Ugly Duckling

by Hans Christian Andersen, Bernadette Watts (Illustrator)

Overview

The Hans Christian Andersen story about staying true to oneself, illustrated by the legendary European artist Bernadette Watts.

The ugly duckling, outcast and misunderstood by the other animals, goes on a journey to discover a place where he will fit in... only to become triumphant when he emerges as the most beautiful swan of all, always destined to stand out. Bernadette Watts's detailed illustrations chronicle the bittersweet story with charm and poignancy.

Product Details

ISBN-13:	9780735821460
Publisher:	NorthSouth Books
Publication date:	01/01/2008
Edition description:	Reprint
Pages:	32
Product dimensions:	8.46(w) x 11.28(h) x 0.20(d)
Age Range:	4 - 8 Years

About the Author

Hans Christian Andersen was born on April 2, 1805, in Odense, Denmark. A prolific writer, Andersen is best known for his fairy tales, which have been translated into more than 125 languages. By the time he died in Copenhagen in 1875, his work was known all over the world.

Bernadette Watts, known throughout Europe simply as Bernadette, has illustrated many dozens of folk- and fairy tales. Born in England, she loved to draw from childhood. She studied at the Maidstone Art School in Kent, UK, and for some time was taught by Brian Wildsmith and David Hockney. Bernadette’s many beautiful books include The Snow Queen and The Little Drummer Boy. Bernadette finds her inspiration in nature. Today she lives and works in Kent. She has been illustrating for NorthSouth Books and NordSüd Verlag since the beginning of her career fifty years ago.

Date of Birth:

April 2, 1805

Date of Death:

August 4, 1875

Place of Birth:

Odense, Denmark

Place of Death:

Copenhagen, Denmark

Editorial Reviews

An unusually beautiful version of an old favorite.

Crossley-Holland (Storm) and So (The 20th Century Children's Poetry Treasury) bring out all the luster of Andersen's classic tale in this beguiling book. The familiar sequence of events unfolds in a courtly retelling shot through with flashes of humor ("That's a turkey's egg," says a duck elder authoritatively before the "duckling" hatches; "Waddle properly keep your legs well apart, like I do," the mother duck urges her strange child). Crossley-Holland's prose is as elegant as it is lyrical ("Sunlight settled on the shoulders of the ancient castle"; "A great skein of wild geese started up"; "Clouds sagged with snow and hail"). So's dexterous, impressionistic watercolors soar between blocks of text on the spreads for a highly dynamic presentation. The images are by turn droll, dreamlike and bittersweet, ranging from a dog splashing wildly through the marsh and the busy congress of a barnyard to the supple arch of a bird's neck against a winter sky. The equal of the striking prose, So's graceful brush strokes and expressive use of line issue an irresistible invitation to readers. Ages 5-8. (Sept.) Copyright 1999 Cahners Business Information.

Publishers Weekly

PreS-Gr 2

Andersen's timeless story is lovingly revisited in this modest yet engaging retelling. With the sound and feel of a classic in the very best sense, the familiar tale has been reworked but not oversimplified, making it particularly appealing for children who might be too young for some of the harsher elements of the original. But what makes this version particularly appealing is the lovely watercolor artwork, which, like the text, exudes a feeling of tradition and familiarity. Uncluttered backgrounds are softly blurred in watery shades of blue and green, while the details are more focused and sharply drawn. The duckling's sadness and longing to belong come through in his posture and expressions, providing a clear focal point for readers' empathy. When considering a classic, it is easy to decide that a collection doesn't need yet another version, but with a beautifully simple offering such as this, one might want to think again.-Teri Markson, Los Angeles Public Library

School Library Journal

An unusually beautiful version of an old favorite.
— Book

Hans Christian Andersen

A gentler, milder version of Andersen's classic tale of the misunderstood cygnet, inexplicably despised for his comparatively large size and definite lack of yellow but not for any real ugliness. Vainio reveals through delicate watercolors the whitish-gray fluff of a charming, tender baby desperately alone in a soft, beautiful world. Though the illustrations are lovely, they lack power. In every situation where the innocent swan is abused and finds no respite from hatred, the art handles this horror too gently. His reactions to rejection and verbal abuse are revealed in the illustrations, with a slight incline of his head showing his dejection. He is also unnaturally slow in growing, remaining a fuzzy baby over the course of months and then suddenly growing to adulthood in a page turn-a problem inherent in most illustrated versions of the tale. The unnamed translator has edited out the most violent verbal and physical abuse found in the original, making a place for it in collections for younger picture-book readers yet losing the story's raw spark. (Picture book/fairy tale. 4-6)

Kirkus Reviews