Between the miseries of the 1962 expansion Mets and a classic 1971 World Series between the Pirates and the Orioles, Angell finds baseball in the 1960s as a game in transition—marked by league expansion, uprooted franchises, the growing hegemony of television, the dominance of pitchers, uneasy relations between players and owners, and mounting competition from other sports for the fans’ dollars.
Willie Mays, Roberto Clemente, Brooks Robinson, Bob Gibson, Sandy Koufax, Carl Yastrzemski, Tom Seaver, Jim Palmer, and Casey Stengel are seen here with fresh clarity and pleasure. Here is California baseball in full flower, the once-mighty Yankees in collapse, baseball in French (in Montreal), indoor baseball (at the Astrodome), and sweet spring baseball (in Florida)—as Angell observes, “Always, it seems, there is something more to be discovered about this game.”
About the Author
Roger Angell is a writer and fiction editor with the New Yorker. His works include Five Seasons (available in a Bison Books edition), Game Time, and A Pitcher’s Story: Innings with David Cone.
Read an Excerpt
The Summer Game
By Roger Angell
OPEN ROAD INTEGRATED MEDIACopyright © 1972 Roger Angell
All rights reserved.
TODAY THE TIMES REPORTED the arrival of the first pitchers and catchers at the spring training camps, and the morning was abruptly brightened, as if by the delivery of a seed catalogue. The view from my city window still yields only frozen tundras of trash, but now spring is guaranteed and one of my favorite urban flowers, the baseball box score, will burgeon and flourish through the warm, languid, information-packed weeks and months just ahead. I can remember a spring, not too many years ago, when a prolonged New York newspaper strike threatened to extend itself into the baseball season, and my obsessively fannish mind tried to contemplate the desert prospect of a summer without daily box scores. The thought was impossible; it was like trying to think about infinity. Had I been deprived of those tiny lists of sporting personae and accompanying columns of runs batted in, strikeouts, double plays, assists, earned runs, and the like, all served up in neat three-inch packages from Pittsburgh, Milwaukee, Baltimore, Houston, and points east and west, only the most aggressive kind of blind faith would have convinced me that the season had begun at all or that its distant, invisible events had any more reality than the silent collision of molecules. This year, thank heaven, no such crisis of belief impends; summer will be admitted to our breakfast table as usual, and in the space of half a cup of coffee I will be able to discover, say, that Ferguson Jenkins went eight innings in Montreal and won his fourth game of the season while giving up five hits, that Al Kaline was horse-collared by Fritz Peterson at the Stadium, that Tony Oliva hit a double and a single off Mickey Lolich in Detroit, that Juan Marichal was bombed by the Reds in the top of the sixth at Candlestick Park, and that similar disasters and triumphs befell a couple of dozen-odd of the other ballplayers—favorites and knaves—whose fortunes I follow from April to October.
The box score, being modestly arcane, is a matter of intense indifference, if not irritation, to the non-fan. To the baseball-bitten, it is not only informative, pictorial, and gossipy but lovely in aesthetic structure. It represents happenstance and physical flight exactly translated into figures and history. Its totals—batters' credit vs. pitchers' debit—balance as exactly as those in an accountant's ledger. And a box score is more than a capsule archive. It is a precisely etched miniature of the sport itself, for baseball, in spite of its grassy spaciousness and apparent unpredictability, is the most intensely and satisfyingly mathematical of all our outdoor sports. Every player in every game is subjected to a cold and ceaseless accounting; no ball is thrown and no base is gained without an instant responding judgment—ball or strike, hit or error, yea or nay—and an ensuing statistic. This encompassing neatness permits the baseball fan, aided by experience and memory, to extract from a box score the same joy, the same hallucinatory reality, that prickles the scalp of a musician when he glances at a page of his score of Don Giovanni and actually hears bassos and sopranos, woodwinds and violins.
The small magic of the box score is cognominal as well as mathematical. Down the years, the rosters of the big-league teams have echoed and twangled with evocative, hilarious, ominous, impossible, and exactly appropriate names. The daily, breathing reality of the ballplayers' names in box scores accounts in part, it seems to me, for the rarity of convincing baseball fiction. No novelist has yet been able to concoct a baseball hero with as tonic a name as Willie Mays or Duke Snider or Vida Blue. No contemporary novelist would dare a supporting cast of characters with Dickensian names like those that have stuck with me ever since I deciphered my first box scores and began peopling the lively landscape of baseball in my mind—Ossee Schreckengost, Smead Jolley, Slim Sallee, Elon Hogsett, Urban Shocker, Burleigh Grimes, Hazen Shirley Cuyler, Heinie Manush, Cletus Elwood Poffenberger, Virgil Trucks, Enos Slaughter, Luscious Easter, and Eli Grba. And not even a latter-day O. Henry would risk a conte like the true, electrifying history of a pitcher named Pete Jablonowski, who disappeared from the Yankees in 1933 after several seasons of inept relief work with various clubs. Presumably disheartened by seeing the losing pitcher listed as "J'bl'n's'i" in the box scores of his day, he changed his name to Pete Appleton in the semi-privacy of the minors, and came back to win fourteen games for the Senators in 1936 and to continue in the majors for another decade.CHAPTER 2
THE OLD FOLKS BEHIND HOME
— March 1962 Sarasota, March 20
THIS WINTER, A LOCAL mortician named Willie Robarts sent Sarasota residents and visitors a mailing of cards printed with his name and with the schedule of baseball games to be played here by the Chicago White Sox, who conduct their spring training in Payne Park, right in the middle of town. This must be interpreted as a pure public service, rather than as an attempt to accelerate business by the exposure of senior citizens (or "senior Americans," as they are sometimes called here) to unbearable excitement; only last night I was informed that a Sarasota heart specialist has ordered one of his patients to attend every Sox game as a therapeutic measure. Big-league ball on the west coast of Florida is a spring sport played by the young for the divertissement of the elderly—a sun-warmed, sleepy exhibition celebrating the juvenescence of the year and the senescence of the fans. Although Florida newspapers print the standings of the clubs in the Grapefruit League every day, none of the teams tries especially hard to win; managers are looking hopefully at their rookies and anxiously at their veteran stars, and by the seventh or eighth inning, no matter what the score, most of the regulars are back in the hotel or driving out to join their families on the beach, their places taken by youngsters up from the minors. The spectators accept this without complaint. Their loyalty to the home club is gentle and unquestioning, and their afternoon pleasure appears scarcely affected by victory or defeat. If this attachment were deeper or more emotional, there would have been widespread distress here three years ago when the Boston Red Sox, who had trained in Sarasota for many years, transferred their spring camp to Scottsdale, Arizona, and the White Sox moved down from Tampa, but the adjustment to the new stocking color, by all accounts, was without trauma. The Beach Club Bar, out on Siesta Key, still displays photographs of Bobby Doerr and Dom DiMaggio and other members of the fine Red Sox teams of the forties, and at the ballpark I spotted a boy of ten or twelve wearing a faded junior-size Red Sox uniform (almost surely a hand-me-down from an older brother), but these are the only evidences of disaffection and memory, and the old gentlemen filing into the park before the game now wear baseball caps with the White Sox insigne above the bill.
Caps are the preferred millinery for both male and female fans in Payne Park—baseball caps, long-billed fishing caps, perforated summer-weights, yachting caps with crossed anchors, old-fashioned John D. Rockefeller linen jobs. Beneath them are country faces—of retired farmers and small-town storekeepers, perhaps, and dignified ladies now doing their cooking in trailers—wearing rimless spectacles and snap-on dark glasses. This afternoon, Payne Park's little sixteen-row grandstand behind home plate had filled up well before game time (the Dodgers, always a good draw, were here today), and fans on their way in paused to visit with those already in their seats. The ushers greeted the regulars by name, and I saw one of them offering his arm to a very old lady in a blue hairnet and chatting with her as he escorted her slowly to her seat. Just after the national anthem, the loudspeaker announced that a lost wallet had been turned in, and invited the owner to come and claim it—an announcement that I very much doubt has ever been heard in a big-city ballpark.
There were elders on the field, too. Early Wynn, who has spent half of his forty-two years in the major leagues and has won 292 games, started for the Sox. He pitched carefully, slowly wheeling his heavy body on the windup and glowering down on the batters between pitches, his big Indian-like face almost hidden under his cap. He has a successful construction business in Venice, Florida, south of here, but he wants that three-hundredth game this year; as for the Sox, if they are to be contenders they must have ten or fifteen wins from him. Duke Snider led off the Dodger second. He is as handsome and cheerful-looking as ever—he has the classic ballplayer's face—but he is a bit portly now, and beneath his helmet the sideburns were white. As he stepped up, a man somewhere behind me shouted, "C'mon, Duke! C'mon, Grandpa—belt one!" and a lady just in front of me murmured to her companion, "Now, really, I think that's very offensive." (Clapping and small, encouraging cries are heard in Florida parks, but boos and personal epithets are bad form.) Duke's feelings didn't seem hurt; he swung viciously and grounded out to second, running it out fast all the way.
Wynn pitched three innings, shutting out the Dodgers and giving up only two hits, and was succeeded by Herb Score. The crowd was pulling for Score with every pitch; they knew his story, which is the saddest in modern baseball. Although he has entirely recovered from the terrible injury he suffered when he was struck in the face by a line drive hit by Gil MacDougald in 1957, Score's confidence, his control, and, finally, his form have vanished, and he has never again approached the brilliance of 1956, when he won twenty games for the Indians, struck out 263 batters, and finished with an earned-run average of 2.53. Now he is up from the minor leagues, battling for a job. Today, at least, he was getting batters out, but watching him work was a nervous, unhappy business. Most of his pitches were high, and it was difficult to see why the Dodgers weren't hitting him harder. He kept running into bouts of wildness, and his delivery was a painful parody of what it used to be, for his arm would come to a full, hitching halt at the end of his windup, and he appeared to be pushing the ball. He escaped his four innings with only a lone, unearned run scored against him. Meantime, the White Sox were bleeding for runs, too, as they will be all season. They have traded away their power, Minoso and Sievers, for pitching and defense, hoping for a repetition of their 1959 surprise, and the run they scored in the seventh came on two singles and a stolen base—the kind of rally their supporters will have to expect this year.
The tension of a tied, low-scoring game appeared to distract rather than engross the crowd. The sun slid behind the grandstand roof, and there was a great stirring and rustling around me as sweaters were produced and windbreakers zipped up; seats began to be vacated by deserters, and the fans in the upper rows, who had been in the shade all afternoon, came down looking for a warmer perch. Brief bursts of clapping died away, and the only sound was the shrill two-note whistle of infielders encouraging their pitcher. The old people all around me hunched forward, their necks bent, peering out at the field from under their cap bills, and I had the curious impression that I was in a giant aviary. Out in right-field foul ground, members of the Sox' big pitching squad began wind sprints. They stood together in clusters, their uniforms a vivid white in the blaze of late sun, and four or five at a time would break away from the group and make a sudden sandpiper dash along the foot of the distant sea-green wall, all the way into deep center field, where they stopped just as quickly and stood and stared at the game. At last, in the bottom of the twelfth, the White Sox loaded the bases on some sloppy Dodger fielding, and Nellie Fox, his wad of tobacco bulging, delivered the single that broke the bird spell and sent everyone home to supper. "There, now," said the woman in front of me, standing up and brushing her skirt. "Wasn't that nice?"
Sarasota, March 21
Watching the White Sox work out this morning at Payne Park reassured me that baseball is, after all, still a young man's sport and a cheerful one. Coach Don Gutteridge broke up the early pepper games with a cry of "Ever'body 'round!" and after the squad had circled the field once, the ritual—the same one that is practiced on every high-school, college, and professional ballfield in the country—began. Batters in the cage bunted one, hit five or six, and made room for the next man. Pitchers hit fungoes to the outfielders, coaches on the first and third baselines knocked out grounders to the infield, pepper games went on behind the cage, and the bright air was full of baseballs, shouts, whistles, and easy laughter. There was a raucous hoot from the players around second when a grounder hopped over Esposito's glove and hit him in the belly. Two young boys with fielders' gloves had joined the squad in the outfield, and I saw Floyd Robinson gravely shake hands with them both. Anyone can come to watch practice here, and fans from nearby hotels and cottages wandered in after their breakfasts, in twos and threes, and slowly clambered up into the empty bleachers, where they assumed the easy, ceremonial attitude—feet up on the row in front, elbows on knees, chin in hands. There were perhaps two dozen of us in the stands, and what kept us there, what nailed us to our seats for a sweet, boring hour or more, was not just the whop! of bats, the climbing white arcs of outfield flies, and the swift flight of the ball whipped around the infield, but something more painful and just as obvious—the knowledge that we had never made it. We would never know the rich joke that doubled over three young pitchers in front of the dugout; we would never be part of that golden company on the field, which each of us, certainly for one moment of his life, had wanted more than anything else in the world to join.
The Cardinals, who have been having a fine spring, were the visitors this afternoon, and their high spirits infected everyone. Minnie Minoso, grinning extravagantly, exchanged insults with his former White Sox teammates, and Larry Jackson, the big, fast Cardinal right-hander, laughed out loud on the mound when he got Joe Cunningham, who was his teammate last year, to miss badly on a big curve in the first inning. Stan Musial had the day off, and Al Lopez, the Sox' manager, had filled his lineup with rookies. My eye was caught by the Chicago shortstop, a kid named Al Weis, who is not on the team's regular roster but who was having a nifty day in the field. He started double plays in the first and second innings, and in the third he made a fine throw from deep short to get Jackson, and then robbed Gotay with a diving spear of a low, hot liner. At the plate, though, he was nervous and uncertain, anxious to succeed in this one short and, to him, terribly important afternoon. He struck out in the first inning and again in the second, stranding two base-runners.
At about this time, I began to pick up a dialogue from the seats directly behind me—a flat, murmurous, continuous exchange in Middle Western accents between two elderly men.
"Look at the skin on my hands, how dry it is," said one.
"You do anything for it?" asked the other.
"Yes, I got some stuff the doctor gave me—just a little tube of something. It don't help much."
I stole a look at them. They were both in their seventies, at least. Both were sitting back comfortably, their arms folded across this stomachs.
"Watch that ball," said the first. "Is that fair?"
"No, it's foul. You know, I haven't seen a homer this year."
"Maybe Musial will hit one here tomorrow."
The White Sox, down one run after the first inning, could do nothing with Jackson. Weis struck out again in the fifth, made a wild throw to first in the sixth, and then immediately redeemed himself with another fast double play. The voices went on.
"This wind melts your ice cream fast, don't it?"
"Yes, it does. It feels nice, though. Warm wind."
In the top of the eighth, with the bases loaded, Weis grabbed another line drive and doubled up the runner at second base. There were chirps from the stands.
"It don't seem any time at all since spring training last year."
"That's because we're older now. You take my grandson, he's always looking forward to something. Christmas and his birthday and things like that. That makes the time go slow for him. You and me, we just watch each day by itself."
Excerpted from The Summer Game by Roger Angell. Copyright © 1972 Roger Angell. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
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Table of Contents
I. RUSTLE OF SPRING,
The Old Folks behind Home,
The Short Season,
The "Go!" Shouters,
S Is for So Lovable,
A Clean, Well-Lighted Cellar,
III. CLASSICS AND CAMPAIGNS—I,
A Tale of Three Cities,
Taverns in the Town,
Two Strikes on the Image,
West of the Bronx,
IV. THE FUTURE, MAYBE,
The Cool Bubble,
V. CLASSICS AND CAMPAIGNS—II,
A Terrific Strain,
The Flowering and Subsequent Deflowering of New England,
A Little Noise at Twilight,
The Leaping Corpse, the Shallow Cellar, the French Pastime, the Walking Radio, and Other Summer Mysteries,
Days and Nights with the Unbored,
The Baltimore Vermeers,
Part of a Season: Bay and Back Bay,
Some Pirates and Lesser Men,
VI. THE INTERIOR STADIUM,
The Interior Stadium,