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Through a Nuclear Lens: France, Japan, and Cinema from Hiroshima to Fukushima
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Examines the increasingly reciprocal nature of Franco-Japanese cultural exchange through films that center on nuclear issues.
The Franco-Japanese coproduction Hiroshima mon amour (1959) is one of the most important films for global art cinema and for the French New Wave. In Through a Nuclear Lens, Hannah Holtzman examines this film and the transnational cycle it has inspired, as well as its legacy after the 2011 nuclear disaster at Fukushima Daiichi. In a study that includes formal and theor...
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