The Alienist

The Alienist

by Caleb Carr

Paperback(Reprint)

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Product Details

ISBN-13: 9780812976144
Publisher: Random House Publishing Group
Publication date: 10/24/2006
Series: Alienist Series , #1
Edition description: Reprint
Pages: 512
Sales rank: 8,122
Product dimensions: 5.17(w) x 7.97(h) x 1.07(d)

About the Author

Caleb Carr is the critically acclaimed author of The Alienist, The Angel of Darkness, The Lessons of Terror, Killing Time, The Devil Soldier, The Italian Secretary, The Legend of Broken, and Surrender, New York. He has taught military history at Bard College, and worked extensively in film, television, and the theater. His military and political writings have appeared in numerous magazines and periodicals, among them The Washington Post, The New York Times, andThe Wall Street Journal. He lives in upstate New York.

Hometown:

New York, New York

Date of Birth:

August 2, 1955

Place of Birth:

New York, New York

Education:

Attended Kenyon College, 1973-75; B.A. in history, New York University, 1977

Read an Excerpt

Chapter 1
CHAPTER 1 January 8th, 1919 Theodore is in the ground.  The words as I write them make as little sense as did the sight of his coffin descending into a patch of sandy soil near Sagamore Hill, the place he loved more than any other on earth. As I stood there this afternoon, in the cold January wind that blew off Long Island Sound, I thought to myself: Of course it’s a joke. Of course he’ll burst the lid open, blind us all with that ridiculous grin and split our ears with a high-pitched bark of laughter. Then he’ll exclaim that there’s work to do—“action to get!”—and we’ll all be martialed to the task of protecting some obscure species of newt from the ravages of a predatory industrial giant bent on planting a fetid factory on the little amphipian’s breeding ground. I was not alone in such fantasies; everyone at the funeral expected something of the kind, it was plain on their faces. All reports indicate that most of the country and much of the world feel the same way. The notion of Theodore Roosevelt being gone is that—unacceptable. In truth, he’d been fading for longer than anyone wanted to admit, really since his son Quentin was killed in the last days of the Great Butchery. Cecil Spring-Rice once droned, in his best British blend of affection and needling, that Roosevelt was throughout his life “about six”; and Herm Hagedorn noted that after Quentin was shot out of the sky in the summer of 1918 “the boy in Theodore died.” I dined with Laszlo Kreizler at Delmonico’s tonight, and mentioned Hagedorn’s comment to him. For the remaining two courses of my meal I was treated to a long, typically passionate explanation of why Quentin’s death was more than simply heartbreaking for Theodore: he had felt profound guilt, too, guilt at having so instilled his philosophy of “the strenuous life” in all his children that they often placed themselves deliberately in harm’s way, knowing it would delight their beloved father. Grief was almost unbearable to Theodore, I’d always known that; whenever he had to come to grips with the death of someone close, it seemed he might not survive the struggle. But it wasn’t until tonight, while listening to Kreizler, that I understood the extent to which moral uncertainty was also intolerable to the twenty-sixth president, who sometimes seemed to think himself Justice personified. Kreizler . . . He didn’t want to attend the funeral, though Edith Roosevelt would have liked him to. She has always been truly partial to the man she calls “the enigma,” the brilliant doctor whose studies of the human mind have disturbed so many people so profoundly over the last forty years. Kreizler wrote Edith a note explaining that he did not much like the idea of a world without Theodore, and, being as he’s now sixty-four and has spent his life staring ugly realities full in the face, he thinks he’ll just indulge himself and ignore the fact of his friend’s passing. Edith told me today that reading Kreizler’s note moved her to tears, because she realized that Theodore’s boundless affection and enthusiasm—which revolted so many cynics and was, I’m obliged to say in the interests of journalistic integrity, sometimes difficult even for friends to tolerate—had been strong enough to touch a man whose remove from most of human society seemed to almost everyone else unbridgeable. Some of the boys from the Times wanted me to come to a memorial dinner tonight, but a quiet evening with Kreizler seemed much the more appropriate thing. It wasn’t out of nostalgia for any shared boyhood in New York that we raised our glasses, because Laszlo and Theodore didn’t actually meet until Harvard. No, Kreizler and I were fixing our hearts on the spring of 1896—nearly a quarter-century ago!—and on a series of events that still seems too bizarre to have occurred even in this city. By the end of our dessert and Madeira (and how poignant to have a memorial meal in Delmonico’s, good old Del’s, now on its way out like the rest of us, but in those days the bustling scene of some of our most important encounters), the two of us were laughing and shaking our heads, amazed to this day that we were able to get through the ordeal with our skins; and still saddened, as I could see in Kreizler’s face and feel in my own chest, by the thought of those who didn’t. There’s no simple way to describe it. I could say that in retrospect it seems that all three of our lives, and those of many others, led inevitably and fatefully to that one experience; but then I’d be broaching the subject of psychological determinism and questioning man’s free will—reopening, in other words, the philosophical conundrum that wove irrepressibly in and out of the nightmarish proceedings, like the only hummable tune in a difficult opera. Or I could say that, during the course of those months, Roosevelt, Kreizler, and I, assisted by some of the best people I’ve ever known, set out on the trail of a murderous monster and ended up coming face-to-face with a frightened child; but that would be deliberately vague, too full of the “ambiguity” that seems to fascinate current novelists and which has kept me, lately, out of the bookstores and in the picture houses. No, there’s only one way to do it, and that’s to tell the whole thing, going back to that first grisly night and that first butchered body; back even further, in fact, to our days with Professor James at Harvard. Yes, to dredge it all up and put it finally before the public—that’s the way. The public may not like it; in fact, it’s been concern about public reaction that’s forced us to keep our secret for so many years. Even the majority of Theodore’s obituaries made no reference to the event. In listing his achievements as president of the Board of Commissioners of New York City’s Police Department from 1895 to 1897, only the Herald—which goes virtually unread these days—tacked on uncomfortably, “and of course, the solution to the ghastly murders of 1896, which so appalled the city.” Yet Theodore never claimed credit for that solution. True, he had been open-minded enough, despite his own qualms, to put the investigation in the hands of a man who could solve the puzzle. But privately he always acknowledged that man to be Kreizler. He could scarcely have done so publicly. Theodore knew that the American people were not ready to believe him, or even to hear the details of the assertion. I wonder if they are now. Kreizler doubts it. I told him I intended to write the story, and he gave me one of his sardonic chuckles and said that it would only frighten and repel people, nothing more. The country, he declared tonight, really hasn’t changed much since 1896, for all the work of people like Theodore, and Jake Riis and Lincoln Steffens, and the many other men and women of their ilk. We’re all still running, according to Kreizler—in our private moments we Americans are running just as fast and fearfully as we were then, running away from the darkness we know to lie behind so many apparently tranquil household doors, away from the nightmares that continue to be injected into children’s skulls by people whom Nature tells them they should love and trust, running ever faster and in ever greater numbers toward those potions, powders, priests, and philosophies that promise to obliterate such fears and nightmares, and ask in return only slavish devotion. Can he truly be right . . . ? But I wax ambiguous. To the beginning, then! CHAPTER 2  An ungodly pummeling on the door of my grandmother’s house at 19 Washington Square North brought first the maid and then my grandmother herself to the doorways of their bedrooms at two  o’clock on the morning of March 3, 1896. I lay in bed in that no-longer-drunk yet not-quite-sober state which is usually softened by sleep, knowing that whoever was at the door probably had business with me rather than my grandmother. I burrowed into my linen-cased pillows, hoping that he’d just give up and go away. “Mrs. Moore!” I heard the maid call. “It’s a fearful racket—shall I answer it, then?” “You shall not,” my grandmother replied, in her well-clipped, stern voice. “Wake my grandson, Harriet. Doubtless he’s forgotten a gambling debt!” I then heard footsteps heading toward my room and decided I’d better get ready. Since the demise of my engagement to Miss Julia Pratt of Washington some two years earlier, I’d been staying with my grandmother, and during that time the old girl had become steadily more skeptical about the ways in which I spent my off-hours. I had repeatedly explained that, as a police reporter for The New York Times, I was required to visit many of the city’s seamier districts and houses and consort with some less than savory characters; but she remembered my youth too well to accept that admittedly strained story. My homecoming deportment on the average evening generally reinforced her suspicion that it was state of mind, not professional obligation, that drew me to the dance halls and gaming tables of the Tenderloin every night; and I realized, having caught the gambling remark just made to Harriet, that it was now crucial to project the image of a sober man with serious concerns. I shot into a black Chinese robe, forced my short hair down on my head, and opened the door loftily just as Harriet reached it. “Ah, Harriet,” I said calmly, one hand inside the robe. “No need for alarm. I was just reviewing some notes for a story, and found I needed some materials from the office. Doubtless that’s the boy with them now.” “John!” my grandmother blared as Harriet nodded in confusion. “Is that you?” “No, Grandmother,” I said, trotting down the thick Persian carpet on the stairs. “It’s Dr. Holmes.” Dr. H. H. Holmes was an unspeakably sadistic murderer and confidence man who was at that moment waiting to be hanged in Philadelphia. The possibility that he might escape before his appointment with the executioner and then journey to New York to do my grandmother in was, for some inexplicable reason, her greatest nightmare. I arrived at the door of her room and gave her a kiss on the cheek, which she accepted without a smile, though it pleased her. “Don’t be insolent, John. It’s your least attractive quality. And don’t think your handsome charms will make me any less irritated.” The pounding on the door started again, followed by a boy’s voice calling my name. My grandmother’s frown deepened. “Who in blazes is that and what in blazes does he want?” “I believe it’s a boy from the office,” I said, maintaining the lie but myself perturbed about the identity of the young man who was taking the front door to such stern task. “The office?” my grandmother said, not believing a word of it. “All right, then, answer it.” I went quickly but cautiously to the bottom of the staircase, where I realized that in fact I knew the voice that was calling for me but couldn’t identify it precisely. Nor was I reassured by the fact that it was a young voice—some of the most vicious thieves and killers I’d encountered in the New York of 1896 were mere striplings. “Mr. Moore!” The young man pleaded again, adding a few healthy kicks to his knocks. “I must talk to Mr. John Schuyler Moore!” I stood on the black and white marble floor of the vestibule. “Who’s there?” I said, one hand on the lock of the door. “It’s me, sir! Stevie, sir!” I breathed a slight sigh of relief and unlocked the heavy wooden portal. Outside, standing in the dim light of an overhead gas lamp—the only one in the house that my grandmother had refused to have replaced with an electric bulb—was Stevie Taggert, “the Stevepipe,” as he was known. In his first eleven years Stevie had risen to become the bane of fifteen police precincts; but he’d then been reformed by, and was now a driver and general errand boy for, the eminent physician and alienist, my good friend Dr. Laszlo Kreizler. Stevie leaned against one of the white columns outside the door and tried to catch his breath—something had clearly terrified the lad. “Stevie!” I said, seeing that his long sheet of straight brown hair was matted with sweat. “What’s happened?” Looking beyond him I saw Kreizler’s small Canadian calash. The cover of the black carriage was folded down, and the rig was drawn by a matching gelding called Frederick. The animal was, like Stevie, bathed in sweat, which steamed in the early March air. “Is Dr. Kreizler with you?” “The doctor says you’re to come with me!” Stevie answered in a rush, his breath back. “Right away!” “But where? It’s two in the morning—” “Right away!” He was obviously in no condition to explain, so I told him to wait while I put on some clothes. As I did so, my grandmother shouted through my bedroom door that whatever “that peculiar Dr. Kreizler” and I were up to at two in the morning she was sure it was not respectable. Ignoring her as best I could, I got back outside, pulling my tweed coat close as I jumped into the carriage. I didn’t even have time to sit before Stevie lashed at Frederick with a long whip. Falling back into the dark maroon leather of the seat, I thought to upbraid the boy, but again the look of fear in his face struck me. I braced myself as the carriage careened at a somewhat alarming pace over the cobblestones of Washington Square. The shaking and jostling eased only marginally as we turned onto the long, wide slabs of Russ pavement on Broadway. We were heading downtown, downtown and east, into that quarter of Manhattan where Laszlo Kreizler plied his trade and where life became, the further one progressed into the area, ever cheaper and more sordid: the Lower East Side.

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The Alienist 4.3 out of 5 based on 0 ratings. 388 reviews.
JGolomb More than 1 year ago
Wow. What a read. I don't think I've gone through 600 pages faster than I did with "Alienst" over the past week. The story is exciting. The writing is vivid. And the characters are interesting. Think of this as CSI - New York - 1896. The story: a turn of the century psychologist, a crime reporter, Theodore Roosevelt, and a few other detectives and support staff search for a serial killer who's horribly butchering children in New York City. There are virtually no lulls in the story, as author Carr drops clue after clue, and slowly builds up an empirical profile of the mysterious killer. There are no obvious points to put the book down and take a breather, as I continuously found myself staying up later and later following each new lead and discovery. The book is a bit gory. There's nothing held back in the details of bloody murders, and reflections on stories of abuse. If you're able to accept this level of realism, then I wouldn't hesitate to recommend this book.
Dr_Dean More than 1 year ago
I absolutely loved this book! There is a little bit of everything in this novel--part murder mystery, part psychological thriller, with a generous dose of historical accuracy thrown in. The reader is thrown into New York City at the turn of the 20th century, where the field of psychology is fighting to emerge into legitimacy. A rag-tag team is formed to stop a serial killer brutally murdering child prostitutes using rudimentary criminological science. It's fusion with real characters of the time (Theodore Roosevelt, J.P. Morgan) with an electrifying story made it impossible to put down. I can't wait to read the sequel!
AliceB52 More than 1 year ago
I am typically a very slow reader, but when I get something really great, I go through it too fast. This is one of those books. The characters are compelling, but the plot and setting are so unusual. The historical details are so interesting. It is hand over fist one of the most intelligent thrillers I have ever read. I generally love historical thrillers anyway, but this one is top notch. If you are a fan of the genre and haven't yet read it then this must go to the top of your list!
Anonymous More than 1 year ago
I read this once, several years ago, and it's been one of my top recommendations to friends. Historical fiction that reads like a novelization of a true event, the pacing is great, the details are immersive, and it's just a thrilling book overall. Love it, 10/10, would read again.
Anonymous More than 1 year ago
I have read this book many times. it is my favorite and it never disappoints to keep me entertained.
Anonymous More than 1 year ago
This is my first online book review. I am a pathological reader with high standards for plot accuracy and complexity/writing quality and character development. Although i have read thousands of books in my time THIS is one of the top five I have ever curled up with and enjoyed. Plunk down your VISA card number and beprepared to enter a steamy funky immigrant world in old NY where the men are brilliant, the girls are brave and tough and the murders are spooky and scary not to mention the politicians who never seem to change. Buy it read it and keepit to reread over again.
Tennesseedog More than 1 year ago
This is a great book. The story is intriguing and the writing style engaging and fun. The time is 1896 and the place is New York City. Police commissioner is Teddy Roosevelt, the future President of the US. And the search is on for a serial killer of children, mainly young boys involved in the sex trade. The story is fictional but uses real scientific premises and psychological/forensic theories to contextualize the story of the young investigators, including the first New York City Police female secretary. She is also a good shot with a revolver and an early feminist advocate. The murderer is a fiendish, very damaged individual and how the investigators search out clues, tease out his psychology and finally set their trap makes this novel a great read.
Anonymous More than 1 year ago
Looking forward to reading before the tv series. Sample is enticing.
Anonymous More than 1 year ago
I rarely read fiction, because, most books fall into one of several predictable plot lines. The Alienist is not one of those books. It's a long book that is crammed full of history, pagentry, excitement, and wit. The Alienist is very much on par with the Game of Thrones, and may even be better written. I liked it so much I was able to read it in one day.
Anonymous More than 1 year ago
Fascinating plot and interesting story line. Keeps the reader interested from beginning to end.
CalypsoBella More than 1 year ago
I've read this book twice now. The depiction of turn of the century New York is richly envisioned. Teddy Roosevelt is fascinating. The characters are fully developed people you can care about.
Anonymous More than 1 year ago
Everyone I've recomended this to has loved it as well. A great mix of history, mystery and suspense.
Anonymous More than 1 year ago
Excellently written. Best book Ive read recently.
Anonymous More than 1 year ago
This book is amazing. Attention to detail, timeline characteristics, and a rag tag group to pull it together. This book will catch you in the first twenty pages (first 10 for me).
Anonymous More than 1 year ago
Reading Abraham Lincoln Vampire Hunter recently caused me to remember how much I had enjoyed this book years before.
Anonymous More than 1 year ago
Marvelous account of the "birth" of forensic psychology in crime solving. Dark, disturbing, and full of intriguing historic detail, plus a team of oddly assorted investigators wjo rival anything currently on television. A fantastic read.
Anonymous More than 1 year ago
Fantastic turn of the century historical fiction.
manugw More than 1 year ago
Set at the end of the 19th century in New York and with a dark, gloomy Edgar Allan Poe savor, this original novel approaches the crime genre from another angle, profiling, that is, getting into the mind of a serial murderer, step by step through forensic deductive sciences and psychological insights arising from the knowledge and technology available at that time. The plot featured as a blend of historical fiction and psychological thriller, it is well constructed, but it goes at a very slow pace sometimes with very tedious pitfallings. Though in general has a fair resolution, the events that give way to the definition suddenly speed up too much in relation to the very long slow prior structure of the plot, subtly tarnishing the quality of the story overall. Deep and complex requires concentration and patience
queencersei on LibraryThing 18 days ago
The Alienist is set in 1890¿s New York, where a series of boy prostitutes are being grisly murdered. Dr. Laszlo Kriesler leads a team of associates to stop the killings. Crime reporter John Moore, the books narrator also works with Dr. Kriesler to find out who the killer is. The novel does a good job of exploring the origins of scientific methods such as fingerprinting and profiling. The horrific penal system of the late 1890¿s is described as well. While not the best murder-mystery novel ever written, The Alienist is chock full of suspense.
Othemts on LibraryThing 18 days ago
In 1896 in New York City a serial killer is murdering and mutilating the bodies of boy prostitutes. Police commissioner Theodore Roosevelt attempting to reform a corrupt police department indifferent to these crimes calls in two friends to help solve the murders: psychologist (aka "alienist" in contemporary parlance)Laszlo Kreizler and underachieving crime reporter John Schuyler Moore who also narrates the book. Joining the team is the first woman to work for the NYPD and twin detectives. Together they put together a psychological profile of the killer and use other modern methods to track him down. The denouement ofthe book is hokey but everything leading up to it is entertaining and historically-detailed so it is worth reading.
majkia on LibraryThing 19 days ago
It is 1896. Teddy Roosevelt is the Police Commissioner and is attempting to fight corruption within the police when the body of an immigrant boy, a boy prostitute, is found mutilated. Roosevelt calls in an old friend, an Alienist (which meant psychiatrist in those days), as an expert on how to find the killer. The powers that be in New York, from the powerful financiers, to the powerful crime lords, to the police forces themselves, to the religious community, want nothing to do with this crime. They don't want to stir up the immigrant communities, nor do they want attention drawn to the world of prostitution and abject poverty that so many in the city endure. And who cares if a boy prostitute is killed anyway. He asked for it.The Alienist, Kreizler, calls upon a childhood friend to assist, a Newspaper man, who understands the whole nasty underside of New York. Between them, they convince their pal Teddy, to authorize an undercover task force to find the killer, who Krizler is certain, will kill again, if he hasn't already done so. Thus begins a fascinating tale, detailing the state of investigative procedure at the time. It breaks all the acceptable rules regarding policing, and instead tries to identify this unknown killer based on psychology and his signature kills and what they can deduce from his background, his childhood and his thought processes.It details the horrors of life in those times for the little people, and looks frankly at corruption, greed and crime. No one wants this group to succeed for many reasons and their lives are at risk not only from a smart serial killer, but also from those who want to control the city and bury even the existence of such matters.Highly recommended for those who enjoy gritty historical crime fiction.
rosies on LibraryThing 19 days ago
wonderful depiction of late 1800s New York. I still think about him running along the rooftops. That is scary.
fyrefly98 on LibraryThing 19 days ago
Summary: In the New York City of 1896, corruption was rampant, particularly in the city's police department. New Police Commissioner Teddy Roosevelt was attempting reform, but a number of cases still fell through the cracks. An apparent pattern in several of these cases is brought to the attention of Dr. Laszlo Kreizler, a psychologist (or "alienist") who is obsessed with the ways in which childhood experience can shape later life. The cases all involve the violent and disturbing murders of immigrant children - specifically those who had been making their living at one of the city's numerous brothels. Kreizler, along with reporter John Moore, two of the top (and first) forensic scientists of the time, and a young woman determined to become the city's first female police officer, must push police work beyond where it has gone before, creating a profile of this shadowy serial killer... and finding him before he can strike again.Review: While I didn't always love the packaging, the story at the core of The Alienist was an excellent detective mystery. The pacing is excellent, the historical detail is fascinating, and the action/thriller parts were properly exciting. It's not a mystery in a whodunit sense, where the clues are all given to the reader, and that reader can piece together the solution on their own; because the detectives are working on profiling the killer, who could be anyone in the city, there's not really that element of solving the mystery for yourself. Nevertheless, I was kept thoroughly engaged by Kreizler's team's efforts, even when I couldn't see (or even guess) where they were going.But really, the best part about this book for me was the historical atmosphere. While I like the idea of Gilded Age NYC in theory, several of my past encounters with it in fiction have been rather disappointing (a problem of the prose, not the setting, but a strong enough association to make me wary.) Carr, however, brings the era wonderfully to life, taking readers from the glitzy world of Delmonico's Restaurant to the dankest and darkest slums and brothels. He also manages to smoothly incorporate not just the feeling of the city itself, but also some aspects of the wider political and social climate of the time, which doesn't always happen in historical fiction. And most of all, I found the glimpse into the history of mental illness and the early days of forensics completely fascinating; it was a time in which the idea that fingerprints were unique and invariant was still considered quackery, but it was widely believed that the retina retained an image of the last thing a person saw before death.This book is written as a memoir from Moore's point of view. While this did lend some reflective, larger-picture aspects to the story than it would have had if it hadn't been told in the first person, I think the lack of immediacy hurt the story more than it helped. For starters, it's clear that if Moore is telling the story, he must have survived its events, which diffuses some of the suspense of what would otherwise have been very tense scenes. But what mostly annoyed me was that the memoir framework was used to put these really broad, portentous "teaser" hints throughout the book: a lot of "we didn't know it at the time, but..."-type statements that would take chapters to be revealed and resolved. But in the grand scheme of things, that's relatively minor; most of what this book does, it does very well indeed. 4 out of 5 stars.Recommendation: The comparison that kept coming to mind while I read was to Devil in the White City; despite the fiction/non-fiction divide, they're actually very similar not only in subject matter but also in tone. But more broadly, I think this one should definitely be on the radar for any fan of historical mysteries, or fans of modern mysteries who are interested in the early days of serial killers and forensic detective work.
LisaMaria_C on LibraryThing 19 days ago
I admit the fairly high rating may reflect this book hits the spot for me in several ways. I love books that cross genres, and this one is a melange of mystery, suspense/thriller and historical fiction--and one set in my own beloved New York City--albeit that of 1896. I admit I got a kick out of reading of familiar streets and landmarks, and those of the gilded age that have disappeared. This is written as the first person account of John Schuyler Moore, a crime reporter for the New York Times. He's pulled in by his Harvard College classmates Theodore Roosevelt, the future President then a reforming Police Commissioner, and Dr. Laszlo Kreizler, an "alienist." A note at the beginning of the book states: "Prior to the twentieth century, persons suffering from mental illness were thought to be 'alienated,' not only from the rest of society but from their own true natures. Those experts who studied mental pathologies were therefore known as alienists." Moore and Kreizler form an investigating team to track down a serial killer with the detective Isaacson brothers and Sara Howard, who aspires to be the first female police officer. I love the historical details of the city and of the emerging sciences of forensics and psychology, and how the novel takes us from the slums of the Lower East Side to the Metropolitan Opera's Diamond Horseshoe. This was an engrossing, lively yarn I relished from beginning to end.
Marliesd on LibraryThing 19 days ago
Great fun--I always recommend this book--especially for trips. Especially fun if you love old New York stuff.