The Sportswriter (Frank Bascombe Series #1)

The Sportswriter (Frank Bascombe Series #1)

by Richard Ford


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As a sportswriter, Frank Bascombe makes his living studying people--men, mostly--who live entirely within themselves. This is a condition that Frank himself aspires to. But at thirty-eight, he suffers from incurable dreaminess, occasional pounding of the heart, and the not-too-distant losses of a career, a son, and a marriage. In the course of the Easter week in which Ford's moving novel transpires, Bascombe will end up losing the remnants of his familiar life, though with his spirits soaring.

Product Details

ISBN-13: 9780679762102
Publisher: Knopf Doubleday Publishing Group
Publication date: 06/28/1995
Series: Frank Bascombe Series , #1
Edition description: Reissue
Pages: 375
Sales rank: 198,287
Product dimensions: 5.20(w) x 8.00(h) x 0.80(d)

About the Author

The author of five novels and two collections of stories, Richard Ford was awarded the Pulitzer Prize and the PEN/Faulkner Award for Independence Day, the first book to win both prizes. In 2001, he received the PEN/Malamud Award for excellence in short fiction. Ford is the author of the Bascombe novels, which include The Sportswriter and its sequels, Independence Day and The Lay of the Land.  He lives in Boothbay, Maine.

Date of Birth:

February 16, 1944

Place of Birth:

Jackson, Mississippi


B.A., Michigan State University, 1966; M.F.A., University of California, Irvine, 1970

Read an Excerpt


My name is Frank Bascombe. I am a sportswriter.

For the past fourteen years I have lived here at 19 Hoving Road, Haddam, New Jersey, in a large Tudor house bought when a book of short stories I wrote sold to a movie producer for a lot of money, and seemed to set my wife and me and our three children--two of whom were not even born yet--up for a good life.

Just exactly what that good life was--the one I expected--I cannot tell you now exactly, though I wouldn't say it has not come to pass, only that much has come in between. I am no longer married to X, for instance. The child we had when everything was starting has died, though there are two others, as I mentioned, who are alive and wonderful children.

I wrote half of a short novel soon after we moved here from New York and then put it in the drawer, where it has been ever since, and from which I don't expect to retrieve it unless something I cannot now imagine happens.

Twelve years ago, when I was twenty-six, and in the blind way of things then, I was offered a job as a sportswriter by the editor of a glossy New York sports magazine you have all heard of, because of a free-lance assignment I had written in a particular way he liked. And to my surprise and everyone else's I quit writing my novel and accepted.

And since then I have worked at nothing but that job, with the exception of vacations, and one three-month period after my son died when I considered a new life and took a job as an instructor in a small private school in western Massachusetts where I ended up not liking things, and couldn't wait to leave and get back here to New Jersey and writing sports.

My life over these twelve years has not been and isn't now a bad one at all. In most ways it's been great. And although the older I get the more things scare me, and the more apparent it is to me that bad things can and do happen to you, very little really worries me or keeps me up at night. I still believe in the possibilities of passion and romance. And I would not change much, if anything at all. I might not choose to get divorced. And my son, Ralph Bascombe, would not die. But that's about it for these matters.

Why, you might ask, would a man give up a promising literary career--there were some good notices--to become a sportswriter?

It's a good question. For now let me say only this: if sportswriting teaches you anything, and there is much truth to it as well as plenty of lies, it is that for your life to be worth anything you must sooner or later face the possibility of terrible, searing regret. Though you must also manage to avoid it or your life will be ruined.

I believe I have done these two things. Faced down regret. Avoided ruin. And I am still here to tell about it.

I have climbed over the metal fence to the cemetery directly behind my house. It is five o'clock on Good Friday morning, April 20. All other houses in the neighborhood are shadowed, and I am waiting for my ex-wife. Today is my son Ralph's birthday. He would be thirteen and starting manhood. We have met here these last two years, early, before the day is started, to pay our respects to him. Before that we would simply come over together as man and wife.

A spectral fog is lifting off the cemetery grass, and high up in the low atmosphere I hear the wings of geese pinging. A police car has murmured in through the gate, stopped, cut its lights and placed me under surveillance. I saw a match flare briefly inside the car, saw the policeman's face looking at a clipboard.

At the far end of the "new part" a small deer gazes at me where I wait. Now and then its yellow tapetums blink out of the dark toward the old part, where the trees are larger, and where three signers of the Declaration of Independence are buried in sight of my son's grave.

My next-door neighbors, the Deffeyes, are playing tennis, calling their scores in hushed-polite early-morning voices. "Sorry." "Thanks." "Forty-love." Pock. Pock. Pock. "Ad to you, dear." "Yes, thank you." "Yours." Pock, pock. I hear their harsh, thrashing nose breaths, their feet scraping. They are into their eighties and no longer need sleep, and so are up at all hours. They have installed glowless barium-sulphur lights that don't shine in my yard and keep me awake. And we have staved good neighbors if not close friends. I have nothing much in common with them now, and am invited to few of their or anyone else's cocktail parties. People in town are still friendly in a distant way, and I consider them fine people, conservative, decent.

It is not, I have come to understand, easy to have a divorced man as your neighbor. Chaos lurks in him--the viable social contract called into question by the smoky aspect of sex. Most people feel they have to make a choice and it is always easier to choose the wife, which is what my neighbors and friends have mostly done. And though we chitter-chatter across the driveways and hedges and over the tops of each other's cars in the parking lots of grocery stores, remarking on the condition of each other's soffits and down-drains and the likelihood of early winter, sometimes make tentative plans to get together, I hardly ever see them, and I take it in my stride.

Good Friday today is a special day for me, apart from the other specialness. When I woke in the dark this morning, my heart pounding like a tom-tom, it seemed to me as though a change were on its way, as if this dreaminess tinged with expectation, which I have felt for some time now, were lifting off of me into the cool tenebrous dawn.

Today I'm leaving town for Detroit to begin a profile of a famous ax-football player who lives in the city of Walled Lake, Michigan, and is confined to a wheelchair since a waterskiing accident, but who has become an inspiration to his former teammates by demonstrating courage and determination, going back to college; finishing his degree in communications arts, marrying his black physiotherapist and finally becoming honorary chaplain for his old team. "Make a contribution" will be my angle. It is the kind of story I enjoy and find easy to write.

Anticipation rises higher, however, because I'm taking my new girlfriend Vicki Arcenault with me. She has recently moved up to New Jersey from Dallas, but I am already pretty certain I'm in love with her (I haven't mentioned anything about it for fear of making her wary). Two months ago, when I sliced up my thumb sharpening a lawnmower blade in my garage, it was Nurse Arcenault who stitched me up in the ER at Doctors Hospital, and things have gone on from there. She did her training at Baylor in Waco, and came up here when her marriage gave out. Her family, in fact, lives down in Barnegat Pines, not far away, in a subdivision close to the ocean, and I am scheduled to be exhibit A at Easter dinner--a vouchsafe to them that she has made a successful transition to the northeast, found a safe and good-hearted man, and left bad times including her dagger-head husband Everett far behind. Her father, Wade, is a toll-taker at Exit 9 on the Turnpike, and I cannot expect he will like the difference in our ages. Vicki is thirty. I am thirty-eight. He himself is only in his fifties. But I am in hopes of winning him over and eager as can be under the circumstances. Vicki is a sweet, saucy little black-hair with a delicate width of cheekbone, a broad Texas accent and a matter-of-factness with her raptures that can make a man like me cry out in the night for longing.

You should never think that leaving a marriage sets you loose for cheery womanizing and some exotic life you'd never quite grasped before. Far from true. No one can do that for long. The Divorced Men's Club I belong to here in town has proven that to me if nothing else--we don't talk much about women when we are together and feel relieved just to be men alone. What leaving a marriage released me--and most of us--to, was celibacy and more fidelity than I had ever endured before, though with no one convenient to be faithful to or celibate for. Just a long empty moment. Though everyone should live alone at some time in a life. Not like when you're a kid, summers, or in a single dorm room in some crappy school. But when you're grown up. Then be alone. It can be all right. You can end up more within yourself, as the best athletes are, which is worth it. (A basketball player who goes for his patented outside jumper becomes nothing more than the simple wish personified that the ball go in the hole.) In any case, doing the brave thing isn't easy and isn't supposed to be. I do my work and do it well and remain expectant of the best without knowing in the least what it will be. And the bonus is that a little bundle like Nurse Arcenault seems sent straight from heaven.

For several months now I have not taken a trip, and the magazine has found plenty for me to do in New York. It was stated in court by X's sleaze-ball lawyer, Alan, that my travel was the cause of our trouble, especially after Ralph died. And though that isn't technically true--it was a legal reason X and I invented together--it is true that I have always loved the travel that accompanies my job. Vicki has only seen two landscapes in her entire life: the flat, featureless gloom-prairies around Dallas, and New Jersey--a strange unworldliness these days. But I will soon show her the midwest, where old normalcy floats heavy on the humid air, and where I happen to have gone to college.

It is true that much of my sportswriter's work is exactly what you would think: flying in airplanes, arriving and departing airports, checking into and out of downtown hotels, waiting hours in corridors and locker rooms, renting cars, confronting unfriendly bellmen. Late night drinks in unfamiliar bars, up always before dawn, as I am this morning, trying to get a perspective on things. But there is also an assurance to it that I don't suppose I could live happily without. Very early you come to the realization that nothing will ever take you away from yourself. But in these literal and anonymous cities of the nation, your Milwaukees, your St. Louises, your Seattles, your Detroits, even your New Jerseys, something hopeful and unexpected can take place. A woman I met at the college where I briefly taught, once told me I had too many choices, that I was not driven enough by dire necessity. But that is just an illusion and her mistake. Choices are what we all need. And when I walk out into the bricky warp of these American cities, that is exactly what I feel. Choices aplenty. Things I don't know anything about but might like are here, possibly waiting for me. Even if they aren't. The exhilaration of a new arrival. Good light in a restaurant that especially pleases you. A cab driver with an interesting life history to tell. The casual, lilting voice of a woman you don't know, but that you are allowed to listen to in a bar you've never been in, at a time when you would otherwise have been alone. These things are waiting for you. And what could be better? More mysterious? More worth anticipating? Nothing. Not a thing.

The barium-sulphur lights die out over the Deffeyes' tennis court. Delia Deffeyes' patient and troubleless voice, still hushed, begins assuring her husband Caspar that he played well, while they walk toward their dark house in their pressed whites.

The sky has become a milky eve and though it is spring and nearly Easter, the morning has a strangely winter cast to it, as though a high fog is blotting its morning stars. There is no moon at all.

The policeman has finally seen enough and idles out the cemetery gate onto the silent streets. I hear a paper slap on a sidewalk. Far off, I hear the commuter train up to New York making its belling stop at our station--always a consoling sound.

X's brown Citation stops at the blinking red light at Constitution Street, across from the new library, then inches along the cemetery fence on Plum Road, her lights on high beam. The deer has vanished I walk over to meet her.

X is an old-fashioned, solidly Michigan girl from Birmingham, whom I met in Ann Arbor. Her father, Henry, was a Soapy Williams best-of-his-generation liberal who still owns a plant that stamps out rubber gaskets for a giant machine that stamps out car fenders, though he is now a Republican and rich as a Pharaoh. Her mother, Irma, lives in Mission Viejo, and the two of them are divorced, though her mother still writes me regularly and believes X and I will eventually reconcile, which seems as possible as anything else.

X could choose to move back to Michigan if she wanted to, buy a condominium or a ranch-style home or move out onto the estate her father owns. We discussed it at the divorce, and I did not object. But she has too much pride and independence to move home now. In addition, she is firmly behind the idea of family and wants Paul and Clarissa to be near me, and I'm happy to think she has made a successful adjustment of her new life. Sometimes we do not really become adults until we suffer a good whacking loss, and our lives in a sense catch up with us and wash over us like a wave and everything goes.

Since our divorce she has bought a house in a less expensive but improving section of Haddam called The Presidents by the locals, and has taken a job as teaching pro at Cranbury Hills C.C. She co-captained the Lady Wolverines in college and has lately begun entering some of the local pro-ams, now that her short game has sharpened up, and even placed high in a couple last summer. I believe all her life she has had a yen to try something like this, and being divorced has given her the chance.

What was our life like? I almost don't remember now. Though I remember it, the space of time it occupied. And I remember it fondly.

I suppose our life was the generic one, as the poet said. X was a housewife and had babies, read books, played golf and had friends, while I wrote about sports and went here and there collecting my stories, coming home to write them up, mooning around the house for days in old clothes, taking the train to New York and back now and then. X seemed to take the best possible attitude to my being a sportswriter. She thought it was fine, or at least she said she did and seemed happy. She thought she had married a young Sherwood Anderson with movie possibilities, but it didn't bother her that it didn't turn out that way, and certainly never bothered me. I was happy as a swallow. We went on vacations with our three children. To Cape Cod (which Ralph called Cape God), to Searsport, Maine, to Yellowstone, to the Civil War battlefields at Antietam and Bull Run. We paid bills, shopped, went to movies, bought cars and cameras and insurance, cooked out, went to cocktail parties, visited schools, and romanced each other in the sweet, cagey way of adults. I looked out my window, stood in my yard sunsets with a sense of solace and achievement, cleaned my rain gutters, eyed my shingles, put up storms, fertilized regularly, computed my equity, spoke to my neighbors in an interested voice--the normal applauseless life of us all.

Though toward the end of our marriage I became lost in some dreaminess. Sometimes I would wake up in the morning and open my eyes to X lying beside me breathing, and not recognize her! Not even know what town I was in, or how old I was, or what life it was, so dense was I in my particular dreaminess. I would lie there and try as best I could to extend not knowing, feel that pleasant soaring-out-of-azimuth-and-attitude sensation I grew to like as long as it would last, while twenty possibilities for who, where, what went by. Until suddenly I would get it right and feel a sense of--what? Loss, I think you would say, though loss of what I don't know. My son had died, but I'm unwilling to say that was the cause, or that anything is ever the sole cause of anything else. I know that you can dream your way through an otherwise fine life, and never wake up, which is what I almost did. I believe I have survived that now and nearly put dreaminess behind me, though there is a resolute sadness between X and me that our marriage is over, a sadness that does not feel sad. It is the way you feel at a high school reunion when you hear an old song you used to like played late at night, only you are all alone.

X appears out of the agate cemetery light, loose-gaited and sleepy, wearing deck shoes, baggy corduroys and an old London Fog I gave her years ago. Her hair has been cut short in a new-style way I like. She is a tall girl, big and brown-haired and pretty, who looks younger than she is, which is only thirty-seven. When we met fifteen years ago in New York, at a dreary book signing, she was modeling at a Fifth Avenue clothing store, and sometimes even now she has a tendency to slouch and walk about long-strided in a loose-limbed, toes-out way, though when she takes a square stance up over a golf ball, she can smack it a mile. In some ways she has become as much of a genuine athlete as anyone I know. Needless to say, I have the greatest admiration for her, and love her in every way but the strictest one. Sometimes I see her on the street in town or in her car without expecting to and without her knowing it, and I am struck by wonder: what can she want from life now? How could I have ever loved her and let her go.

"It's chilly, still," she says, in a small, firm voice when she is close enough to be heard, her hands stuffed down deep inside her raincoat. It is a voice I love. In many ways it was her voice I loved first, the sharpened midwestern vowels, the succinct glaciated syntax: Binton Herbor, himburg, Gren Repids. It is a voice that knows the minimum of what will suffice, and banks on it. In general I have always liked hearing women talk more than men.

I wonder, in fact, what my own voice will sound like. Will it be a convincing, truth-telling voice? Or a pseudo-sincere, phony, ex-husband one that will stir up trouble? I have a voice that is really mine, a frank, vaguely rural voice more or less like a used car salesman: a no-frills voice that hopes to uncover simple truth by a straight-on application of the facts. I used to practice it when I was in college. "Well, okay, look at it this way," I'd say right out loud. "All right, all right." "Yeah, but look here." As much as any, this constitutes my sportswriter voice, though I have stopped practicing by now.

X leans herself against the curved marble monument of a man named Craig--at a safe distance from me--and presses her lips inward. Up to this moment I have not noticed the cold. But now that she said it, I feel it in my bones and wish I'd worn a sweater.

These pre-dawn meetings were my idea, and in the abstract they seem like a good way for two people like us to share a remaining intimacy. In practice they are as uncomfortable as a hanging, and it's conceivable we will just forgo it next year, though we felt the same way last year. It is simply that I don't know how to mourn and neither does X. Neither of us has the vocabulary or temperament for it, and so we are more prone to pass the time chatting, which isn't always wise.

"Did Paul mention our rendezvous last night?" I say. Paul, my son, is ten. Last night I had an unexpected meeting with him standing in the dark street in front of his house, when his mother was inside and knew nothing of it, and I was lurking about outside. We had a talk about Ralph, and where he was and about how it might be possible to reach him--all of which caused me to go away feeling better. X and I agree in principle that I shouldn't sneak my visits, but this was not that way.

"He told me Daddy was sitting in the car in the dark watching the house like the police." She stares at me curiously.

"It was just an odd day. It ended up fine, though." It was in fact much more than an odd day.

"You could've come in. You're always welcome."

I smile a winning smile at her. "Another time I will." (Sometimes we do strange things and say they're accidents and coincidences, though I want her to believe it was a coincidence.)

"I just wondered if something was wrong," X says.

"No. I love him very much."

"Good," X says and sighs.

I have spoken in a voice that pleases me, a voice that is really mine.

X brings a sandwich bag out of her pocket, removes a hard-boiled egg and begins to peel it into the bag. We actually have little to say. We talk on the phone at least twice a week, mostly about the children, who visit me after school while X is still out on the teaching tee. Occasionally I bump into her in the grocery line, or take a table next to hers at the August Inn, and we will have a brief chairback chat. We have tried to stay a modern, divided family. Our meeting here is only by way of a memorial for an old life lost.

Still it is a good time to talk. Last year, for instance, X told me that if she had her life to live over again she would probably wait to get married and try to make a go of it on the LPGA tour. Her father had offered to sponsor her, she said, back in 1966--something she had never told me before. She did not say if she would marry me when the time came. But she did say she wished I had finished my novel, that it would have probably made things better, which surprised me. (She later took that back.) She also told me, without being particularly critical, that she considered me a loner, which surprised me too. She said that it was a mistake to have made as few superficial friends as I have done in my life, and to have concentrated only on the few things I have concentrated on--her, for one. My children, for another. Sportswriting and being an ordinary citizen. This did not leave me well enough armored for the unexpected, was her opinion. She said this was because I didn't know my parents very well, had gone to a military school, and grown up in the south, which was full of betrayers and secret-keepers and untrustworthy people, which I agree is true, though I never knew any of them. All that originated, she said, with the outcome of the Civil War. It was much better to have grown up, she said, as she did, in a place with no apparent character, where there is nothing ambiguous around to confuse you or complicate things, where the only thing anybody ever thought seriously about was the weather.

"Do you think you laugh enough these days?" She finishes peeling her egg and puts the sack down deep in her coat pocket. She knows about Vicki, and I've had one or two other girlfriends since our divorce that I'm sure the children have told her about. But I do not think she thinks they have turned my basic situation around much. And maybe she's right. In any case I am happy to have this apparently intimate, truth-telling conversation, something I do not have very often, and that a marriage can really be good for.

"You bet I do," I say. "I think I'm doing all right, if that's what you mean."

"I suppose it is," X says, looking at her boiled egg as if it posed a small but intriguing problem. "I'm not really worried about you." She raises her eyes at me in an appraising way. It's possible my talk with Paul last night has made her think I've gone off my bearings or started drinking.

"I watch Johnny. He's good for a laugh," I say. "I think he gets funnier as I get older. But thanks for asking." All this makes me feel stupid. I smile at her.

X takes a tiny mouse bite out of her white egg. "I apologize for prying into your life."

"It's fine."

X breathes out audibly and speaks softly. "I woke up this morning in the dark, and I suddenly got this idea in my head about Ralph laughing. It made me cry, in fact. But I thought to myself that you have to strive to live your life to the ultimate. Ralph lived his whole life in nine years, and I remember him laughing. I just wanted to be sure you did. You have a lot longer to live."

"My birthday's in two weeks."

"Do you think you'll get married again?" X says with extreme formality, looking up at me. And for a moment what I smell in the dense morning air is a swimming pool! Somewhere nearby. The cool, aqueous suburban chlorine bouquet that reminds me of the summer coming, and all the other better summers of memory. It is a token of the suburbs I love, that from time to time a swimming pool or a barbecue or a leaf fire you'll never ever see will drift provocatively to your nose.

"I guess I don't know," I say. Though in truth I would love to be able to say Couldn't happen, not on a bet, not this boy. Except what I do say is nearer to the truth. And just as quick, the silky-summery smell is gone, and the smell of dirt and stolid monuments has won back its proper place. In the quavery gray dawn a window lights up beyond the fence on the third floor of my house. Bosobolo, my African boarder, is awake. His day is beginning and I see his dark shape pass the window. Across the cemetery in the other direction I see yellow lights in the caretaker's cottage, beside which sits the green John Deere backhoe used for dredging graves. The bells of St. Leo the Great begin to chime a Good Friday prayer call. "Christ Died Today, Christ Died Today" (though I believe it is actually "Stabat Mater Dolorosa").

"I think I'll get married again," X says matter-of-factly. Who to, I wonder?

"Who to?" Not--please--one of the fat-wallet 19th-hole clubsters, the big hale 'n' hearty, green-sports-coat types who're always taking her on weekends to the Trapp Family Lodge and getaways to the Poconos, where they take in new Borscht Belt comedians and make love on waterbeds. I hope against all hope not. I know all about those guys. The children tell me. They all drive Oldsmobiles and wear tasseled shoes. And there is every good reason to go out with them, I grant you. Let them spend their money and enjoy their discretionary time They're decent fellows, I'm sure. But they are not to be married.

"Oh, a software salesman, maybe," X says. "A realtor. Somebody I can beat at golf and bully." She smiles at me a mouth-down smirky smile of unhappiness, and bunches her shoulders to wag them. But unexpectedly she starts to cry through her smile, nodding toward me as if we both knew about it and should've expected this, and that in a way I am to blame, which in a way I am.

The last time I saw X cry was the night our house was broken into, when, in the search for what might've been stolen, she found some letters I'd been getting from a woman in Blanding, Kansas. I don't know why I kept them. They really didn't mean anything to me. I hadn't seen the woman in months and then only once. But I was in the thickest depths of my dreaminess then, and needed--or thought I did--something to anticipate away from my life, even though I had no plans for ever seeing her and was in fact intending to throw the letters away. The burglars had left Polaroid pictures of the inside of our empty house scattered about for us to find when we got back from seeing The Thirty-Nine Steps at the Playhouse, plus the words, "We are the stuffed men," spray-painted onto the dining room wall. Ralph had been dead two years. The children were with their grandfather at the Huron Mountain Club, and I was just back from my teaching position at Berkshire College, and was hanging around the house more or less dumb as a cashew, but otherwise in pretty good spirits. X found the letters in a drawer of my office desk while looking for a sock full of silver dollars my mother had left me, and sat on the floor and read them, then handed them to me when I came in with a list of missing cameras, radios and fishing equipment. She asked if I had anything to say, and when I didn't, she went into the bedroom and began tearing apart her hope chest with a claw hammer and a crowbar. She tore it to bits, then took it to the fireplace and burned it while I stood outside in the yard mooning at Cassiopeia and Gemini and feeling invulnerable because of dreaminess and an odd amusement I felt almost everything in my life could be subject to. It might seem that I was "within myself" then. But in fact I was light years away from everything.

In a little while X came outside, with all the lights in the house left shining and her hope chest going up the chimney in smoke--it was June--and sat in a lawn chair in another part of the dark yard from where I was standing and cried loudly. Lurking behind a large rhododendron in the dark, I spoke some hopeful and unconsoling words to her, but I don't think she heard me. My voice had gotten so soft by then as to be inaudible to anyone but myself. I looked up at the smoke of what I found out was her hope chest, full of all those precious things: menus, ticket stubs, photographs, hotel room receipts, place cards, her wedding veil, and wondered what it was, what in the world it could've been drifting off into the clear spiritless New Jersey nighttime. It reminded me of the smoke that announced a new Pope--a new Pope!--if that is believable now, under those circumstances. And in four months I was divorced. All this seems odd now, and far away, as if it had happened to someone else and I had only read about it. But that was my life then, and it is my life now, and I am in relatively good spirits about it. If there's another thing that sportswriting teaches you, it is that there are no transcendent themes in life. In all cases things are here and they're over, and that has to be enough. The other view is a lie of literature and the liberal arts, which is why I did not succeed as a teacher, and another reason I put my novel away in the drawer and have not taken it out.

"Yes, of course," X says and sniffs. She has almost stopped crying, though I have not tried to comfort her (a privilege I no longer hold). She raises her eyes up to the milky sky and sniffs again. She is still holding the nibbled egg. "When I cried in the dark, I thought about what a big nice boy Ralph Bascombe should be right now, and that I was thirty-seven no matter what. I wondered about what we should all be doing." She shakes her head and squeezes her arms tight against her stomach in a way I have not seen her do in a long time. "It's not your fault, Frank. I just thought it would be all right if you saw me cry. That's my idea of grief. Isn't that womanish?"

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The Sportswriter (Frank Bascombe Series #1) 3.5 out of 5 based on 0 ratings. 22 reviews.
Guest More than 1 year ago
One of the best books I've ever read. Every sentence Ford writes is a keeper that captures the struggles of a regular guy dealing with a divorce, the death of a child, a friend's suicide, and the everyday tension between expectation and disappointment. Throughout it all, the sportwriter maintains his sense of hope and optimism when it would be so easy to just give in to regret.
Guest More than 1 year ago
Ford does a wonderful job of capturing the quintessential man living in quiet desperation. From his aborted career as a 'real' writer to his failed marriage Frank Bascombe is a man who realizes too late what he really has and is left to try and justify an artistically unsatisfying career and emotionally vacant relationship to himself; combine these elements with Frank's detatched childhood and the loss of his son and Ford paints a stunning picture of man lost in his own maudlin solipsism.
Guest More than 1 year ago
Ford wants us to believe the protagonist Frank Bascombe has some breakthrough in this book. I hardly see it, and in the end I wanted to smack the schmucko. He is flat, emotionless, too tightly controlled and the whole thing had a misogynist tone to it that found appallingly hard to read.
jeniwren on LibraryThing More than 1 year ago
First book in a trilogy told over the course of three days in the life of 'sportswriter' Frank Bascombe. Recently divorced he reunites with his ex wife ( referred to as X throughout the novel) for the anniversary of their son's death. He then travels to Detroit for both business and pleasure, firstly to interview a disabled football player and for a short holiday with his current girlfriend. I found this tediously slow in parts and not for anyone who enjoys plot and this is just a reflective, ponderous narrative from a 38 year old man in the grips of a mid life crisis!! I have the other two books in this trilogy and I will revisit Frank again in the future.
Kelberts on LibraryThing More than 1 year ago
I read this in prelude to Independence Day (for my Pulitzer fiction reading project). I can't say it has hastened me to launch into Ford's next book in the trilogy.Richard Bascombe is not a particularly compelling, interesting or sympathetic character despite having lost his son, his wife, his girlfriend, his so-called friend Walter, his writing career, etc. Can you spell L-O-S-E-R? He strikes me as a intellectually lazy skirt chaser and in the end, I'm not sure solves any of his problems hence the need for a sequel(?).Updike-esque for sure.
gwendolyndawson on LibraryThing More than 1 year ago
The first of a trilogy--the introduction to Frank Bascombe, a sportswriter. The story takes place over one Easter weekend. A masterful glimpse into ordinary life. Ford truly captures his characters, which seem to live beyond the page. An homage to ordinariness that makes it seem as if the ordinary life is perfectly worth living.
piefuchs on LibraryThing More than 1 year ago
I unintentionally did myself a favour by adopting a strange order to my reading of Richard Ford's acclaimed Frank Bascombe trilogy - which was 2, 3, 1 - or Independence Day, Lay of the Land, The Sportswriter. Had a read the series as 1, 2, 3, I would have stopped at 1 - and therein missed two books I thoroughly enjoyed. I still cannot quite put my finger on why in the Sportswriter, Bascombe didn't catch my imagination (or my sympathy) the way he did in the later books, but I struggled to complete this book. The Sportswriter introduces the format of the trilogy - a real time description of a man's life over an eventful holiday weekend - in this case Easter. This book seems more fill of flashbacks than the others. Having not started his illustrious real estate career, Bascombe is a sportswriter, seemingly, though not explicitly, living in regret of his unfinished novel and we learn much about his years as a writer. He regrets his divorce, though he precipitated it through years of sleeping around. He flashbacks to his conquests. Unlike later books, his children are bit, and undeveloped players in the story, and portrayed as flawless. The things I enjoy the most about the later books - the description of the isolation from his children, the real estate scenes - are missed and replaced, seemingly, with his musing about women and sex. In contrast to the later books, Bascombe comes off as very unsympathetic to women. I was annoyed by the choice to call his ex wife "X" throughout the book; I disliked the Vicki character; and wasn't that moved by his sexual exploits. In short, Bascombe needs to grow up and mature before he is worth reading about.If you have read the other Bascombe books, this one should be read only for the context of some the characters (Vicki's father Wade, the divorced men's club) that play a role in the later books. If you are looking for a good read with insight into the American psyche - try Independence Day and the Lay of the Land.
miketroll on LibraryThing More than 1 year ago
Found it hard to develop any interest in or sympathy for the central character in this story.
doko on LibraryThing More than 1 year ago
Something kept me reading this book but I don't really know what. I rarely don't finish a book, but there was nothing here that made me look forward to getting back to it when I had the time to read. There are a few good sections, and there are plenty of philosophical musings, some of them interesting, but often the narrator's thoughts did not tie to what he was experiencing at the time.
Osbaldistone on LibraryThing More than 1 year ago
I'm really torn with this one. Ford's writing is engaging and really invites you into the narrator's mind, making it an easy book to read and get wrapped up in. But about two-thirds of the way through, I began to find myself getting a bit restless because he seemed to still be establishing the characters. Yes, there are events taking place, but for most, it was not apparent that they were significant or even if they related to where the story was going. Overall, it's a few days in which the narrator manages to move away from his recent divorce and on to whatever's next. Granted, it captures beautifully the way real life leads us from day to day, event to event, without a clear path or plot, but I'm not sure reading about someone else doing that is all that great. When finished, I didn't feel any desire to hear what happened to Frank Bascombe next.I even followed what I thought was a series of events/characters intended to symbolize an underlying meaning to the story, but, in the end, event that was left at loose ends, not apparent that they were intended to go anywhere or not. Perhaps someone better at hidden plots can do more with what I saw (POSSIBLE SPOILER FOLLOWING) - Easter Sunday is anticipated throughout the narrative, a stormy Friday, a woman wailing from the cemetery on Easter morn, a member of a group of Frank's aquaintances takes a wrong turn, shows up at Frank's place and gives him a kiss, somehow gives the authorities the idea he and Frank might be romantically involved before killing himself; But I lose "Holy Week events" thread here, though Frank does find some kind of re-birth at the end. Easy and enjoyable to read; just not sure what it was for. Odd.Os.
tandah on LibraryThing More than 1 year ago
As I worked my way through Frank Bascombe's Easter weekend, despite his folksy easy retelling of his earlier and current life, I felt a growing hostility towards him. Whilst positioning himself as a man of simple needs, with straightforward simple observations on what was going on around him, I found him to be a frustratingly unreliable narrator. I came to dread the introduction of a new character and what it would set off in his mind - his observations which appear to be the intelligient clear thinking of an upbeat guy, are ultimately pessimistic or cynical or foolishly deconstructed or naive or ignorant or just plain wrong and his inappropriate utterances ... I wanted to slap him!I liked the observation that thoughts are just thoughts and having them is neither good nor bad. But whilst you can't control having them someone of reasonably health and mind (which perhaps Frank isn't) should be a bit discriminating about keeping some of them to oneself.I will read the next book because even though I don't like Frank, I do like Richard Ford's writing enormously and I'm also hopeful that Frank might emerge from his depression (or dreaminess) with some genuine clarity on what is going on.
jeremygin on LibraryThing More than 1 year ago
Bleak, depressing but cleverly written
nog on LibraryThing More than 1 year ago
Underwhelming. Maybe when it was published, it spoke to people about that time. Although well-written, Ford's protagonist is just not compelling enough to make for a great novel. I guess there's supposed to be something happening to Frank's soul, since it takes place over the Easter weekend, but the events don't seem to support that. I don't think I've ever come across a character so ready with a grin. Since this is the first in a trilogy about this character, I am reluctant to revisit him. The last paragraph or two did resonate with me, but I had to wait 374 pages for that.
fourbears on LibraryThing More than 1 year ago
I bought Independence Day some time ago and was considering The Lay of the Land when a friend said I should read the whole trilogy in order so I started on The Sportswriter. I was initially drawn in by the writing style: informal, slightly comic, completely honest. This is one of the most interesting novels of ¿everyday life¿ I can think of; it¿s also a novel that gives me real insights into how men think. I¿ve never got into Updike¿s Rabbit novels, figured they must appeal primarily to men, but this one did interest me.Frank Bascombe became a sportswriter when he reached a point in his writing career¿he¿d published one book of stories¿when he decided he didn¿t have enough to say. It was a compromise that he accepted whole-heartedly. He¿s not exactly gung ho, but he takes his job seriously. He also doesn¿t let it define him, preferring to live in a small New Jersey town rather than in New York, to choose the sports he writes about, and not be defined by his job.The action takes place on an Easter weekend, when he meets his ex-wife to visit the grave of their son, and plans to have Easter dinner with his girlfriend, a divorced nurse named Vicki. He also meets with a man from his divorced men¿s group, someone he doesn¿t know well but who adopts him as his ¿best friend¿. The guy is stressed out because, while his ex-wife went to Bimini with her man friend, he went home with another man and had sex with him and can¿t reconcile himself to what he did. There are some flashbacks: Frank¿s divorce, the death of his son, college in Ann Arbor where he met his wife, conversations with a palmist, a Detroit trip with Vicki to interview a ballplayer now confined a wheelchair. Throughout Frank is self-effacing, philosophical, warm, decent and humane. By the end of the weekend Vicki has dumped him (after punching him out) and his friend from the divorced men¿s group has committed suicide and left the note for him. At loose ends on Easter night he boards the train on a whim and goes to his Manhattan office where a young female intern turns up in his office and he starts a relationship with her. In the weeks following everything changes, but Frank seems still the same decent guy.Now I¿m definitely going on to Independence Day and The Lay of the Land. This is one interesting guy.
ggodfrey on LibraryThing More than 1 year ago
I'd not read Ford before, and I'd had preconceived notions about what his writing would be like. None of them were correct.The Sportswriter is about almost everything but sports writing. Frank Bascombe is the 38-year-old protagonist. He had a smashing success with a book of short fiction as a young man, then failed at a novel and turned to writing for a glossy sports weekly. Frank doesn't particularly like sports, but the work satisfies and pays well. We meet Frank after his marriage has collapsed. He lives in a house in suburban New Jersey. His wife and their two remaining children (one has died) live nearby.I find Frank a troubling narrator, but in an interesting way. He's very sensitive and savvy, but like many males he bottles up all emotions. His deteriorating situation is Ray Carver-esque, but without the doom and gloom. Frank considers himself an optimist and simply plugs away at life without getting too worked up about it. Near the end of the book this strategy appears to be failing. In effect Frank has stopped writing books and has begun writing his own life. He has certain ideas about character and how a man should act and how the world should work, and lives his life in a very surface manner. That's not to say he has no depth; Frank could stroll into late-phase Henry James--say a parlour scene in The Awkward Age--and be completely at home smoking cigars and chatting with the lord of the manor, one elbow perched on the mantel. But like many James protagonists Ford is locked in a hermetically sealed persona nothing can touch. His life passes him by and even when he is least satisfied he asserts his satisfaction. He thinks a bland suburban life is best. He loves writing about a topic he really doesn't enjoy a bit. He wants to marry his short-term girlfriend though they have nothing in common, because he is sure he can make things work with her. If he can't, he wants to re-marry his wife. Frank is in agony but refuses to acknowledge it. He is determined if his system is unrealistic to bend reality to his will. Several small catastrophes nearly derail his serene worldview, but at its most bleak point the plot fails to penetrate Frank's bubble. By the end of the book Frank claims to have changed but he is exactly the same guy, forging ahead without too much concern. I suppose Ford is attempting a portrait of the American male in the late 20th century. There's an awkward New Age sensitivity, an identification with the feminine side, an acknowledgement that emotions are important, but an inability to escape the traditional societal expectations of a man. Frank joins a support group for divorced men, and they don't really support each other so much as do the typical reserved guy things: drink beer, go fishing, watch sports. One member of the group attempts a connection at a deeper level, and Frank tries to be available emotionally, but risks puncturing his self-satisfied view of reality. The world nearly drops from beneath him, and Frank rapidly retreats into his old sure habits to rebuild a safe place to inhabit. Henry James would have dramatized Frank reeling over missed opportunities in his dotage. I wonder how Ford will finish Frank off?There are two more in the series: Independence Day and The Lay of the Land. I'll get to them at some point, to see how Frank is holding up.
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Way too much detail to this story and not enough story. I was expecting more about actual writing about sports events or any events.
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