The ReGender App

The ReGender App

by Jass Richards
The ReGender App

The ReGender App

by Jass Richards


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What if there was an app that could cloak you in a cross-gendered hologram? And it had a voice modulation module? Women could present as men and get better-paying jobs. Men could present as women and get groped in the subway. Cool.

The ReGender App is a humourous expose of the sexism in our society.

"The characters are ... intelligent, witty, and adventurous. I enjoyed their dialogue and insights. ... This is a book I really recommend to any book club and to people who are interested in gender differences and gender discrimination." Mesca Elin, Psychochromatic Redemption

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Product Details

ISBN-13: 9781926891682
Publisher: Magenta
Publication date: 08/15/2020
Series: Rev and Dylan , #4
Pages: 236
Product dimensions: 5.50(w) x 8.50(h) x 0.54(d)

About the Author

Jass Richards has a Master's degree in Philosophy and for a (very) brief time was a stand-up comic (now she's more of a sprawled-on-the-couch comic). Despite these attributes, she has received four Ontario Arts Council grants. In addition to her Rev and Dylan series (The Road Trip Dialogues, The Blasphemy Tour, License to Do That, and The ReGender App), which has reportedly made at least one person snort root beer out her nose, she has written This Will Not Look Good on My Resume ('nuff said), followed by its sequel Dogs Just Wanna Have Fun (ditto), she has also written the perfect cottage-warming gift, TurboJetslams: Proof #29 of the Non-Existence of God (which also happens to have made it to Goodreads' Fiction Books That Opened Your Eyes To A Social Or Political Issue list) and a (way)-off-the-beaten-path first contact story, A Philosopher, A Psychologist, and an Extraterrestrial Walk into a Chocolate Bar. Excerpts from her several books have appeared in The Cynic Online Magazine, in Contemporary Monologues for Young Women (vol.3) and 222 More Comedy Monologues, and on Erma Bombeck's humor website. Her one-woman play Substitute Teacher from Hell received its premiere performance by Ghost Monkey Productions in Winnipeg.

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