|Publisher:||Cambridge University Press|
|Product dimensions:||5.90(w) x 8.90(h) x 0.80(d)|
About the Author
Table of Contents1. Entering the OED; 2. A global dictionary from the beginning; 3. James Murray and words of the world; 4. James Murray and the Stanford Dictionary controversy; 5. William Craigie, Charles Onions, and the mysterious case of the vanishing tramlines; 6. Robert Burchfield and words of the world in the OED Supplements; 7. Conclusion.
What People are Saying About This
“A penetrating and brilliantly conceived work that decisively refutes the assumption that Victorian prejudice disposed the original editors of the OED to neglect foreign loanwords and non-British English. Ogilvie writes with a refreshingly brisk intelligence.” Sidney Landau, author of Dictionaries: the Art and Craft of Lexicography
“Sarah Ogilvie, by forensically examining the OED text, demonstrates convincingly that, as envisaged by James Murray, it was a truly international enterprise, in both its contributors and the World Englishes represented.” Howard Jackson, Emeritus Professor of English Language & Linguistics, Birmingham City University
“Sarah Ogilvie brings a unique conjunction of abilities to this book: deep practical knowledge of OED and its archives, powerful analytical skills, and personal warmth and flair as a storyteller.” John Considine, University of Alberta
Most Helpful Customer Reviews
A brilliant history of the OED written by an actually editor. Fascinating insights into the men and women who created the dictionary and the ways they treated foreign words and words from varieties of English spoken around the world. Very scholarly, and challenging in parts, but beautifully written. Perfect for anyone interested in the history of English and the making of dictionaries.
Good read, worth the investment.