A dazzling novel that captures all of the romance, glamour, and tragedy of the first flapper, Zelda Fitzgerald
|Publisher:||St. Martin's Press|
|Product dimensions:||6.50(w) x 9.30(h) x 1.20(d)|
About the Author
THERESE ANNE FOWLER is an Illinois native and a graduate of North Carolina State University, where she earned a BA in sociology and an MFA in creative writing. She taught undergraduate fiction writing and was an editorial assistant for the literary magazine Obsidian III before leaving to write fiction full-time. Therese has two grown sons and two nearly grown stepsons, and currently lives with her husband in North Carolina.
Jenna Lamia is the acclaimed narrator of Mary E. Pearson's The Adoration of Jenna Fox, which won a YALSA Amazing Audiobooks for Young Adults award, and Carol Lynch Williams's The Chosen One, for which Jenna received the 2010 solo narration (female) Audie Award. Lamia made her Broadway debut in 1988 in Ah, Wilderness, and she's also appeared off-Broadway in The Glory Of Living, directed by Philip Seymour Hoffman. Her other acting credits include appearances on Oz, Law & Order: SVU, The Jury, and NYPD Blue. She's also appeared in the films The Fighter, The Box, and Something's Wrong in Kansas.She attended Amherst College, New York University, and the Sorbonne in Paris.
Read an Excerpt
Picture a late-June morning in 1918, a time when Montgomery wore her prettiest spring dress and finest floral perfume—same as I would wear that evening. Our house, a roomy Victorian on Pleasant Avenue, was wrapped in the tiny white blooms of Confederate jasmine and the purple splendor of morning glories. It was a Saturday, and early yet, and cloudy. Birds had congregated in the big magnolia tree and were singing at top volume as if auditioning to be soloists in a Sunday choir.
From our back stairway’s window I saw a slow horse pulling a rickety wagon. Behind it walked two colored women who called out the names of vegetables as they went. Beets! Sweet peas! Turnips! they sang, louder even than the birds.
“Hey, Katy,” I said, coming into the kitchen. “Bess and Clara are out there, did you hear ’em?” On the wide wooden table was a platter covered by a dish towel. “Plain?” I asked hopefully, reaching beneath the towel for a biscuit.
“No, cheese—now, don’t make that face,” she said, opening the door to wave to her friends. “Nothin’ today!” she shouted. Turning to me, she said, “You can’t have peach preserves every day of your life.”
“Old Aunt Julia said that was the only thing keepin’ me sweet enough to evade the devil.” I bit into the biscuit and said, mouth full, “Are the Lord and Lady still asleep?”
“They both in the parlor, which I ’spect you know since you used the back stairway.”
I set my biscuit aside so as to roll my blue skirt’s waistband one more turn, allowing another inch of skin to show above my bare ankles. “There.”
“Maybe I best get you the preserves after all,” Katy told me, shaking her head. “You mean to wear shoes, at least.”
“It’s too hot—and if it rains, they’ll just get soaked and my toes’ll prune up and the skin’ll peel and then I’ll have to go shoeless and I can’t, I have my ballet solo tonight.”
“My own mama would whip me if I’s to go in public like that,” Katy clucked.
“She would not, you’re thirty years old.”
“You think that matter to her?”
I thought of how my parents still counseled and lectured my three sisters and my brother, all at least seven years older than me, all full adults with children of their own—except for Rosalind. Tootsie, we call her. She and Newman, who was off fighting in France, same as our sister Tilde’s husband, John, were taking their time about parenthood—or maybe it was taking its time about them. And I thought of how my grandmother Musidora, when she lived with us, couldn’t help advising Daddy about everything from his haircuts to his rulings. The thing, then, was to get away from one’s parents, and stay away.
“Anyway, never mind,” I said as I went for the back door, sure that my escape was at hand. “Long as no one here sees me—”
“Baby!” I jumped at Mama’s voice coming from the doorway behind us. “For heaven’s sake,” she said, “where are your stockings and shoes?”
“I’m just goin’—”
“—right back to your room to get dressed. You can’t think you were walking to town that way!”
Katy said, “S’cuse me, I just remembered we low on turnips,” and out she went.
“Not to town,” I lied. “To the orchard. I’m goin’ to practice for tonight.” I extended my arms and did a graceful plié.
Mama said, “Yes, lovely. I’m sure, however, that there’s no time for practice; didn’t you say the Red Cross meeting starts at nine?”
“What time is it?” I turned to see that the clock read twenty minutes ’til. I rushed past Mama and up the stairs, saying, “I better get my shoes and get out of here!”
“Please tell me you’re wearing your corset,” she called.
Tootsie was in the upstairs hallway still dressed in her nightgown, hair disheveled, sleep in her eyes. “What’s all this?”
When Newman had gone off to France in the fall to fight with General Pershing, Tootsie came back home to live until he returned. “If he returns,” she’d said glumly, earning a stern look from Daddy—who we all called the Judge, his being an associate Alabama Supreme Court justice. “Show some pride,” he’d scolded Tootsie. “No matter the outcome, Newman’s service honors the South.” And she said, “Daddy, it’s the twentieth century, for heaven’s sake.”
Now I told her, “I’m light a layer, according to Her Highness.”
“Really, Baby, if you go out with no corset, men will think you’re—”
“Maybe I don’t care,” I said. “Everything’s different now anyway. The War Industries Board said not to wear corsets—”
“They said not to buy them. But that was a good try.” She followed me into my bedroom. “Even if you don’t care about social convention, have a thought for yourself; if the Judge knew you left the house half-naked, he would have your hide.”
“I was tryin’ to have a thought for myself,” I said, stripping off my blouse, “and then all you people butted in.”
Mama was still in the kitchen when I clattered back down the stairs. “That’s better. Now the skirt,” she said, pointing at my waist.
“Mama, no. It gets in my way when I run.”
“Just fix it, please. I can’t have you spoiling the Judge’s good name just so you can get someplace faster.”
“Nobody’s out this early but the help, and anyway, when did you get so fussy?”
“It’s a matter of what’s appropriate. You’re seventeen years old—”
“Eighteen, in twenty-six more days.”
“Yes, that’s right, even more to the point,” she said. “Too old to still be a tomboy.”
“Call me a fashion plate, then. Hemlines are goin’ up, I saw it in McCall’s.”
She pointed at my skirt. “Not as high as that.”
I kissed her on her softening jawline. No cream or powder could hide Time’s toll on Mama’s features. She’d be fifty-seven on her next birthday, and all those years showed in her lined face, her upswept hairdo, her insistence on sticking with her Edwardian shirtwaists and floor-sweeping skirts. She outright refused to make anything new for herself. “There’s a war going on,” she’d say, as if that explained everything. Tootsie and I had been so proud when she gave up her bustle at New Year’s.
I said, “So long, Mama—don’t wait lunch for me, I’m goin’ to the diner with the girls.”
Then the second I was out of sight, I sat down in the grass and pulled off my shoes and stockings to free my toes. Too bad, I thought, that my own freedom couldn’t be had so easily.
* * *
Thunder rumbled in the distance as I headed toward Dexter Avenue, the wide thoroughfare that runs right up to the domed, columned state capitol, the most impressive building I had ever seen. Humming “Dance of the Hours,” the tune I’d perform to later, I skipped along amid the smell of clipped grass and wet moss and sweet, decaying catalpa blooms.
Ballet, just then, was my one true love, begun at age nine when Mama had enrolled me in Professor Weisner’s School of Dance—a failed attempt to keep me out of the trees and off the roofs. In ballet’s music and motion there was joy and drama and passion and romance, all the things I desired from life. There were costumes, stories, parts to play, chances to be more than just the littlest Sayre girl—last in line, forever wanting to be old enough to be old enough.
I was on Mildred Street just past where it intersected with Sayre—named for my family, yes—when a sprinkle hit my cheek, and then one hit my forehead, and then God turned the faucet on full. I ran for the nearest tree and stood beneath its branches, for what little good it did. The wind whipped the leaves and the rain all around me and I was soaked in no time. Since I couldn’t get any wetter, I just went on my way, imagining the trees as a troupe of swaying dancers and me an escaped orphan freed, finally, from a powerful warlock’s tyranny. I might be lost in the forest, but as in all the best ballets, a prince was sure to happen along shortly.
At the wide circular fountain where Court Street joined Dexter Avenue, I leaned against the railing and shook my unruly hair to get the water out. A few soggy automobiles motored up the boulevard and streetcars clanged past while I considered whether to just chuck my stockings and shoes into the fountain rather than wear them wet. Then I thought, Eighteen, in twenty-six days, and put the damn things back on.
Properly clothed, more or less, I went up the street toward the Red Cross’s new office, set among the shops on the south side of Dexter. Though the rain was tapering off, the sidewalks were still mostly empty—few witnesses to my dishevelment, then, which would make Mama happy. She worries about the oddest things, I thought. All the women do. There were so many rules we girls were supposed to adhere to, so much emphasis on propriety. Straight backs. Gloved hands. Unpainted (and unkissed) lips. Pressed skirts, modest words, downturned eyes, chaste thoughts. A lot of nonsense, in my view. Boys liked me because I shot spitballs and because I told sassy jokes and because I let ’em kiss me if they smelled nice and I felt like it. My standards were based on good sense, not the logic of lemmings. Sorry, Mama. You’re better than most.
Some twenty volunteers had gathered at the Red Cross, most of them friends of mine, who, when they saw me, barely raised an eyebrow at my state. Only my oldest sister, Marjorie, who was bustling round with pamphlets and pastries, made a fuss.
“Baby, what a fright you look! Did you not wear a hat?” She attempted to smooth my hair, then gave up, saying, “It’s hopeless. Here.” She handed me a dish towel. “Dry off. If we didn’t need volunteers so badly, I’d send you home.”
“Quit worryin’,” I told her, rubbing the towel over my head.
She’d keep worrying anyway, I knew; she’d been fourteen when I was born, practically my second mother until she married and moved into a house two blocks away—and by then, of course, the habit was ingrained. I looped the towel around her neck, then went to find a seat.
Eleanor Browder, my best friend at the time, had saved me a spot across from her at a long row of tables. To my right was Sara Mayfield—Second Sara, we called her, Sara the First being our friend serene Sara Haardt, who now went to college in Baltimore. Second Sara was paired with Livye Hart, whose glossy, mahogany-colored hair was like my friend Tallulah Bankhead’s. Tallu and her glossy dark hair won a Picture-Play beauty contest when we were fifteen, and now she was turning that win into a New York City acting career. She and her hair had a life of travel and glamour that I envied, despite my love for Montgomery; surely no one told Tallu how long her skirts should be.
Waiting for the meeting to start, we girls fanned ourselves in the airless room. Its high, apricot-colored walls were plastered with Red Cross posters. One showed a wicker basket overflowing with yarn and a pair of knitting needles; it exhorted readers, “Our boys need SOX. Knit your bit.” Another featured a tremendous stark red cross, to the right of which was a nurse in flowing dress and robes that could not be a bit practical. The nurse’s arms cradled an angled stretcher, on which a wounded soldier lay with a dark blanket wrapped around both the stretcher and him. The perspective was such that the nurse appeared to be a giantess—and the soldier appeared at risk of sliding from that stretcher, feet first, if the nurse didn’t turn her distant gaze to the matter at hand. Below the image was this proclamation: “The Greatest Mother in the World.”
I elbowed Sara and pointed to the poster. “What do you reckon? Is she supposed to be the Virgin Mother?”
Sara didn’t get a chance to answer. There was a rapping of a cane on the wooden floor, and we all turned toward stout Mrs. Baker, in her steel-gray, belted suit. She was a formidable woman who’d come down from Boston to help instruct the volunteers, a woman who seemed as if she might be able to win the war single-handedly if only someone would put her on a boat to France.
“Good morning, everyone,” she said in her drawl-less, nasal voice. “I see you’ve found our new location without undue effort. The war continues, and so we must continue—indeed, redouble—our efforts for membership and productivity.”
Some of the girls cheered. They were the younger ones who’d only just been allowed to join.
Mrs. Baker nodded, which made her chin disappear into her neck briefly, and then she continued, “Now, some of you have done finger and arm bandages; the principle of the leg and body bandages is the same. However, there are some significant differences to which we must attend. For any who have not been so instructed, I will start the lesson from the beginning. We start, first, with sheets of unbleached calico…”
I squeezed rainwater from my hem while Mrs. Baker lectured about widths and lengths and tension and began a demonstration. She handed the end of a loose strip of fabric to the girl sitting nearest and said, “Stand up, my dear. One of you holds the bulk of the fabric and feeds it through as needed—that person is the rollee. The roller’s thumbs must be on the upper aspect of the fabric, the forefinger beneath, like so. As we proceed, the forefingers are kept firmly against the roll, thumbs advanced for maximum tautness. Everyone, up now and begin.”
I took a loosely tied bundle of fabric from one of several baskets lined up along the floor behind me. The fabric was pure white at the moment, sure, but it would soon be blood-soaked and covering a man’s whole middle, crusted with dirt and irresistible to flies. I’d seen photographs of Civil War soldiers suffering this way, in books that depicted what Daddy called “the atrocities done to us by the Union.”
It was my brother, Tony, seven years older than me and now serving in France, who Daddy meant to educate with the books and the discussions. He never shooed me out of the parlor, though. He would wave me over from where I might be picking out a simple tune on the piano and let me perch on his knee.
“The Sayres have a proud history in Montgomery,” he’d say, paging through one of the books. “Here. This is my uncle William’s original residence, where he raised his younger brother Daniel, your grandfather. It became the first Confederate White House.”
“So Sayre Street is named for us, Daddy?” I asked with all the wonder of my seven or eight years.
“It honors William and my father. The two of them made this town what it is, children.”
Tony seemed to take the Sayre family history as a matter of course. I, however, was fascinated with all of these now-dead relatives and would continue to ask questions about which of them had done what, when. I wanted stories.
From Daddy, I got tales of how his father, Daniel Sayre, founded a Tuskegee paper, then returned to Montgomery to edit the Montgomery Post, becoming an influential voice in local politics. And Daddy told me about his mother’s brother, “the great General John Tyler Morgan,” who’d pummeled Union troops every chance he got, then later became a prominent U.S. Senator. From Mama I came to know her father, Willis Machen, the U.S. Senator from Kentucky, whose friendship with Senator Morgan was responsible for my parents’ meeting at Senator Morgan’s New Year’s Eve ball in 1883. Grandfather Machen had once been a presidential candidate.
I wondered, that day at the Red Cross, if our family’s history was burdensome to Tony, oppressive, maybe. And maybe that was why he’d married Edith, whose people were tenant farmers, and then left Montgomery to live and work in Mobile. To be the only surviving son in a family—and not the first son, not the son who’d been named after the grandfather upon whose shoulders so much of Montgomery’s fate had apparently rested, not the son who’d died from meningitis at just eighteen months old—well, that was a heavy yoke.
Untying the calico bundle, I redirected my thoughts and handed Eleanor the fabric’s loose end. “I had a letter yesterday from Arthur Brennan,” I said. “Remember him, from our last trip to Atlanta?”
Eleanor frowned in concentration as she tried to form the start of the roll. “Was it thumbs under, or forefingers under?”
“Fingers. Arthur’s people have been in cotton since before the Revolution. They’ve still got old slaves who never wanted to go, which Daddy says is proof that President Lincoln ruined the South for nothin’.”
Eleanor made a few successful turns, then looked up. “Arthur’s the boy with that green Dort car? The glossy one we rode in?”
“That’s him. Wasn’t it delicious? Arthur said Dorts cost twice what a Ford does—a thousand dollars, maybe more. The Judge would as soon dance naked in front of the courthouse as spend that kind of money on a car.”
The notion amused me; as I continued feeding the fabric to Eleanor, I imagined a scene in which Daddy exited the streetcar in his pin-striped suit, umbrella furled, leather satchel in hand. Parked at the base of the broad, marble courthouse steps would be a green Dort, its hood sleek and gleaming in the sunshine, its varnished running boards aglow. A man in a top hat and tailcoat—some agent of the devil, he’d be—would beckon my father over to the car; there would be a conversation; Daddy would shake his head and frown and gesture with his umbrella; he would raise a finger as he pontificated about relative value and the ethics of overspending; the top-hatted man would shake his head firmly, leaving Daddy no choice but to disrobe on the spot, and dance.
In this vision I allowed my father the dignity of being at a distance from my vantage point, and facing away from me. In truth, I hadn’t yet seen a man undressed—though I’d seen young boys, and Renaissance artwork, which I supposed were representational enough.
“Speaking of nakedness,” Eleanor said, leaning across the table to take the end of the bandage from me, “last night at the movie house, an aviator—Captain Wendell Haskins, he said—asked me was the rumor true about you parading around the pool in a flesh-colored bathing suit. He was at the movies with May Steiner, and asking about you, isn’t that sublime? May was at the concession just then, so she didn’t hear him; that was gentlemanly, at least.”
Sara said, “I sure wish I’d been at the pool that day, just to see the old ladies’ faces.”
“Were you at the dance last winter when Zelda pinned the mistletoe to the back of her skirt?” Livye said.
“You should’ve been down here with us on Wednesday,” Eleanor told them. “Zelda commandeered our streetcar while the driver was on the corner finishing a smoke. We just left him there with his eyes bulging and went rolling on up Perry Street!”
“I swear, Zelda, you have all the fun,” Sara said. “And you never get in trouble!”
Eleanor said, “Everyone’s afraid of her daddy, so they just shake their finger at her and let her go.”
I nodded. “Even my sisters are scared of him.”
“But you’re not,” Livye said.
“He barks way more than he bites. So, El, what’d you tell Captain Haskins?”
“I said, ‘Don’t tell a soul, Captain, but there was no bathing suit at all.’”
Livye snorted, and I said, “See, El, that’s what I like about you. Keep that up and all the matrons will be calling you wicked, too.”
Eleanor reached for a pin from a bowl on the table, then secured the bandage’s end. “He asked whether you had a favorite beau, who your people were, what your daddy did, and whether you had siblings—”
Sara said, “Might be he just wanted some excuse to make conversation with you, Eleanor.”
“In which case he might have thought of one or two questions about me.” Eleanor smiled at Sara fondly. “No, he’s most certainly fixated on Miss Zelda Sayre of 6 Pleasant Avenue, she of the toe shoes and angel’s wings.”
Livye said, “And devil’s smile.”
“And pure heart,” Sara added. I pretended to retch.
“He said he’s not serious about May,” Eleanor said. “Also, he intends to phone you.”
“He already has.”
“But you haven’t said yes yet.”
“I’m booked up ’til fall,” I said, and it was true; between the college boys who’d so far avoided military service and the flood of officers come to train at Montgomery’s new military installations, I had more male attention than I knew what to do with.
Sara took my hand. “If you like him, you shouldn’t wait. They might ship out any day, you know.”
“Yes,” Eleanor agreed. “It might be now or never.”
I pulled my hand from Sara’s and lifted another pile of fabric from the basket behind us. “There’s a war, in case you haven’t heard. It might end up being now and then never. So what’s the use?”
Eleanor said, “That hasn’t stopped you from seeing a military man before. He’s awfully handsome.…”
“He is that. When he phones again, maybe I’ll—”
“Chatter later, ladies,” Mrs. Baker scolded as she strolled by, hands clasped behind her back, bosom straining forward like a warship’s prow. “Important though your affairs may be, our brave young men would appreciate your giving their welfare more speed and attention.”
When Mrs. Baker was past, I tilted my head and put my forearm to my eyes, mouthing, “Oh! The shame of it!” as if I were Mary Pickford herself.
Copyright © 2013 by Therese Anne Fowler
Reading Group Guide
The following author biography and list of questions about Z: A Novel of Zelda Fitzgerald are intended as resources to aid individual readers and book groups who would like to learn more about the author and this book. We hope that this guide will provide you a starting place for discussion, and suggest a variety of perspectives from which you might approach Z.
1. Many accounts of both Scott and Zelda contend that Zelda wouldn't marry Scott unless he was well offa view they themselves encouraged in the early years of their marriage. How does this play into the flapper image Zelda embodied in the '20s? Overall, was it harmful or beneficial to her?
2. How much of Scott's success is owed to Zelda's manufactured breakup with him in 1919?
3. The first time Zelda thinks she may be pregnant she refuses to pursue an abortion. Why, then, does she choose differently later on?
4. Why does Zelda have so little regard for her parents' views and the standards by which she was raised?
5. Is Scott's alcohol abuse a cause or a result of the life he and Zelda led and the troubles they experienced?
6. How legitimate was it for Scott and his agent, Harold Ober, to sell Zelda's short stories under a joint by-line?
7. Which of Zelda's talents do you feel was her truest calling?
8. How do you feel about Scott's insistence on hiring strict nannies to care for Scottie? What benefit, or harm, may have come from this?
9. Modern psychiatrists have said that Zelda was probably troubled not with schizophrenia in its current definition but with bipolar disorder, which is characterized by dramatic mood swings and the behaviors that sometimes result. Where do you see evidence of Zelda's illness in the years before her breakdown in early 1930? How much, if any, of her vibrant personality might be tied to the disorder?
10. What does it say about Scott that he was so highly involved in Zelda's care during her episodes of hospitalization?
11. Why does Zelda tolerate Scott's infatuation with actress Lois Moran and, later, columnist Sheilah Graham?
12. When Zelda says Ernest Hemingway is to blame for the disaster she and Scott made of their lives, what exactly does she mean? What might have been different for them if Hemingway hadn't been Scott's close friend?
13. Ernest Hemingway's sexuality has been the subject of scrutiny by literary scholars and curious readers alike. In what ways was Zelda's fear about the nature of Scott's friendship with Hemingway justified?
14. Owing greatly to Ernest Hemingway's account of her in A Moveable Feast (1964), Zelda has been seen as "F. Scott Fitzgerald's crazy wife." Why do you think Hemingway wrote so spitefully about her and so critically about Scott so many years after both their deaths?
15. Scott made almost all his money writing for the popular magazines ("the slicks") and from the movie industryand making money was essential for the lifestyle he wanted to lead. Why, then, was he forever struggling to impress the critics with more serious work?
16. Alcohol abuse and infidelity were seen as common and acceptable during the Jazz Age and among the expatriates especially. How much have views changed since then?
17. How do Sara and Gerald Murphy influence Zelda? What about Zelda's friend Sara Haardt Mencken?
18. Despite her evolving interests and ambitions, Zelda never saw herself as a feminist. How might that view have affected her choices, both as a young woman and then later, when she aspired to dance professionally?
19. In what ways would the Fitzgeralds' public and private lives have been different if they'd lived in the 1960s? 1980s? Today?
20. The Great Gatsby is often said to have been modeled on the Fitzgeralds' time in Great Neck (Long Island), New York, with Gatsby's love for Daisy inspired by Zelda's affair with Edouard Jozan. Where in Z do you see evidence of this?
21. Scott turns Zelda's affair with Jozan into another Fitzgerald tale. What does this say about him? What does it say about Zelda that she allows it?
22. Though Zelda spends most of her adult life away from her family and the South, she doesn't escape their influences. Where do you see this most vividly?
Most Helpful Customer Reviews
Therese Fowler is a very talented writer as have read all her books--once again she has written a winner! Hats off first with the stunning cover (an eye catcher) and the research involved in putting together this extraordinary novel! Everything about the roaring 20s is appealing from the glitz, glamour, romance, travels, parties, culture, and fashion. As a lover of Scott Fitzgerald and The Great Gatsby, the first person fiction from Zelda’s perspective was nicely portrayed, transporting you back in time, setting the mood for each adventure. You get caught up into Zelda’s lifestyle as she experiences the highs and lows of a complex relationship of love and hate. She was talented and misunderstood-a Southern belle merging from the naïve protected girl to the struggles of power, success, fame, travel, alcoholism, infidelity, and mental illness and tough choices as she struggles for her own independence and self-worth. Well done!
This is an incredibly readable novel, one of the best I have read about Fitzgeralds. As a university English professor, I have done a great deal of research on both Scott and Zelda, and the research here is impeccable. What Fowler has also done, is write a wonderful readable novel. The prose moves swiftly; no details are superfluous, repetitive or unnecessary. I stayed up half the night finishing this. What I also really appreciate is that Fowler tries to address several of the mythologized aspects of Zelda's life. Read Fowler's ending notes and you will see how she explains using the vast amounts of research available on this couple--including their own letters--to try and present a rationale view of what happened during that tragic, turbulent relationship. What emerges is Zelda as a sheltered, spoiled, naïve young debutante, whisked away by the romantic notions presented to her by a mysterious, brash young man--a young man who offered her a way out of that safe and predictable existence she knew. The fact her parents were dead-set against it only added to the allure. To see this bright spirit crushed and distorted against her husbands' excessive ambition, immaturity, alcoholism and insecurities is tragic. Zelda is a heartbreaking figure and Fowler does a beautiful job bringing her to light. One of the best books I've read this year, so far.
I loved this book! Perfect for fans of The Paris Wife or Rules of Civility.
This in an incredible story about the life of Zelda Fitzgerald! Fowler captures the lives of Zelda and F. Scott Fitzgerald in such a way that makes you never want to stop reading!
Being a big fan of F Scott Fitzgerald I thought this would be a great read and it was interesting but not a must read. An unexpectedly sad tale that made me want to learn more about her though to see how others viewed her and their relationship. For those that really loved The Paris Wife, you will likely enjoy this as well.
I hope that, in another life, I was Zelda Fitzgerald. In Z, A Novel of Zelda Fitzgerald, Therese Anne Fowler has captured the most amazing and interesting character of a real-life person and spun a fascinating tale of what her life was like as the wife of F. Scott Fitzgerald. The voice of the book is intriguing and unique and I couldn't help but be drawn into the 1920's and wish I were living this glamorous, chaotic life...until it came crashing down. Fowler has managed not only to grab my attention for the reading of this book but also to rekindle an interest in the writings of F. Scott Fitzgerald, Ernest Hemingway, and Ezra Pound. I even put on a Cole Porter album to listen to while reading the last few chapters. If you'd like to be transported to another time and place do not hesitate to read Z. Victoria Allman author of: SEAsoned: A Chef's Journey with Her Captain
If you liked The Paris Wife, you will love Z. Fowler writes an incredible story of the life and times Zelda Fitzgerald and her struggle to establish her own talents, find self worth all in the shadow of her infamous/famous husband F. Scott Fitzgerald. Great book!
Another book in a long line of the "Poor Wives of Famous Men" who had no choices in life but to be ruined by their husbands, rather than go on to fulfill their own obvious-to-the-author brilliant destinies. While I understand the differences in eras. women could do one thing no matter the decade - leave him. Particularly if said woman has her own artistic calling. Disappointing. The true story of Scott and Zelda is far more compelling.
I plodded through half of this book before finally giving up. I hate not to finish a book but I made an exception in this case. It is like reading the diary of a really boring person's life. Full of meaningless detail and lacking in depth. Time to move on.
I've not finished reading it...the vocabulary is at a third grade level and the style is too simple to snare my interest.
I was somewhat disappointed with the book. Thought the Paris Wife was better. Would suggest you read the book Zelda. Much better.
I loved every minute of this book. The writing is so beautifully done, you just want to write down little snippets to remember forever.
Absolutely fabulous. I could not put the book down. The author transports you back to a part of history full of excesses. You feel the love and the heartache with each word that F. Scott and Zelda had for each other.
A very good book about the life and times of Zelda, but her struggles reminded me of other women I have known. Her story may be set in a particular time, but it is also universal.
Don't waste your time with this trite book...if you really have an interest in the Fitzgerald's, buy Nancy Mitford's "Zelda" and learn something worthwhile!!!!!
Disappointing. Seems to be a poor copy of "The Paris Wife," which I thought was wonderful.
Powerful Story, Emotionally Driven!In all honesty, I should say before my review that I don't know much about Zelda Fitzgerald. All I really knew about F. Scott Fitzgerald was just from reading some of his work. In all honesty, my love of Midnight in Paris is what made me click request on NetGalley. My enjoyment of this book has nothing to do with accuracy of the historical information. I wasn't sure what to expect in this book. The time period though is such an interesting time. The 20's? It was just interesting time in our history. Prohibition. The first world war. New York. And then the book goes into Paris and other parts of France, Italy, and others. I love books that allow me to explore the world outside the great state of Texas. I really thought that the author did a great job of capturing the blurring world that Scott and Zelda faced. As a story, the book was pretty awesome. The story was powerful, and I felt all these crazy swirling emotions throughout Zelda's fight with her world, her role as a woman, and the wife of a great and troubled writer. Living in the world now, I can't imagine what it must have really been like for women. Many people would be disappointed to find that I am not really a feminist. But I do understand that it's hard to criticize a world in which I didn't live. I really appreciated the character that Zelda represented. Many would really appreciate the relationship between Scott and Zelda. There was a lot of love there, but there was also a bit of toxicity. The relationship was just as bad for them as there was good. Watching them love each other and yet slowly tear each other apart was incredibly heartbreaking to witness through the pages. Seeing the different characters that we have come to recognize through their work in the book was also really interesting. Characters like Ernest Hemingway, Gertrude Stein, Gerald and Sara Murphy, Ezra Pound, Picasso, and many others fill the book. I really appreciate that kind of thing. I know that my review isn't a super clear image of what the book is. Let me try to summarize. Zelda Fitzgerald was the wife of F. Scott Fitzgerald, a great writer from the 20's. She was also a dancer, an artist, and a writer herself. She would discover so much about who she is throughout the story, but she is also faced with the conflicts such discoveries have with the role that women were to play during that time. As a daughter of the South, Scott promised her a world of adventure. Still at the end of a tumultuous adventure, even in the midst of mental instability made worse by misdiagnosis, she kept a strength and dignity that I respected. The story is powerful and emotional and the writing, to me, was beautiful. It's a great story, and it makes me want to read some biographies and read some of Zelda's work.
Z: A NOVEL OF ZELDA FITZGERALD written by Therese Ann Fowler,read by Jenna Lamia is a wonderful historical/autobiography set during the 1920’2. A powerful story of the Fitzgeralds,the Jazz age,the roaring 20′s,love,the life and times of F. Scott Fitzgerald and his beautiful wife,Zelda. Their drinking,jealousy,obsession,fame,and Zelda’s diagnosis of Schizophrenia and her stay in a Swiss Mental facility. An autobiography of a fascinating couple in American history,F. Scott Fitzgerald. I think we all have read “The Great Gatsby” in high school,but this story will make you want to re-read that story with a new look. Oh yeah, did I mention Ernest Hemingway. The reading of this story was very smoothly done, holding your interest. And yes the reader uses a Southern drawl often to carry the story. Being from the South, I enjoyed the Sourthern drawl. A wonderful and intriguing audio. Be warned: It may contain some offensive language to some readers! Received for an honest review. *On Sale 3/26/2013* * Published simultaneously with the print edition from St. Martin’s Press* RATING: 4 HEAT RATING: NONE RECEIVED BY: AprilR, My Book Addiction Reviews/My Book Addiction and More
Its very interesting to learn about Zelda Sayre Fitzgerald.
I purchased this book within weeks of finishing The Paris Wife in 2014. I couldn't wait to compare their stories and look at life in the 1920's. Then I became distracted by other things and a whole year went by with Z sitting on my shelf, waiting to be read. When I finally picked it up I wasn't excited anymore, but I felt that I should read it before I bought more books. The beginning of Z was rather confusing because I expected it to start with Zelda as a child or young woman and instead it began with a letter she was writing to Scott late in their marriage. In addition, I didn't find Zelda very likeable at the beginning. She came across haughty and spoiled with just a touch of naive rebelliousness. I worried that the book would be boring because I disliked her, and then I felt bad about disliking her, and it spiraled from there. I put the book down and didn't pick it up again for 6 months, at which point I finally gave in and decided to finish it, because I hate leaving things undone. As the story progresses, Zelda matures, not just physically, but emotionally and mentally. Being in her mind throughout the story you can feel her growing and - thankfully - becoming for likeable. As Zelda and Scott's marriage deteriorates, Zelda gains unimaginable strength of character and becomes one of my favorite people. She is truly a Renaissance woman. She is a painter, a dancer, and a wonderful writer despite being pushed continually into using Scott's name on her work. She single-handedly saves their family from ruin at the expense of her own sanity, and then she puts her life back together again. Zelda Fitzgerald becomes a true paragon of a strong woman, and I am thankful every day that Therese Ann Fowler chose to share this version of her with the world. Living through the ups and downs and twists of a marriage that spans wars and depressions, fame and hospitalization, love and hatred, Zelda is the one holding together not just her own life, but Scott's as well. Until the very end, she is his biggest supporter as well as his biggest critic, and he is only the better for it. Probably the part that intrigued me the most was the summer everyone went to the beach, because this period of time appeared in both Z and in The Paris Wife, but from the different women's points of view. Having read The Paris Wife, in which Zelda and Scott were very minor character and hardly mentioned, it was fascinating to see Ernest and especially Hadley from Zelda's point of view in Z. To Zelda, Hadley is a very important person, and someone she strives to understand and even somewhat emulate because of her strength during Ernest's betrayal. The whole section just made me love these two women even more. By the time I reached the conclusion of the book, I didn't want it to be over. The beginning had been explained and I understood the point of starting at the end, since in many ways Zelda's life came full circle. I would highly recommend Z to anyone who liked The Paris Wife, and to anyone and everyone who enjoys period pieces. In fact, I would recommend that every woman (or just every person, really) should read this book and The Paris Wife because they are just so educational and inspiring and strengthening that I think everyone could gain something from their pages. Curio Street Reads Rating: 5 Stars www.CurioStreetReads.wordpress.com
Very interesting telling of the story of F. Scott and Zelda Fitzgerald. Their relationship as husband and wife, their friendship with Ernest Hemingway. And their world traveling lifestyle are all explored.
Who u marrying
Waits naked on the bed