectly complement Hamilton's well-written prose.
Children's Literature - Debra Briatico
Hamilton's retelling of this African American folktale appeared originally in her Coretta Scott King Award-winning collection of the same title. It stands alone in this picture book edition newly-illustrated by the Dillons. Some slaves are cruelly treated by their overseer. They have forgotten the magic that enabled them to fly in Africa. An old man reminds them. Whispering the magic words to them, he helps them fly triumphantly to freedom. The illustrations that tell the visual tale, one per page, are treated as pocket dramas. Set off by the thick gold bands that frame each scene, they use pigments that seem to glow. Figures are sculptural, faces animated by the emotions of the story, colors chosen to enhance these emotions. The flying figures are depicted with a dance-like sense of grace. The magic is instilled in the pictures as well as the words. Notes from the editor and the author provide additional information. The accompanying CD has James Earl Jones and Virginia Hamilton reading the text. Don't overlook the book's endpapers. Reviewer: Ken Marantz and Sylvia Marantz
Children's Literature - Ken and Sylvia Marantz
Gr 4-7 The well-known author here retells 24 black American folk tales in sure storytelling voice. In four groupings she presents seven animal tales (including a tar-baby variant); six fanciful ones (including ``Wiley, His Mama, and the Hairy Man'' and a tale of which Harper's Gunniwulf Dutton, 1967 is a variant); five supernatural tales (including variants of the Tailypo, John and the Deviland a wild cautionary tale, ``Little Eight John''); and finally, six slave tales of freedom, closing with the moving title story. Depending on the sources, some of the tales use a modified dialect for flavor; one told with quite a few words of Gullah dialect has a glossary. All are beautifully readable. The book has a bibliography, and comments follow each tale, including one personal note of a family account involving one of her grandfathers. Two other collections of black folk tales, Courlander's Terrapin's Pot of Sense (Holt, 1957; o.p.) and Faulkner's The Days When the Animals Talked (Follett, 1977; o.p.) are both out of print. With the added attraction of 40 bordered full- and half-page illustrations by the Dillonswonderfully expressive paintings reproduced in black and whitethis collection should be snapped up. Ruth M. McConnell, San Antonio Public Library
Leo and Diane Dillon illustrate this beautiful collection of American black folktales, which comes with a compact disc narrated by James Earl Jones and Hamilton. Parents will want to use The People Could Fly as a readaloud themselves: it provides over twenty folktales for all ages and this reprint with its new cd will appeal to new audiences.
"They say the people could fly. Say that long ago in Africa, some of the people knew magic. And they would walk up on the air like climbin up on a gate." Hamilton's The People Could Fly: American Black Folktales (1985) won a Coretta Scott King Award, and the Dillons here reissue its heartbreaking title story with gorgeous, all-new, full-color paintings. Legend has it that some people in Africa could fly, but when they were shipped to America as slaves, they shed their black, shiny wings (reflected as feathers on the glossy black endpapers). When a mother and her baby are brutally whipped in the cotton fields, an old slave resurrects his magic and helps her and others fly away, free as birds, leaving the non-magical slaves behind to tell the tale. Like the story, the paintings are both hopeful and somber, and the slaves are as graceful and softly luminous as the slave owners are stiff, pinched, and cruel. A dreamy, powerful picture-book tribute to both Hamilton and the generations-old story. (editor's note, author's note) (Picture book. 9-12)