2017 Story Prize Winner
“As I was writing My Name Is Lucy Barton,” Strout says, “it came to me that all the characters Lucy and her mother talked about had their own stories—of course!—and so the unfolding of their lives became tremendously important to me.” Here, among others, are the “Pretty Nicely Girls,” now adults: One trades self-respect for a wealthy husband, the other finds in the pages of a book a kindred spirit who changes her life. Tommy, the janitor at the local high school, has his faith tested in an encounter with an emotionally isolated man he has come to help; a Vietnam veteran suffering from PTSD discovers unexpected solace in the company of a lonely innkeeper; and Lucy Barton’s sister, Vicky, struggling with feelings of abandonment and jealousy, nonetheless comes to Lucy’s aid, ratifying the deepest bonds of family.
With the stylistic brilliance and subtle power that distinguish the work of this great writer, Elizabeth Strout has created another transcendent work of fiction, with characters who will live in readers’ imaginations long after the final page is turned.
Praise for Elizabeth Strout’s My Name Is Lucy Barton
“There is not a scintilla of sentimentality in this exquisite novel. Instead, in its careful words and vibrating silences, My Name Is Lucy Barton offers us a rare wealth of emotion, from darkest suffering to . . . simple joy.”—The New York Times Book Review
“Spectacular . . . My Name Is Lucy Barton is smart and cagey in every way. It is both a book of withholdings and a book of great openness and wisdom. . . . [Strout] is in supreme and magnificent command of this novel at all times.”—The Washington Post
“My Name Is Lucy Barton is a short novel about love, particularly the complicated love between mothers and daughters, but also simpler, more sudden bonds. . . . It evokes these connections in a style so spare, so pure and so profound the book almost seems to be a kind of scripture or sutra, if a very down-to-earth and unpretentious one.”—Newsday
“A quiet, sublimely merciful contemporary novel about love, yearning, and resilience in a family damaged beyond words.”—The Boston Globe
“Sensitive, deceptively simple . . . It is Lucy’s gentle honesty, complex relationship with her husband, and nuanced response to her mother’s shortcomings that make this novel so subtly powerful. . . . My Name Is Lucy Barton—like all of Strout’s fiction—is more complex than it first appears, and all the more emotionally persuasive for it.”—San Francisco Chronicle
|Publisher:||Random House Publishing Group|
|Product dimensions:||5.70(w) x 7.70(h) x 1.20(d)|
About the Author
Elizabeth Strout is the Pulitzer Prize–winning author of Olive Kitteridge; the #1 New York Times bestseller My Name Is Lucy Barton; The Burgess Boys, a New York Times bestseller; Abide with Me, a national bestseller and Book Sense pick; and Amy and Isabelle, which won the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in England. Her short stories have been published in a number of magazines, including The New Yorker and O: The Oprah Magazine. Elizabeth Strout lives in New York City.
Hometown:Brooklyn, New York
Date of Birth:January 6, 1956
Place of Birth:Portland, Maine
Education:B.A., Bates College, 1977; J.D., Syracuse College of Law, 1982
Read an Excerpt
Excerpted from "Anything Is Possible"
Copyright © 2017 Elizabeth Strout.
Excerpted by permission of Random House Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
The Sign 3
The Hit-Thumb Theory 92
Mississippi Mary 115
Dottie's Bed & Breakfast 181
Reading Group Guide
1. Why do you think Elizabeth Strout chose to structure Anything Is Possible as a novel in the form of linked stories? How would your understanding of the book change if it had been written instead as a novel with a single narrative?
2. How does the town of Amgash feature in the text? How does it shape the lives of its residents? If Amgash had its own personality, how would you characterize it?
3. The past plays a strong role in these stories, and many of the characters find themselves struggling to reconcile with it. What are the various ways in which the past shapes them? How do they attempt to deal with their own pasts, and those of the people around them?
4. Strout deals with many different types of family relationships in the book—between parents and children, between spouses, among siblings. How are these different types of relationships treated? What are the differences and similarities in the ways the characters navigate these relationships? Which ones resonated most with you, and why?
5. An emotion that Strout addresses throughout Anything Is Possible is shame. What are the different roles shame plays for the various characters in these stories? How are they motivated, propelled, or hindered by shame? What effects does shame have on these characters’ sense of self and their relationships with others?
6. Lucy Barton’s legend looms large in Amgash. How do we perceive her through the eyes of the characters in each of these stories? How do these impressions of her differ? When Lucy makes an appearance in “Sister,” did your perception of her change as Strout reveals the impact of Lucy’s absence on her siblings?
7. Strout portrays wealth and/or poverty through the changing circumstances of several of her characters: Linda Peterson-Cornell; Abel Blaine; Abel’s sister, Dottie; Tommy Barton and his sister Vicky. How do these characters react to their economic circumstances? How do these circumstances shape their relationships to those around them, and how they are perceived?
8. Many of the characters in these stories overcome adverse circumstances to experience moments of grace—Abel Blaine, Patty Nicely, and Angelina Mumford, for example. How do these moments of grace present themselves? Why do you think Strout decided to give her characters these opportunities for grace? How did this shape your understanding of these stories and characters?
9. Was there a character or story that affected you more than the others? Which, and why?
10. How did you interpret Strout’s choice of Anything Is Possible as a title, and how do you think this concept resonated with Abel Blaine in the last chapter of the book?