Appearance and disguise—in a Costa Rican rainforest, a West Village repair shop, or an intimate relationship—reveal the turbulence that undergirds daily life, as families and places undergo change. In "Elegy for the Norther Flying Squirrel" and "Divers," Becker takes up the science of climate change and habitat loss. "Language that is by turns virtuosic and quiet, astonishing and accurate," writes a reviewer of Becker's 2006 collection, Domain of Perfect Affection for Jewish Book World Magazine. The challenge of "aligning loss with love" exerts a potent tension in Tiger Heron, as age comprises mortal bodies and intimacies end. A self-mocking wit propels characters "to find and lose and find each other again"—in the imagination and in the stories these poems tell. The final line of "The Sounds of Yiddish"—"Spare us what we can learn to endure"—closes a playful send-up, dramatizing language, culture, and power. Writing in The Washington Post, former U.S. Poet Laureate Robert Pinsky praises Becker's "comic timing." Longtime readers of Becker's work will delight in poems cast in a variety of stanzas and experimental forms. Their occasions are diverse—an animal shelter, a failed trip to Venice, a hospice bedside—but Becker ultimately yokes a language of praise to our stumbling, humble, human efforts.
About the Author
Robin Becker, Liberal Arts Research Professor of English and Women’s Studies at the Pennsylvania State University, is the author of seven poetry collections, including Domain of Perfect Affection, The Horse Fair, Giacometti’s Dog, and All-American Girl, winner of the Lambda Literary Award. In 2002 the Frick Art and Historical Center in Pittsburgh published Venetian Blue, a limited-edition chapbook of Becker’s art poems. She is the recipient of fellowships from the Bunting Institute, the Massachusetts Cultural Council, and the National Endowment for the Arts. In 2000 she received the George W. Atherton III Award for Excellence in Teaching from Penn State, and from 2010 to 2011 she served as the Penn State Laureate. For the Women’s Review of Books, Becker edits poetry and writes a column on poetry called “Field Notes.”
Table of ContentsContents I Prairie Dogs To A Poet Hospice A Last Go Modern Death Post Time Storm King Sculpture Park Kouros Herself Late June Owl Old Florida Elegy for the Northern Flying Squirrel In Montefiore Cemetery Our Best Selves II And So Forth The Weight Her Lies Repair The Middle Path Understory Xenia Harriers Wearing Mother’s High School Ring The Sounds of Yiddish Rescue Riddle Divers False Summit III Taking Down the Sculptor’s Horse Legacy Children Dog Person The Civil War Comes to Town Threesome Interval The Dog I Didn’t Want Mushrooms The Island Dyke When You Look at the Spines of Your Books Holiday Listening to Bach on Rt. 89 The Plum Tree Provisioned Acknowledgments