|Publisher:||Penguin Publishing Group|
|Product dimensions:||5.00(w) x 7.60(h) x 0.70(d)|
|Age Range:||18 Years|
About the Author
Hometown:St. Paul, Minnesota
Date of Birth:August 7, 1942
Place of Birth:Anoka, Minnesota
Education:B.A., University of Minnesota, 1966
Read an Excerpt
I am a cheerful man, even in the dark, and it's all thanks to a good Lutheran mother. When I was a boy, if I came around looking glum and mopey, she said, "What's the matter? Did the dog pee on your cinnamon toast?" and the thought of our old black mutt raising his hind leg in the pas de dog and peeing on toast made me giggle. I was a beanpole boy, and my hair was the color of wet straw. I loved to read adventure books and ride my bike and shoot baskets in the driveway and tell jokes. My dad, Byron, was a little edgy, expecting the worst, saving glass jars and paper clips, turning off lights and cranking down the thermostat to keep our family out of the poorhouse, but Mother was well composed, a true Lutheran, and taught me to Cheer up, Make yourself useful, Mind your manners, and, above all, Don't feel sorry for yourself. In Minnesota, you learn to avoid self-pity as if it were poison ivy in the woods. Winter is not a personal experience; everyone else is as cold as you are; so don't complain about it too much. Even if your cinnamon toast gets peed on. It could be worse.
Being Lutheran, Mother believed that self-pity is a deadly sin and so is nostalgia, and she had no time for either. She had sat at the bedside of her beloved sister, Dotty, dying of scarlet fever in the summer of 1934; she held Dotty's hand as the sky turned dark from their father's fields blowing away in the drought, she cleaned Dotty, wiped her, told her stories, changed the sheets, and out of that nightmare summer she emerged stronger, confident that life would be wondrous, or at least bearable.
I was named for my great-grandfather John Tollefson, who landed in Lake Wobegon, in the center of Minnesota, from Voss, Norway, in 1880. Lake Wobegon was a rough town then, where, all on one block, for less than five dollars, you could get a tattoo, a glass of gin, and a social disease, and have enough left over to get in a poker game, but Lutherans civilized it. They were hard workers, indifferent to vice. John and his wife, Signe, came from Voss and begat Einar, and Einar and Birthe (Birdy) begat Byron, and Byron and Mary begat me, John, the third of five children, with Bill and Diana ahead of me and Ronnie (Byron, Jr.) and Judy after.
It was a good place to grow up in, Lake Wobegon. Kids migrated around town as free as birds and did their stuff, put on coronations and executions in the long, dim train shed and the deserted depot, fought the Indian wars, made ice forts and lobbed grenades at each other, dammed up the spring melt in the gutters, swam at the beach raced bikes in the alley. You were free, but you knew how to behave. You didn't smart off to your elders, and if a lady you didn't know came by and told you to blow your nose, you blew it. Your parents sent you off to school with lunch money and told you to be polite and do what the teacher said, and if there was a problem at school, it was most likely your fault and not the school's. Your parents were large and slow afoot and they did not read books about parenting, and when they gathered with other adults, at Lutheran church suppers or family get-togethers, they didn't talk about schools or about prevailing theories of child development. They did not weave their lives around yours. They had their own lives, which were mysterious to you.
I remember the day I graduated from tricycle to shiny new two-wheeler, a big day. I wobbled down Green Street and made a U-turn and waved to Mother on the front porch, and she wasn't there. She had tired of watching me and gone in. I was shocked at her lack of interest. I went racing around the corner onto McKinley Street, riding very fast so I would have big tales to tell her, and I raced down the hill past the Catholic church and the old black mutt ran out to greet me and I swerved and skidded on loose gravel and tumbled off the bike onto the pavement and skinned myself and lay on the tar, weeping, hoping for someone to come pick me up, but nobody came. The dog barked at me to get up. I limped three blocks home with skin scraped off my forearm and knee, my eyes brimming with tears, and when I came into the kitchen, she looked down at me and said, "It's only a scrape. Go wash it off. You're okay."
And when I had washed, she sat me down with a toasted cheese sandwich and told me the story of Wotan and Frigga. "Wotan, or Odin, was the father of the gods, and his wife, Frigga, was the earth goddess who brought summer, and the god of war, Thor, was the winter god, and the god of peace was Frey. So from Odin we get Wednesday, from Thor, Thursday, from Frey, Friday--Sunday and Monday, of course, refer to the sun and moon--which leaves Saturday and Tuesday. Wotan and Frigga had a boy named Sidney, and Thor had a daughter named Toots, and they fell in love and one day Sidney went to find Toots and steal her away, but Thor sent a big wind and Sidney rode his bicycle too fast and fell and skinned his knee, and that's why Saturday is a day off, so we can think about it and remember not to ride our bikes so fast." She gave me a fresh soft peanut butter cookie. She wiped the last remaining tears from my cheek. She said, "Go outside and play. You're all right."
In Lake Wobegon, you learned about being All Right. Life is complicated, so think small. You can't live life in raging torrents, you have to take it one day at a time, and if you need drama, read Dickens. My dad said, "You can't plant corn and date women at the same time. It doesn't work." One thing at a time. The lust for world domination does not make for the good life. It's the life of the raccoon, a swash-buckling animal who goes screaming into battle one spring night, races around, wins a mate, carries on a heroic raccoon career, only to be driven from the creekbed the next spring by a young stud who leaves teethmarks in your butt and takes away your girlfriend, and you lie wounded and weeping in the ditch. Later that night, you crawl out of the sumac and hurl yourself into the path of oncoming headlights. Your gruesome carcass lies on the hot asphalt to be picked at by crows. Nobody misses you much. Your babies grow up and do the same thing. Nothing is learned. This is a life for bank robbers. It is not a life for sensible people.
The urge to be top dog is a bad urge. Inevitable tragedy. A sensible person seeks to be at peace, to read books, know the neighbors, take walks, enjoy his portion, live to be eighty, and wind up fat and happy, although a little wistful when the first coronary walks up and slugs him in the chest. Nobody is meant to be a star. Charisma is pure fiction, and so is brilliance. It's the dummies who sit on the dais, and it's the smart people who sit in the dark near the exits. That is the Lake Wobegon view of life.
When I was ten, I got absorbed in the Flambeau Family novels in the Lake Wobegon library and devoured them all in one summer, one by one, sequestered in my bedroom (The Flambeaus and the Case of the Floating Barolo, and the Flippant Bellhop, and the Flying Bonbons, and the Floral Bouquet, the Flagrant Bagel, the Flamboyant Baritone, the Broadway Flop, the Flustered Beagle, and, finally, The Flambeaus' Final Bow). They were all about Tony, a boy of Manhattan, and his socialite parents, Emile and Eileen. Tony is a junior at St. Trillin's on West Eighty-ninth, All-City in tennis, an honor student, adored by his girlfriend, Valerie. Tony and his mother, an actress still beautiful at forty-one, and his father, the famed microbiologist, live happily together in their art-filled duplex apartment on the twentieth floor of the San Remo, overlooking Central Park, and solve crimes as they go about their elegant lives, hanging out in swank restaurants among high-rolling dudes and chantoozies, knowing who is real and who is from New Jersey. The neighbors across the hall, Elena and Malcolm Strathspey, a Scottish laird and his ballerina wife, come over for gimlets and to talk about ballet, opera, the O'Connell sculptures at the Guggenheim. For a boy whose dad ran the grain elevator in a small town where nobody had ever seen a ballet or knew a gimlet from a grommet, the Flambeaus were an inspiration. They were my secret family. Nobody else took out the Flambeau books, especially after I reshelved them under Foreign Language.
Sometimes, descending the steps of school, I would raise my hand as I came to the curb and imagine a taxi screeching to a stop and a bald man with a cigar clenched between his teeth saying, "Where to, mac?" "The San Remo." "Yes, sir."
I put the Flambeaus aside as I got older. The miseries of adolescence somehow did not jibe with the Flambeau life, but in the back of my mind, I reserved New York for later consideration, after the tumult died down. Mother said, "John, you are not the first person who ever had hormones, so don't picture this as a great tragedy. Get over it. You're okay." And I was okay. Mother and Dad were un-Flambeaulike; they were reserved and didn't praise me for fear of spoiling me, and they didn't hug me beyond the age of six except sideways once or twice, but I was okay. I grew up and minded my manners and learned to be useful and didn't feel sorry for myself, and in my heart, I imagined myself possessing an Eastern elegance. And when I was thirty, I finally made it.
It was a desperate move. I was escaping from a girl in Minneapolis who wanted me to marry her and fulfill her dreams and secure her happiness. Her name was Korlyss, she was small and dark and of a mournful disposition, we met at the University and clung to each other for ten years, afraid to give up on a bad investment, I guess. We lived in Prospect Park, a sort of intellectual pueblo east of campus, in a tiny walk-up apartment with scarred tables and gimpy chairs and pine plank bookcases crammed with paperbacks. I was a bartender at The Mixers on Seven Corners, a grad-student hangout, and I sold ads for Minnesota Orchestra programs and did an all-night classical music show on the University station, WLB, and spent a dreary year in graduate school, and Korlyss sold lingerie at Dayton's. She was waiting for me to get my feet on the ground so we could marry and be happy. I kept almost marrying her for ten years. She was an extremely nice person. And then, walking along the West River Road one October day when the Mississippi gorge was a carnival of red and orange, she announced she might be pregnant. It just happened, she didn't know how. "Don't you love me?" she said. Maybe I did, but I didn't want to marry her. I offered her all the money I had, about five hundred dollars. She said, "I don't want your money." And the next morning, she packed a suitcase and three shopping bags and went to leave and the doorknob came off in her hand. "Maybe it's a sign that we're supposed to stay together," she said. I fixed the doorknob and opened the door. I offered her a ride. "No," she said. "I prefer to walk." I looked out the kitchen window and there she was on the sidewalk below, looking up at me, her baggage at her feet, as if she were Mimi in La Boheme. If only I would stick my head out the window and yell, "Okay! I'll marry you!" then all the neighbors would stick their heads out of their windows and wave their arms and cheer, and the mailman would dance a jig, and the orange school bus would stop, and out would pop a children's chorus to sing "When You Wish Upon a Star." But I didn't.
I was racked with guilt over Korlyss, believe me, especially when her friends called to say, "She really loves you," and her mother called, weeping, to suggest counseling. It was the absolute rotten worst thing I had ever done to anybody. I felt sick. I knew I had to leave town. Through a Mixers patron, an Episcopal priest who was fond of Rusty Nails, I heard that St. James College in Red Cliff, New York, on Cayuga Lake, had gotten an FM radio license and needed a manager to build a station. I flew out with a glowing recommendation written by the priest and another by me myself on the WLB letterhead, using the name Myra Groetz, and on the basis of the letters and a confident manner and a breezy interview over lunch and a good bottle of Beaujolais, I was hired for the job by Paul Burton, dean of students, a sleepy man with no chin, who for some reason was delegated to oversee WSJO. "I don't know the first thing about radio except that I don't care for it," he said. "It's noise, and it's one big reason why most people in this country go around without an intelligent thought in their noggins."
St. James College is an Episcopalian outpost heavily endowed by Christian bandits of the nineteenth century, a liberal arts school that administers a light coating of education to students lured by fine architecture and low admission requirements. When I saw it that fall, it smelled of richness. The groomed lawns, the oak trees with stone benches close around them, the trimmed hedges, the masses of ivy, the Georgian pillars of the administration building, Gilman Hall, and the curving stairs to the grand entrance, the lobby, a showroom of thick green carpet and rose-patterned sofas, and the dean's office, a large sitting room carpeted in crimson, with a small Chippendale desk--it all spoke well for the college's fund-raisers. The college lay on the crest of a ridge like a royal park, a golf course hugging the campus on the south, the arboretum on the north, and, below it, the town of Red Cliff (population 2,271), on a gentle slant near the lovely blue eminence of Cayuga Lake.
Among financially gifted parents of academically challenged students along the Eastern Seaboard, the college is known as St. Jude's, after the patron saint of hopeless causes, a place where you can pack off your SPASM child (Simply Pray And Send Money) and feel that, barring a felony conviction, he or she will get to wear a black gown and attend graduation and receive a sheepskin with the St. James crest ("Omnibus Omnia") on it. Tuition at St. James is equivalent to that at Harvard or Yale, on the theory that charity should not come cheap.
Oil paintings of benefactors hung in the lobby of Gilman--"the idiot children of the rich," said the dean, as he gave me a quick tour--and in the Bush Library, a four-story circular structure, concrete and brick and of a sturdy Bauhaus demeanor, with high beamed ceilings, the stacks dotted with study carrels, the building eerily empty, devoid of students. "They're all watching reruns of Gilligan's Island," he said. I glanced through the stacks and saw six shelves of Dante's Divine Comedy, four of Plato's Dialogues, the Variorum Shakespeare, Goethe, Chekhov, Macaulay's complete works five times over, all beautifully bound, all apparently unread. An entire room was devoted to atlases, another to rare books, both rooms majestic, with long oak tables and green-shaded lamps, both rooms deserted. "This is the place to come if you were looking to have an assignation," he said. "You could romp naked in periodicals and copulate on the carpet, and the librarians would be grateful if, after climax, you took down a magazine and thumbed through it." He gave me a baleful look. "We don't need a radio station--we need a literacy program."
I walked down the hill toward the lake. The grass really was greener here, and the foliage was denser, the trees and shrubs more various, than in Minnesota. The yards were more lush, and the standards of yard-keeping more relaxed. No Prussian horticulture, no home owners kneeling and trimming the borders with fingernail clippers. The lawns were clumpy, vegetation was allowed to loll, to spread, to luxuriate. I liked that. The houses were big, with big porches, vines climbing up the sides, here and there an American flag fluttering. The lots were deep. There were some dirt driveways with mud puddles--another good sign--and some leaning fences, and weather-beaten garages, a relief from the Scandinavian fastidiousness of back home. Here, people seemed to be appreciative of old things and could let them age and molder and crack. The old brick storefronts along Main Street that housed the usual college-town pizza parlors and sandwich shops and beer halls looked old, and the stoplights were old, from the forties, and hung over the intersections. Amazing, I thought. In Minnesota, county highway engineers would have torn those down long ago, replaced them with four $30,000 semaphores at each intersection, widened the street, and torn down every tree for a hundred feet, all in the interest of highway safety. Engineers run Minnesota, they designed it, they teach its children, and engineers are merciless men bent on the nullification of art and the worship of functionalism.
The only new building in Red Cliff was a small brick box of a post office, which sat next to the grand old post office, which housed a bakery, a Native American crafts store, a shop called Kathy's Kitchen that sold very expensive jams and jellies, a candle store, and a massage therapist. The Red Cliff Inn occupied an old Greek Revival mansion on the lake side of Main Street, and the Red Cliff County Trust Company faced it, in a granite temple with four pink marble pillars. Next to it was the Embassy Bar and then Parker's Antiques and then Colonial Laundromat and then a shallow creek flowing through a narrow rocky gorge. I stood and looked down the street and tried to imagine living here. The public library sat on the hill side of Main Street, in a crotchety brick mansion, and opposite was the Catholic church, St. Patrick's, a cross atop its small, square belfry, and down the street was a prim white Methodist chapel and the gray stone castle of the Presbyterians. A Genesee Beer truck sat double-parked in front of the bar. A pretty young woman in a Doris Lessing T-shirt, with an enormous bosom, passed by and smiled, and a young man with a wisp of beard, wearing a top hat and a paisley shirt and red-striped trousers--obviously a drama student--looked at me with a practiced sneer. Hey, I thought. Home at last.
Two weeks later, I was back, in a rusted-out pink 1978 Oldsmobile, my clothes in the back seat, my books in the trunk. I rented an apartment ("Carriagehouse: Elegant 1BR w EIK, oodles of charm") in what had been a garage, and went to work in a converted storage room in the college chapel, a refectory table for a desk.
The college chapel was a long Gothic pile that seated a thousand, with stone stalactites and high ribbed vaults, flying buttresses adjoining the apse, dark timbers and stone carvings and pennants and banners, the goddesses of Art and Science and Literature peering down, and you felt as if footmen and courtiers might enter, followed by fawning gentry, plump lords and powdered ladies, sallow-faced princes, and the monarch himself, dour and vast in his purple silk, limping from the gout, come to kneel in prayer before attending the morning beheading.
The Episcopal congregation of St. James was tiny, a few old ladies and a few hairy bison and me--I began attending almost every Sunday, trying to make up for the dirty deed I had done to Korlyss. In this cathedral we Christians would be like BBs in a boxcar, so it was reserved for convocations and academic events and Christmas. We huddled every Sunday morning in a tiny basement chapel for Mass, celebrated by Mother Sally, a hearty, sixtyish woman, who marched down into the congregation during the Exchange of Peace and hugged everyone as if testing us for ripeness. She raced through the prayers to allow extra time for her homily. She seemed to believe that God spoke in an elaborate code intended to get Her message past St. Paul and the patriarchy of the early Church: the gist of it was that the Word is Womb, and the Womb is the Word. She was big on empowerment too.
My first year in Red Cliff was nothing but good. First, there was the great relief of not marrying Korlyss, of leaving Minnesota, the divestment of accumulated regrets. I joined a coed volleyball league and acquired a pleasant girlfriend named Jean, a librarian, who was enthusiastic and came and went at convenient times and never mentioned marriage. Dean Burton was a great boss. If I could catch him in his drowsy time, after lunch, he would sign anything put in front of him: extradition papers, a check for a million dollars, a death warrant, anything. The radio antenna tower was built on a hill west of town, the studios were constructed on the fifth floor of Gridley Hall--deep gray carpets, six-inch-thick soundproofed doors, cantilevered windows to reduce echo--and staff was hired (a gloomy bunch, I thought, rather Eeyorish, but okay for public radio) and WSJO went on the air on Labor Day, 1985, with a Mozart Marathon. President Postlethwaite came to switch on the transmitter, there were deans and faculty in full regalia, Mother Sally flung water on the microphones, and afterward, I sat in my big office and raised a glass of champagne to our business manager, Marian MacKay. I liked her. She was from Houston, she had that hands-on-her-hips Texas Woman style, she was young and smart and black, and she could do black if she liked and play African queen--and she also could whip through ten pages of budget figures and explain them to me in one sentence. On her resume, she listed the Sam Houston Institute of Technology. I like jokes like that from a woman.
"To radio," I said. "To Mozart."
"He's the Moz." We clinked glasses.
"So how long you going to last here, baby?" she said.
I said that I was going to become a beloved old fart and stay until my eyebrows were as big as laboratory rats.
She gave me a sad smile. "You remind me of that Sorry Mutha song, 'Why Do You Try So Hard to Get What You Don't Even Want?'"
I told her it was a better job than what I had before. She said, "Baby, you and me are just passing through. The difference is that I know it and you don't."
One Sunday morning that September, before Mass, a man slipped into the pew next to me, a beefy man with a big head of permed brown hair, wearing a blue double-breasted suit and a blue shirt with a white collar.
"Hi. How are ya doing?" he said in a loud voice, reached over to pump my hand. Heads turned.
I whispered: "Fine."
"Something wrong?" he whispered.
I shook my head. Just then the organist cut loose with the prelude, something harsh and loud and medieval.
The man jumped. "Jesus Christ," he said. He grinned at me and said,"Wow. Cool."
He seemed never to have attended an Anglican service before, didn't know a hymnal from a prayer book, stood when he should have knelt, and when I rose to go forward for communion, he leaned over and whispered, "Where are you going?"
"Should I go too?"
I thought about this for a moment. I didn't want to have to give him instruction on how to receive the wafer, how much wine to drink. "Not this time," I said. "Next time. Catch you later."
After Mass, we shook hands again. "Howard Freeman is the name," he said. "New to town. Just started a law practice. Thought I'd find a church." We walked out into the sunshine and stood on the steps, looking across the lawn.
"Interesting sermon. She seems to like the word 'context,' doesn't she," Howard said.
"She is very much a contextual person," I said. "She can contextualize with the best of them."
"I must admit, I'm here looking for more of a spiritual dimension in my life," said Howard. "I've always meditated, but I thought maybe I needed something more disciplined." He looked at me confidentially. "Dumb-question alert: okay? Christianity believes in an afterlife, right? Or am I getting it confused with something else? Like Catholicism?"
I tried to explain about heaven. The Last Judgment. It was interesting to catechize a man my own age. Like explaining baseball to a European. We walked to Howard's car, and I invited him to play racquetball sometime at the Faculty Club. In Minnesota, you can issue invitations knowing that people will politely decline them, but Howard said, "Sure, how about tomorrow?" and he turned out to be a bull on the court. He won three games by wide margins, and I couldn't very well turn down his offer of a rematch without looking like a wimp, and so we became Monday regulars.
One day, sitting in the steam room, he told me about a house on Green Street two blocks from campus that was for sale, cheap.
"The owner is a lady drama professor named Sanders, who got canned for seducing a student," said Howard, "who happens to be the daughter of the guy who donated the money for the math building. They're hoping he'll give them a science hall too."
"I never heard about her being fired," I said.
"She was given a nice severance package. I negotiated it for her. One year's salary and a year on leave at half salary. Better than a Guggenheim."
"How much is she asking for the house?"
"However much she can get, to be perfectly frank, which is a lot less than she thinks. It's October, and who is in the market for a fancy house? Nobody, that's who. If you're interested, I'll see what I can do for you."
So I went to inspect the seductive lady's house. A two-story white Greek Revival manse, with a front porch and a terrace in the back. Excellent condition, newly renovated, said the lady agent who showed me through the place. There was a kitchen with Finnish cabinetry, and a living room with a blue ceramic Swedish fireplace and cherry wainscoting, and an oak staircase, and three upstairs bedrooms replastered and papered, with new oak floors, and two upstairs baths all marble and glass, one with a whirlpool.
"It's a peach," she said. "Bring your wife to see it."
I said I wasn't married.
"Well," she said, "I'm sure you would be very happy here."
Howard handled the whole deal." Let me do this," he said, and he did it. He made an offer somewhat less than half of the asking price, and he withstood the fury of the agent, and he reported back almost daily. To him, it was like war. "There are no other prospective buyers. I know it. They are desperate. The agent is lying through her teeth about the college wanting to buy it for faculty housing. No way. The elephant is down, the tigers are circling."
And the next day he called and said, "They have surrendered!" He whooped over the telephone. He'd actually gotten the house for less than the original low offer. Something about a zoning variance that the seller hadn't disclosed. The agent was livid, but she capitulated. And a month later, I unlocked the back door and walked into the kitchen. It was a truly extraordinary kitchen, part science lab, part lounge. A cooking island and a ceiling rack for pans and two ovens, a stainless-steel refrigerator big enough to hold a hog carcass. In protest, Miss Sanders had left the place filthy and littered with packing materials; there was an arc of dried coffee on one wall where she had flung it from her cup. But compared to the dismal apartments I'd lived in, this was a fine home indeed. It cast a kindly charm on you as you walked from room to room. The master bedroom was long, with a ten-foot ceiling. One could imagine delightful things happening there. And then I saw on the master-bathroom mirror, written in foot-high red lipstick letters: THIEF. And underneath, in small letters: "someday someone will do this to you."
Nobody had ever put a curse on me before. Motorists had sworn at me, ex-girlfriends had called me names, but this was a specific curse: "As you did to me, so it shall be done unto you." I had sicced my gladiator on a defenseless woman and plundered her house, and now what would be a just desert? Probably something like prostate cancer. What goes around comes around. One morning, I'd get up and take a leak and the bowl would be bright red with blood, and I'd go to some specialist in the city and sit in a beige waiting room, listening to soupy music, thinking about my crumbling innards, pleading with God for a miracle, perusing tattered issues of People, thinking, I am spending some of my precious last hours on earth learning more about Tammy Wynette. And then proceeding to the examining room. Disrobing. Waiting for the arrival of the prostate potentate himself, Dr. Oh, and his various benedictions and incantations, and then the presentation of the posterior for the digital exam.
Yes, it seemed utterly clear to me. Cancer would be a fitting reward for having snookered poor Professor Sanders. I would enjoy a few months of the good life, and then the hand of death would tap me on the shoulder.
Before the live bn.com chat, Garrison Keillor agreed to answer some of our questions:Q: I see that you split your time between New York City and western Wisconsin. What is your split like? Do you have a preference?
A: It's the cure for restlessness, to live in two places, and we love both of them, our little house in the woods and the apartment on the Upper West Side. The house is in a grove of aspens up the hill from a river, and deer tiptoe through the woods, and wild turkeys, and a fox appears now and then; last year, a couple of crows nested near us and raised their young, and by midsummer it sounded like authors talking at a cocktail party. The apartment is a block from Riverside Park and the Hudson, and all sorts of friends are nearby, and there are dozens of movie screens nearby and theaters, plus the opera. Oddly, when you're in one place, you seldom miss the other, but when you get to the other place -- when you come across the Triborough Bridge from LaGuardia, when you drive up the dirt road in Wisconsin -- you feel a little wave of happiness, no matter what the weather.
Q: How do you think radio has changed throughout the years? Are you happy with the current state of radio?
A: Radio is an elusive medium to describe at any given moment and very hard to pin down right now. The talk-radio phenomenon seems to have abated somewhat, which is good, since it was the occasion of such vast unreality -- all that paranoia and anger in the midst of an economic boom -- but who knows what replaces it? The various commercial-music formats seem about equally unimaginative, machine-made, nothing that anybody would care to give their heart to. But radio still attracts talent. I was driving home in Wisconsin late one night this fall and tuned in to the local college station and heard a bunch of college boys sitting around a mike and giving each other a hard time about their taste in music and women and beer, and it was awfully funny. Public radio is especially full of new enterprise right now, shows like "This American Life" and "Fresh Air" and "Selected Shorts" and dozens of others. So much talent that I'm tempted to go into management so I could open doors for people.
Q: Who were some of your storytelling influences?
A: All my influences were relatives and friends, who tell stories that I've heard before and that I still find wonderful. That's the real art of storytelling: retelling. Q: What about literary influences?
A: Oh, the usual: Twain, Thurber, White, Cheever, all those old guys.
Most Helpful Customer Reviews
I found this book to be an honest expression of Mr. Keillor's personal tug-of-war between his high brow success and humble roots. In addition to warming to me as did Holden Caufield, he had me rolling with laughter.
I've always brought Garrison Keillor with me when I'm on the road. He tells me stories of Minnesota and a little town there called Lake Wobegone. He is able to make the characters so vivid and real that I think about the them every so often. They remind me of people in the town where I grew up, and now that I live 600 miles away from them, it's comforting to read about Lake Wobegone and remember home for awhile. Good humor, great storytelling, and memories of better days.
If I understand the premise of the story, than it is supposed to describe how the values of a Mid Western Lutheran Boy hold up in a different setting. The error in this premise is that the main character never had the values of a mid western Lutheran boy. His values are the same as all those around him, and he is simply a reflections of the culture around him with a Minnesotan accent. He does have memories of his parents who are the ones who have the Lutheran values. John, the title character is somewhat pompous and condescending. He dubs those who do hold to "Lutheran " values ad "Dark Lutherans" To the authors credit, there are some very humorous moments in the story. That and the sections that deal with John going back for a funeral and learning more about his parents and grand parents are entertaining and keeps this story form falling into disappointing
Reading a book is great,don't get me wrong,but,having a story read to you is like reliving the old days. It does to me anyway! Especially this book,I'm going back to when I was a kid listening to my grandfather and great-uncles telling stories of when they were younger, bringing back very fond memories.The author tells of his exploits when leaving his home but keeps coming back to his roots and his familys' personalities which parallels that of my own,the difference being his is from the midwest and mine is from New England.In an audio book the storyline is secondary compared to how its told.Garrison Keillor can read to me anytime.
i am a big fan of Garrison keillor's intelligent sense of humor and storytelling ability. Found this to be extremely entertaining. Listened to it on a drive from New Orleans to New York. My daughter and I laughed out loud and it made the trip seem a lot shorter. Typically unique characters were drawn very vividly and I love his down home descriptions. I highly recommend this CD.
It's taken me a while to read this wonderful book. I just finished it. I bought it several years ago, started reading it and then got absorbed into something else. I found it on my bookshelf and instantly fell back into it...reading a chapter every night before I went to bed. Those are the best times to read Keillor's work not because they put you to sleep but because they put you in such a good mood. This book really relates to what I am going through now. A man going through change at a remarkable rate. I think that we can all relate to this very funny and sometimes dark narrative. But the book always made me smile and it made me laugh out loud. Only Keillor has done that. I wish there was more to the main character and I wish that we could hear about him more on the News. Lake Wobegon is where time stands still. Normalcy remains and it's a place that I wish I could visit. Thanks to Keillor, I can through his books and this one was just an amazing piece of work.
If I understand the premise of the story, than it is supposed to describe how the values of a Mid Western LutheranBoy hold up in the a different setting. The error in this premise is that the main character never has the values of a mid western lutheran boy. His values are the same as all those around him, and he is aimply a reflection of the culture around him with a Minisotan accent. He does have memories of his parents who are the ones who have the Lutheran values, not him. John, the title character is somewhat pompous and condescending. He dubs those who do hold to 'Lutheran' values as 'Dark Lutherans'. To the authors credit, there are some very humerous moments in the story. That and the sections that deals with John going back for a funeral and learning more about his parents and grand parents are entertaining and is what keeps this story from falling into disappointing
What did I ever see in Mr. Boring and condesending?