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African American Film Noir and Philosophy: Racing Shadow and Light

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How have feelings, presumptions, and preconceptions concerning racialized Blackness intersected with film noir? Dan Flory relies on recent advances in philosophy of film, philosophy of emotion, cognitive film theory, and critical philosophy of race to guide his analyses of this well-known film genre.
Making sense of techniques, themes, and characterizations filmmakers have used in order to structure movies into film noirs, Flory focuses on those viewer responses that are not consciously regi...