The Tenants of The Hotel Biron
Laura Marello writes, through the voice of Eduard Steichen, that “… all these powerful artists are so invulnerably weak.” Rodin, his lover Camille Claudel, Picasso, Rousseau, Nijinski, Matisse, Rilke and others, all tenants of Hôtel Biron, and all brilliantly and excitedly human, presented by manuscripts fictionally collected. The result is an appropriately cubist look at each, because we see each from several subjective vantages. This is a brilliantly conceived work of reflective and self-reflective parts. With Marello we get to imagine, as war is coming on, the confusions and certainties of competing artists, conflicting and collaborating geniuses in a world of misunderstood avant-garde where gallery patrons sometimes slashed canvases. The tenants, as a “decadent” group in much of the public eye, were entropic, burning up on mutual energy but producing lasting art and reputation. And there is a love story at the core: Rodin and Claudel, medieval in its passion and constraint, physical and spiritual amidst wild theologies of art. As each character speaks to us from manuscript and letters, their mutual story moves on. Chaucer would have loved it.
1108813596
The Tenants of The Hotel Biron
Laura Marello writes, through the voice of Eduard Steichen, that “… all these powerful artists are so invulnerably weak.” Rodin, his lover Camille Claudel, Picasso, Rousseau, Nijinski, Matisse, Rilke and others, all tenants of Hôtel Biron, and all brilliantly and excitedly human, presented by manuscripts fictionally collected. The result is an appropriately cubist look at each, because we see each from several subjective vantages. This is a brilliantly conceived work of reflective and self-reflective parts. With Marello we get to imagine, as war is coming on, the confusions and certainties of competing artists, conflicting and collaborating geniuses in a world of misunderstood avant-garde where gallery patrons sometimes slashed canvases. The tenants, as a “decadent” group in much of the public eye, were entropic, burning up on mutual energy but producing lasting art and reputation. And there is a love story at the core: Rodin and Claudel, medieval in its passion and constraint, physical and spiritual amidst wild theologies of art. As each character speaks to us from manuscript and letters, their mutual story moves on. Chaucer would have loved it.
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The Tenants of The Hotel Biron

The Tenants of The Hotel Biron

by Laura Marello
The Tenants of The Hotel Biron

The Tenants of The Hotel Biron

by Laura Marello

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$9.95 

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Overview

Laura Marello writes, through the voice of Eduard Steichen, that “… all these powerful artists are so invulnerably weak.” Rodin, his lover Camille Claudel, Picasso, Rousseau, Nijinski, Matisse, Rilke and others, all tenants of Hôtel Biron, and all brilliantly and excitedly human, presented by manuscripts fictionally collected. The result is an appropriately cubist look at each, because we see each from several subjective vantages. This is a brilliantly conceived work of reflective and self-reflective parts. With Marello we get to imagine, as war is coming on, the confusions and certainties of competing artists, conflicting and collaborating geniuses in a world of misunderstood avant-garde where gallery patrons sometimes slashed canvases. The tenants, as a “decadent” group in much of the public eye, were entropic, burning up on mutual energy but producing lasting art and reputation. And there is a love story at the core: Rodin and Claudel, medieval in its passion and constraint, physical and spiritual amidst wild theologies of art. As each character speaks to us from manuscript and letters, their mutual story moves on. Chaucer would have loved it.

Product Details

ISBN-13: 9781550713602
Publisher: Guernica Editions, Incorporated
Publication date: 01/01/2012
Series: Essential Poets Series , #190
Sold by: INDEPENDENT PUB GROUP - EPUB - EBKS
Format: eBook
Pages: 300
File size: 905 KB

About the Author

Laura Marello is the recipient of a National Endowment for the Arts Grant, a Stegner Fellowship at Stanford University and a Fine Arts Work Center Provincetown Fellowship. She has enjoyed writer's residencies at MacDowell Colony, Yaddo, Millay Colony, Montalvo Center for the Arts, and the Djerassi Foundation. Laura Marello grew up in New York and Los Angeles, and has lived most of her adult life in northern California. She is the author of Claiming Kin (Guernica 2009), nominated for the PEN/Bingham Award.
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